Dance: The Black Mountain Reel

32-bar Reel
5 couples
Set shape: Longwise - 5
Progression: 24153

Devised by:
Derek Haynes (1968)
Formations:
Figure of Eight - half (FIG8;1C;HALF;)
Turn Corners and Partner (CPCP)
Reel of four - diagonal (REEL;DIAG;R4;)
Hands across - 3 (HX;3P;)
Hands across - 4 (HX;4P;)
Note: Due to limitations in the underlying data, the relative order of formations in this list may be different from the order of formations in the actual dance.
Steps:
Skip-Change
Published in:
Carnforth Collection of SC Dances 3 [1] *
Glendarroch Scottish Dance Sheets [30]
Scottish Reels are Fun [12]
Scottish Country Dances in Diagrams. Ed. 7 [13]
Scottish Country Dances in Diagrams. Ed. 6 [13]
Scottish Country Dances in Diagrams. Ed. 8 [17]
Full description:
http://www.dancearchives.co.uk/dances/glendarroch/mountain.htm
Recommended Music:
The Trumpet Hornpipe ((traditional))
The Black Mountain Reel (Jim Arthur)
Recordings (7): Show tunes
Highlander Music Scottish Dances Vol 2 (Neil Barron and his Scottish Dance Band), track 1 [pace 35.2]
In Strict Tempo (Lothian Scottish Dance Band), track 3 [pace 36.0]
Alastair Hunter and the Lorne Scottish Dance Band (Alastair Hunter & the Lorne Scottish Dance Band), track 10
Authentic Scottish Dancing Music (McBain's Scottish Country Dance Band), track 3 [pace 34.2]
Scottish Country Dancing (McBain's Scottish Country Dance Band), track 3 [pace 34.2]
Dancin' Music (Duncan Smith & Susan Worland), track 4
Country Dancers Delight (The Danelaw Country Dance Band), track 9

Crib

1-81C & 3C cross RH | cast off (2C+4C up); ½ Fig8 up and pass LSh to face 1cnr
9-16Turn CPCP (1C & 3C turn 1cnr RH, P LH, 2cnr RH, P LH), finish facing 1cnr
17-241C & 3C Reel4 with 1cnrs, at the end pass LSh.
25-321W+2C (top), 1M+4C+3W (middle) and 3M+5C (bottom) RHA ; 1C & 3C turn LH and cast off (4C+5C up). (to: 2,4,1,5,3)
Crib needs checked · Source: Eric T. Ferguson ·

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The entry for this dance has not yet been verified against the original publication, Carnforth Collection of SC Dances 3. If you have access to this publication, please consider cross-checking the information given here and submitting a correction if necessary, either using the link below or by direct e-mail to Alan Paterson.

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