BANKS OF ALLAN, THE. AKA - "Banks of the Allan." Scottish, Country Dance Tune (6/8) or Jig. D Major. Standard. ABB (Sharp): AABB (Gow, Karpeles, Kerr, Raven). "This tune is also suitable as an accompaniment to Rapper Sword Dance" (Karpeles). See also the Irish variant "The Tailor's Thimble." Source for notated version: the tune was popularized in the mid-1980's in the Portland, Oregon, dance community by accordion player Dennis Rothrock, then with the band Fiddle Head Rock; Rothrock learned it from the Battlefield band recording [Songer]. Carlin (The Gow Collection), 1986; No. 530. Gow (Complete Repository), Book 2, 1802; pg. 38. Karpeles & Schofield (A Selection of 100 English Folk Dance Airs), 1951; pg. 26-27. Kerr (Merry Melodies), Vol. 1; No. 7, pg. 31. Raven (English Country Dance Tunes), 1984; pg. 75. Sharp (Country Dance Tunes), 1909/1994; pg. 59. Songer (Portland Collection), 1997; pg. 22. Topic 2052, Battlefield Band - "Stand Easy" (1979). Topic TSCD468, Battlefield Band - "Opening Moves" (compilation CD).
T:Banks of Allan, The
L:1/8
M:6/8
K:D Major
DE|FGF FED|FAA A2 d|Bdd Add|Bdd Add|
FGF FED|FAA A2 d|BdB AFD|FEE E2 :||
de|fgf fed|faa a2 g|fgf fed|gbb b2 a|
fga efg|def fed|BdB AFD|FEE E2:||
BANKS OF THE ALLAN, THE. See "Banks of Allan."
BONNIE BANKS O' LOCH LOMOND. Scottish, March or Air (4/4 time). G Major. Standard. AB (Neil): ABC (Kerr). The tune is one of the most famous of Scots airs and appears to be based melodically on "Kind Robin." It is thought to date from the year 1746, and the lyrics are supposed to refer to one of Bonnie Prince Charlie's ill-fated followers who was about to be executed for rebellion. His sweetheart had come to Carlisle, perhaps to seek his release, but he told her he would be taking the 'low road', or grave, back to Loch Lomond, where they had spent their happiest hours.
***
O, ye'll tak' the high road
And I'll tak' the low road,
And I'll be in Scotland afore ye;
But I and my true love will never meet again,
On the bonnie, bonnie, banks o' Loch Lomond.
***
Kerr (Merry Melodies), Vol. 3; No. 407, pg. 45. Neil (The Scots Fiddle), 1991; No. 113, pg. 151.
T:The Bonnie Banks of Loch Lomond
B:Allan's Violin Gems
Z:Nigel Gatherer
M:4/4
L:1/8
K:G
D2|G2 GA B2 AG|A2 AG E2 D2|G2 G2 G2 Bd|e4 d2 d2|e2 ed B2 Bd|
cBAG E2 DE|G2 Bd e2 dB|A4 g2 D2|G2 GA B2 AG|ABAG E2 DE|
G2 G2 G2 Bd|e4 d2 d2|e2 ge d2 Bd|cBAG E2 DE|GGBd e2 dB|A4 G2|]
CONNAUGHTMAN'S RAMBLES, THE [1] (Triallta an Connactaig). AKA and see "Bean ag Baint Duileasc," "Boil the Kettle Early," "Bold Doherty," "The Brown Red Girl," "The Connaught," "The Connachtman's Rambles," "The Duck from Drummuck," "Gathering Dilisk/Duilisc," "The Kilfinane Reel," "Kitty got a clinking," "The Ladies Tight Dress," "The Ladies Top Dress," "The Lady on the Railroad," "The Listowel Lasses," "Love among the Roses," "Maureen Playboy," "Mickey the Moulder," "Old Molly Ahern," "The Piper's Lass," "Punche for the Ladies," "The Rathkeale Hunt," "Roll her on the banks," "Rolling in the Ryegrass," "The Shannon Breeze," "Strac an mhuc an leine," "The Telegraph," "What the divil ails him?" Irish, Double Jig. D Major ('A' part) & B Minor ('B' part) {Brody, Cole, Cranitch, Kerr, Miller & Perron, O'Neill [4 editions], Roche, Sweet. Tubridy}: C Major ('A' part) & A Minor ('B' part) {Hardings}. Standard. AABB. Connaught was one of the five old provinces of Ireland (along with Ulster, Leinster, Meath, and Munster), named for the ancient tribe who lived there, the Connachta. The title appears in a list of tunes in his repertoire brought by Philip Goodman, the last professional and traditional piper in Farney, Louth, to the Feis Ceoil in Belfast in 1898 (Breathnach, 1997). Allan's Irish Fiddler, No. 11, pg. 4. Brody (Fiddler's Fakebook), 1983; pg. 73. Cole (1001 Fiddle Tunes), 1940; pg. 57. Cranitch (Irish Fiddle Book), 1996; pgs. 49 & 52. Hardings All-Round Collection, 1905; No. 175, pg. 55 (appears