Dance: Tribute to the Borders

32-bar Jig
3 couples
Set shape: Longwise - 4

Devised by:
Roy Goldring (1979)
Formations:
Reel of three - promenade hold (REEL;PRMHLD;R3;)
Allemande for 3 couples (ALLMND;3C;)
Note: Due to limitations in the underlying data, the relative order of formations in this list may be different from the order of formations in the actual dance.
Steps:
Skip-Change
Pas-de-Basque
Published in:
Scottish Country Dance Leaflets [11] *
Pocket: Books 32,Leaflets [19]
Scottish Country Dances in Diagrams. Ed. 7 [158]
Scottish Country Dances in Diagrams. Ed. 6 [147]
Scottish Country Dances in Diagrams. Ed. 8 [188]
Recommended Music:
The Daggs of Craighouse (Moira Reekie)
Recordings (10): Show tunes
A True Reflection (Alan Gardiner and his Scottish Dance Band), track 13 [pace 32.2]
Scottish Country Dancing (Callum Wilson and his Scottish Dance Band), track 17 [pace 35.2]
Dancing Throu' Scotland ((unknown)), track 3
Nine Scottish Country Dances (1981) - Leaflets (Andrew Rankine and his Band), track 2 [pace 33.2]
Caledonian Ball, The - Vol 4 (Rob Gordon and his Band), track 8 [pace 34.0]
Country Dance, Ceilidh Dance (Rob Gordon and his Band), track 8 [pace 34.0]
Dancing Live (The Muriel Johnstone Trio), track 13 [pace 35.2]
A Dozen Dances (Jim Berry and his Scottish Dance Band), track 1 [pace 33.6]
Morino Magic (Sandy Nixon and his Scottish Dance Band), track 19 [pace 68.0]
Music for Leaflet Dances Vol. 2 (Neil Copland and his Scottish Dance Band), track 10 [pace 35.4]

Crib

1-81C cross RH | cast (2C up) ; turn 1¼ RH to promhold facing M side
9-161C RSh ½Reel3 with 2M+3M ; RSh ½Reel3 with 3W+2W, 1C finish in centre facing 3W (in 1W pl)
17-241C set to 3W pulling RSh back | set to 2W ; set to 2M | 1C set to 3M while 3C+2C set advancing into
25-323C+1C+2C Allemande
Crib needs checked · Source: Eric T. Ferguson ·

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The entry for this dance has not yet been verified against the original publication, Scottish Country Dance Leaflets. If you have access to this publication, please consider cross-checking the information given here and submitting a correction if necessary, either using the link below or by direct e-mail to Alan Paterson.

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