Dance: The Buchan Eightsome Reel

Also known as »The Buxom Eightsome« (unofficial), »The Aching Buttsome« (unofficial)

400-bar Reel
4 couples
Set shape: Square
Progression: set

Devised by:
(unknown)
Formations:
Grand Chain for 6 (GCHAIN;6P;)
Reel of three (REEL;R3;)
Hands round - 8 - and back (HR;8P;BACK;)
Note: Due to limitations in the underlying data, the relative order of formations in this list may be different from the order of formations in the actual dance.
Steps:
Skip-Change
Slip-Step
Published in:
Book 21 [8] *
Pocket: Books 19,20,21 [32]
99 More Scottish Country Dances [8]
Scottish Country Dances in Diagrams. Ed. 7 [21]
Scottish Country Dances in Diagrams. Ed. 6 [20]
Scottish Country Dances in Diagrams. Ed. 8 [27]
Recommended Music:
Timour the Tartar (James M Hunter)
The Wind that Shakes the Barley ((traditional))
Recordings (6): Show tunes
Highlander Music Scottish Dances Vol 2 (Neil Barron and his Scottish Dance Band), track 4 [pace 33.5]
Book 21. Music for Twelve Scottish Country Dances (John Renton and his Scottish Dance Band), track 8 [pace 34.9]
Scottish Dance Time Vol 2 (Stan Hamilton and his Flying Scotsmen), track 5 [pace 33.4]
The Kilt is my Delight (Rob Gordon and his Band), track 9 [pace 34.2]
Scottish Country Dances Volume 2 (Jimmy Blair and his Scottish Dance Band), track 5
Dances Frae the North, Vols 1, 2 & 3 (The Commonwealth Ceilidh Band), track 4 [pace 34.7]

Crib

A:
1-8Circle8 and back
9-16½ Gr-Chain, 2 bars/H, (to opposite places) ;
17-24All RHA, women inside, NHJ with P
25-32½ Gr-Chain (to places)
33-400All LHA, men inside, NHJ with P (to places)
B
1-81W sets alone inside, others circle7 and back
9-161C set, turn RH ; 1W+3M set, turn LH
17-241W+4M set, turn LH ; 1W+2M set, turn RH
25-321W dances Reel3 with 1M+3M, starting by giving RSh to P
33-4001W dances Reel3 with 4M+2M, starting by giving LSh to 4M
Dance A, then B with in turn 1W, 2W, 3W, 4W, 1M, 2M, 3M, 4M inside, finish with A
Crib needs checked · Source: Eric T. Ferguson ·

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The entry for this dance has not yet been verified against the original publication, Book 21. If you have access to this publication, please consider cross-checking the information given here and submitting a correction if necessary, either using the link below or by direct e-mail to Alan Paterson.

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