as "The Cannaught"). Kerr (Merry Melodies), Vol. 1; No. 3, pg. 36. Mallinson (Essential), 1995; No. 80, pg. 35. Miller & Perron (New England Fiddler's Repertory), 1983; No. 6. Mulvihill (1st Collection), 1986; No. 27, pg. 124. O'Neill (1915 ed.), 1987; No. 132, pg. 76. O'Neill (Krassen), 1976; pg. 52. O'Neill (1850), 1903/1979; No. 1003, pg. 187. O'Neill (1001 Gems), 1907/1986; No. 218, pg. 50. Roche Collection, 1982; Vol. 1, pg. 47, No. 110. Sweet (Fifer's Delight), 1964/1981; pg. 39. Tubridy (Irish Traditional Music, Vol. 1), 1999; pg. 31. CCF2, Cape Cod Fiddlers - "Concert Collection II" (1999). Folkways FG 3531, Jean Carignan- "Old Time Fiddle Tunes" (1968). Gael-Linn CEF 068, Maurice Lennon- "An Fhidil." Green Linnet SIF-104, Matt Molloy - "The Celts Rise Again" (1990). Green Linnet SIF-3041, Matt Molloy - "Stony Steps" (1989). Mulligan LUN 017, "Matt Molloy, Paul Brady, and Tommy Peoples." Shanachie 33001ll, Tom Ennis- "The Wheels of the World."
X:1
T:Irish Jig
T:Connachtman's Rambles
D:Peter Wyper 78rpm
Z:Nigel Gatherer
M:6/8
L:1/8
K:D
A|FAA dAA|BAB dAA|FAA Afe|dBB BAG|FAA dAA|
BAB def|gfe f2e|dBB B2::A|Bbb faa|fbb afe|
fbb faa|fef A2e|fbb faa|fbb afe|fef agf|edc B2:|]
X:2
T:Connaughman's Rambles
L:1/8
M:6/8
K:D
|:A|FAA dAA|BAB dAG|FGA dfe|dBB BAG|FAA dAA|BAB def|gfe dfe|dBB B2:|
|:g|fbb faa|fed deg|fbb faa|fed e2g|fbb faa|fed def|gfe dfe|dBB B2:|
FISHER'S HORNPIPE (Crannciuil {Ui} Fishuir). AKA "The Fisher's," "Fisherman's Hornpipe." AKA and see "The Blacksmith's Hornpipe" (Ireland {Joyce}), "China Orange Hornpipe," "Egg Hornpipe," "Fisherman's Lilt," "The First of May," "Kelly's Hornpipe" [3], "Lord Howe's Hornpipe," "O'Dwyer's Hornpipe," "Peckhover Walk Hornpipe," "Roger MacMum" (Irish), "Sailor's Hornpipe," "Wigs on the Green" (Ireland {Roche}). English, Irish, Scottish, Shetlands, Canadian, Old-Time, Texas Style, Bluegrass; Hornpipe, Reel, Breakdown. USA & Canada, widely known. D Major {most modern versions}: G Major {often in the Galax, Va. area, also Bayard's version collected in Prince Edward Island}: A Major (Mississippi fiddler Charles Long): F Major {Burchenal, Cranford, Honeyman, Linscott, Miller & Perron, Miskoe & Paul, Perlman, Raven, Phillips/1995, Welling}. Standard or ADAD. AABB (most versions): AA'BB (Perlman): AA'BB' (Miskoe & Paul). On the subject of the title, several writers have posited various speculations on who the 'Fisher' might have been. Charles Wolfe, among others, believes it was originally a classical composition by German composer Johann Christian Fischer (1733-1800), a friend of Mozart's, which thought Samuel Bayard (1981) concurs, noting the tune goes back to latter 18th century England where it was composed by "J. Fishar" and "published in 1780" (Most of the alternate titles he gives {and which appear above} are "floaters"). Van Cleef and Keller (1980) identify the composer as probably one James A. Fishar, a musical director and ballet master at Covent Garden during the 1770's, and note it is included as "Hornpipe #1" in J. Fishar's (presumably James A. Fishar's) Sixteen Cotillons Sixteen Minuets Twelve Allemands and Twelve Hornpipes (John Rutherford, London, 1778). A few years later the melody appeared in England under the title "Lord Howe's Hornpipe" in Longman and Broderip's 5th Selection of the Most Admired Dances, Reels, Minuets and Cotillions (London, c. 1784). McGlashan printed it about the same time in his Collection of Scots Measures (c. 1780, pg. 34) under the title "Danc'd by Aldridge," a reference to the famous stage dancer and pantomimist Robert Aldridge, a popular performer in the 1760's and 1770's. Although it is known in Europe as a hornpipe, it has also been played as a reel for dancing the Shetland Reel in Scotland's Shetland Islands. Linscott (1939) thinks the melody resembles an "ancient" Irish folk tune known as "Roger MacMum," implying it might have been derived from that source.
