Dance: The Eightsome Reel

464-bar Reel
4 couples
Set shape: Square
Progression: set

Devised by:
(unknown) (1870)
Formations:
Hands across - 4 (HX;4P;)
Reel of three (REEL;R3;)
Grand Chain for 6 (GCHAIN;6P;)
Hands round - 7 (HR;7P;)
Hands round - 8 - and back (HR;8P;BACK;)
Note: Due to limitations in the underlying data, the relative order of formations in this list may be different from the order of formations in the actual dance.
Steps:
Skip-Change
Pas-de-Basque
Slip-Step
other
Published in:
Book 2 [12] *
Pocket: Books 1, 2, 3 [24]
101 Scottish Country Dances [28]
Scottish Reels are Fun [22]
Collins Pocket Reference [110]
Scottish Country Dances in Diagrams. Ed. 7 [45]
Scottish Country Dances in Diagrams. Ed. 6 [43]
Scottish Country Dances in Diagrams. Ed. 8 [56]
Full description:
http://www.scottishdance.net/ceilidh/dances.html#Eightsome
Recommended Music:
Deil Amang the Tailors (Thompson)
Recordings (33): Show tunes
Scotland - The Dances and Dance Bands (Ian Holmes and his Band), track 1
The World of Scottish Dance (Neil Barron and his Scottish Dance Band), track 1
The Shores of Loch Alvie (Bobby Crowe and his Scottish Dance Band), track 14
Saint Andrew's Ball - Volume 1 (The Cavendish Dance Band), track 2
Highland Airs (Bobby Crowe and his Scottish Dance Band), track 8 [pace 33.6]
Scottish Country Dancing (Bobby Crowe and his Scottish Dance Band), track 14 [pace 33.6]
Dances of Scotland (David Cunningham and his Scottish Dance Band), track 6
Let's Dance in Strict Tempo (Ian Holmes and his Band), track 6
Honour the Piper (Bill Clement), track 8
Testing the Water (Craigenroan), track 0
Footnotes (The Occasionals), track 17
Capital Reels (Auld Reekie), track 3 [pace 32.8]
Step in Time (Bobby Crowe and his Scottish Dance Band), track 2 [pace 34.1]
More Capital Reels (Auld Reekie), track 1 [pace 34.3]
O'er the Border (Jimmy Shand and his Band), track 9
Scottish Country Dances in Strict Tempo (Jimmy Shand and his Band), track 6
Golden Hour of Scottish Dancing (Jim MacLeod and his Band), track 7
Scottish Dance Favourites (Jim MacLeod and his Band), track 7
The Sound of Scotland (Jim MacLeod and his Band), track 8
Saint Andrew's Ball - Volume 2 (SCD Band of the Black Watch), track 1 [pace 29.9]
Dancing Live (The Muriel Johnstone Trio), track 8
Book 2. Music for Eleven Traditional Dances +1 (The Colin Dewar Quartet), track 12
Music for Collins Pocket Reference. Vol 2 (The Colin Dewar Quartet), track 2
Dance Date No 3 (Jim Cameron's Scottish Dance Band), track 1
Encore (Dancing Strings of Scotland), track 12
Scottish Pipes for Dancing (P/M James R Robertson), track 13
Cavendish Dance Band Plays SCD in Traditional Style (The Cavendish Dance Band), track 1 [pace 32.1]
Mooiste Muziek uit Schotland, De (Kathie O'Connor and the Happy Highlanders), track 5
Scottish Dance Programme (Johnny MacLeod's Scottish Country Dance Band), track 1
Piper's Choice (Bill Clement), track 16 [pace 34.3]
The Reel Party (Neil Barron and his Scottish Dance Band), track 1 [pace 33.0]
Iain MacPhail Celebrates in South America (Iain MacPhail and his Scottish Dance Band), track 2
The Southern Touch (David South and his Scottish Dance Band), track 14

Crib

Part A
1-8All C circle8 and back
9-161W+2W+3W+4W RHA, holding P LH ; all C veer right NHJ to bring M to the middle for LHA back to places, holding P RH.
17-24All C set to partners twice ; turn partners once BH, to finish facing partners in original places
25-40All C Gr-Chain (2 skip change par hand) to own places, finishing facing the centre
Part B
1-81W moves to centre, and dances alone (any suitable reel steps) while 1M+2C+3C+4C circle7 and back
9-161W sets to and turns P BH ; sets to and turns opposite M (3M) BH
17-241W+1M+3M Reel3, 1W starts with LSh to 1M, 1W stays in the centre at the end
25-32Repeat bars 1-8
33-401W sets to and turns M on right (4M) BH ; sets to and turns opposite m (2M) BH
41-481W+4M+2M Reel3, 1W starts with LSh to 4M, at the end 1W resumes her original place, and 2W moves into the centre
Repeat part B 7 times, with 2W, 3W, 4W, 1M, ... 4M each in turn in the centre. On bars 9- the W/M in the centre first sets to the P, then to the opposite M/W. In bars 33- the W/M first sets to the M/W on the L (seen from inside) of her/his original position, then the M/W opposite.
repeat part A
Crib needs checked · Source: Eric T. Ferguson ·

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