***
The tune became widely popular in a short span of time. It was already known as "Fisher's Hornpipe" in both England and the newly independent United States when it was written out by the American John Greenwood in his copybook for the German flute of c. 1783. Another 18th century American publication, a 1796 collection entitled An Evening Amusement for German Flute and Violin, was printed in Philadelphia by Carr and contains the hornpipe set in 'D' Major. An American country dance was composed to the tune and first appeared in this country in John Griffith's Collection, a Rhode Island publication of 1788. Both dance and tune became American classics and entered traditional repertory throughout the county. A fiddler with the Moses Cleaveland surveying party (the city of Cleveland, Ohio, is named after him) is recorded as having played "Fisher's" during an impromptu dance on the first evening the party camped on the banks of the Cuyahoga river, as recorded in the diary of a surveyor with the party. It was one of the most widely known fiddle tunes and, along with "Rickett's Hornpipe," the most popular hornpipe played in the Southern Appalachians (although as time went on hornpipes were not generally dropped from the repertoire, certainly as an accompaniment for dancing, but "Fishers" remained in the repertoire as a fiddler's tune which was frequently played when a few musicians would get together for their own enjoyment). The tune retained its popularity, and Jim Kimball states that both "Fishers" and "Ricketts" (along with "Devil's Dream" and "Soldier's Joy") were favorite tunes for the last figure of square dances in western New York state into the early 20th century.
***
Around the Galax, Va., region quite a few fiddlers, like Charlie Higgins and John Rector, play 'Fisher's' in the key of 'G' Major. Tommy Jarrell, of nearby Mt. Airy, N.C., plays the tune in 'D' Major, as did his father, Ben Jarrell, though the tune usually appears in 'F' Major in early collections (the earliest American appearance, John Greenwood's flute MS of 1783, has the tune in 'G,' however). 'F' Major renditions are still common (along with 'D' Major versions) among fiddlers in central and north Missouri-- though relatively rare in the Ozarks region of the state--perhaps because of the because of the influence of the old town orchestras or brass bands (with flat-keyd wind instruments), radio broadcasts from Canadian fiddlers, and local classically trained music professors. Despite the seeming prevalence of the hornpipe set in 'F' major in early publications, Jim Kimball finds that the John Carroll manuscript collection, copied before 1804, gives "Fisher's" in the key of D Major, as does the John Studderd manuscript, c. 1808-1815, and the John Seely manuscript, c. 1819-1830 (Carroll was an Irish-American military musician stationed at Fort Niagara at the time he wrote his manuscript who apparently played both fife and fiddle; Studderd was a native of England prior to emigrating to western New York state in the 1820's; Seely, according to family history, was a fiddler who lived in western New York state for whom "Fishers" was a favorite tune).
***
The title "Fisher's Hornpipe" has been mentioned frequently in periodicals and other printed sources in America over the years. For example, it was recorded as having been one of the catagory tunes at the 1899 Gallatin, Tenn., fiddlers contest; each fiddler would play his version of the tune, with the best rendition winning a prize (C. Wolfe, The Devil's Box, Vol. 14, No. 4, 12/1/80). Similarly, it was listed in the Fayette Northwest Alabamian of 8/29/1929 as one of the tunes likely to be played by local fiddlers at an upcoming convention (Cauthen, 1990). Moving north, another citation stated it had commonly been played for country dances in Orange County, New York, in the 1930's (Lettie Osborn, New York Folklore Quarterly), while Burchenal (1918) printed a dance from New England of the same name to the tune. A Report of the Celebration Held in August 1914 for the 150th Anniversary of the Town of Lancaster (N.H.) gives the title as one of the tunes and dances performed at a cotillion that month. The title appears in a list of Maine fiddler Mellie Dunham's repertoire (Dunham was Henry Ford's champion fiddler in the late 1920's) and Gibbons (1982) notes it has been "a traditional dance melody familiar to fiddlers throughout Canada." Perlman (1996) notes it has status as one of the "good old tunes" played by Prince Edward Island fiddlers. In the South and Midwest the tune was recorded for the Library of Congress from the playing of Ozark Mountain fiddlers in the early 1940's by musicologist/folklorist Vance Randolph, and (by Herbert Halpert) from the playing of Mississippi fiddlers Charles Long and Stephen B. Tucker in 1939. The Arizona fiddler Kenner C. Kartchner related that it, in modern times, it was "played often at (the) Weiser (Idaho) annual (fiddle) contest" (Shumway), to which Louie Attebery (1979) concurs, calling it part of the "standard fare" of many fiddlers at that festival and contest.
***
In the repertiore of Uncle Jimmy Thompson (1848-1931) {Texas, Tenn.}, and Buffalo Valley, Pa. dance fiddler Harry Daddario. See also "Miss Thompson's Reel," which particularly resembles the "Fisher's" in it's second section.
***
Sources for notated versions: Edson Cole (Freedom, N.H.) [Linscott]: Frank George (W.Va.) [Krassen]; Frank Lowery (Prince George, British Columbia) [Gibbons]; Lorin Simmonds (Prince Edward Island, 1944) [Bayard, 1981]; transplanted French-Canadian fiddler Omer Marcoux {1898-1982} (Concord, N.H.), who learned the tune when young in Quebec [Miskoe & Paul]; 6 southwestern Pa. fiddlers and fifers [Bayard, 1981]; Ruthie Dornfeld and Major Franklin (Texas) [Phillips/1995 {two different versions}]; accordion player Johnny O'Leary (Sliabh Luachra region of the Cork-Kerry border), recorded in recital at Na Piobairi Uilleann, February, 1981 [Moylan]; Dennis Pitre (b. 1941, St. Felix, West Prince County, Prince Edward Island) [Perlman]; Winston Fitzgerald (1914-1987, Cape Breton) [Cranford]; set dance music recorded at Na Píobairí Uilleann, in the 1980's [Taylor]. Allan's (Allan's Irish Fiddler), No. 105, pg. 27. Bayard (Dance to the Fiddle), 1981; No. 345, pgs. 332-334 and Appendix No. 3, pg. 573. Brody (Fiddler's Fakebook), 1983; pg. 107. Burchenal (American Country Dances, Vol. 1), 1918; pg. 47. R.P. Christeson (Old Time Fiddlers Repertory, Vol. 1), 1973; pg. 57. Cranford (Fitzgerald), 1997; No. 45, pg. 17. Ford (Traditional American Fiddle Tunes), 1940; pg. 39. Gibbons (As It Comes: Folk Fiddling From Prince George, British Columbia), 1982; No. 6, pgs. 18-19. Honeyman (Strathspey, Reel and Hornpipe Tutor), 1898; pg. 40 (two versions, one in Newcastle and Sand Dance style, on in Sailor's style). Jarman, Old Time Fiddlin' Tunes; No. 20, pg. 67. Johnson & Luken (Twenty-Eight Country Dances as Done at the New Boston Fair), Vol. 8, 1988; pg. 4. Joyce (Old Irish Folk Music and Song), 1909; No. 103. Krassen (Appalachian Fiddle), 1973; pg. 79. Kerr (Merry Melodies), Vol. 1; No. 3, pg. 42. Linscott (Folk Music of Old New England), 1939; pg. 77. Miller & Perron (New England Fiddlers Repertoire), 1983; No. 117. Miskoe & Paul (Omer Marcoux), 1994; pg. 31. Moylan (Johnny O'Leary), 1994; No. 63, pg. 36. O'Neill (1915 ed.), 1987; No. 351, pg. 171. O'Neill (Krassen), 1976; pg. 168. O'Neill (1850), 1903/1979; Nos. 1575 & 1576, pg. 292. O'Neill (1001 Gems), 1907/1986; No. 825, pg. 143. Perlman (The Fiddle Music of Prince Edward Island), 1996; pg. 117. Phillips, 1989 (Fiddlecase Tunebook: Old-Time); pg. 19. Phillips (Traditional American Fiddle Tunes), Vol. 2, 1995; pgs. 1992-193. Raven (English Country Dance Tunes), 1984; pg. 163. Reiner (Anthology of Fiddle Styles), 1977; pg. 26. Roche Collection, Vol. 3, No. 181. Ruth (Pioneer Western Folk Tunes), 1948; No. 23, pg. 10. Spandaro (10 Cents a Dance), 1980; pg. 10. Stewart-Robertson (The Athole Collection), 1884; pg. 297. Sweet (Fifer's Delight), 1964/1981; pg. 42. Taylor (Music for the Sets: Yellow Book), 1995; pg. 14. Welling (Welling's Hartford Tunebook), 1976; pg. 20. Alcazar Dance Series FR 204, "New England Chestnuts" (1981). Breton Books and Records BOC 1HO, Winston "Scotty" Fitzgerald - "Classic Cuts" (reissue of Celtic Records CX 17). Caney Mountain CEP 212 (privately issued extended play album), Lonnie Robertson (Mo.), 1965-66. Claddagh CC5, Denis Murphy & Julia Clifford - "The Star Above the Garter" (appears as "Fisherman's Hornpipe"). County 405, "The Hill-Billies." County 707, Major Franklin- "Texas Fiddle Favorites." County 756, Tommy Jarrell- "Sail Away Ladies" (1986. The only time Tommy's famous fiddling father, Ben Jarrell {who took no active part in his musical education and rarely commented on his son's efforts}, praised his playing in front of him was after hearing the younger fiddler play the tune, remarking "By gawd, that's the best I've ever heard "Fisher's Hornpipe" played"). Elektra EKS 7285, The Dillards with Byron Berline- "Pickin' and Fiddlin.'" F&W Records 4, "The Canterbury Country Orchestra Meets the F&W String Band." Folkways FA 2381, "The Hammered Dulcimer as played by Chet Parker" (1966). Folkways FG 3531, Jean Carignan- "Old Time Fiddle Tunes" (1968). Fretless 101, "The Campbell Family: Champion Fiddlers." Gourd Music 110, Barry Phillips - "The World Turned Upside Down" (1992). North Star NS0038, "The Village Green: Dance Music of Old Sturbridge Village." Rounder 0035, Fuzzy Mountain String Band- "Summer Oaks and Porch" (1973). Rounder 7004, Joe Cormier- "The Dances Down Home" (1977). Smithsonian Folkways SFW CD 40126, Northern Spy - "Choose Your Partners!: Contra Dance & Square Dance Music of New Hampshire" (1999). Topic 12T309, Padraig O'Keeffe, Denis Murphy & Julia Clifford - "Kerry Fiddles" (appears as "Fisherman's Hornpipe").
X:1
T:Fisher's Hornpipe
L:1/8
M:C|
K:F
|:c2|fc Ac Bd cB|Ac Ac Bd cB|Ac Fc Bd Gd|Ac FA G2 (3cde|
fc Ac Bd cB|Ac Fc Bd cB|AB cd ef ge|f2a2f2:|
|:ef|ge ce ge bg|af cf af ba|ge ce ga ba|gf ed c2 Bc|
dB FB dB fd|cA FA cA fc|df ed cB AG|F2A2F2:|
X:2
T:Fishers
L:1/8
M:C|
R:Hornpipe
B:The Athole Colletion
K:D
dc|dAFA GBAG|FAFA GBAG|FDFD GEGE|FDFD E2 dc|dAFA GBAG|
FAFA GBAG|FAdf gedc|d2 d2 d2:||:cd|ecAc ecge|fdAd fdaf|ecAc ecgf|
edcB A3A|BGDG BGdB|AFDF AFdA|BdcB AGFE|D2 D2 D2:|
ON ETTRICK BANKS. Scottish, Air (4/4 time). D Major. Standard. AABB. This air by an unknown composer appears in Allan Ramsay's Tea Table Miscellany of 1724. Robert Burns used it for his verses "On Ettrick Banks," which he sent to Mrs. Stewart of Stair.
***
On Ettrick banks on a summer's night,
At gloaming when the sheep drove hame,
I met my lassie bra' and tight
Cam' wading barefoot, a' her lane.
My heart grew light, I ran, I flang
My arms about her lily neck,
And kiss'd and clap'd her there fu' lang
My words there were na' mony feck.
***
Neil (The Scots Fiddle), 1991; No. 39, pg. 50.
SWALLOWS IN FLIGHT. Irish, Double Jig. The tune was miss-attributed as a composition of Gerry Harrington; it is actually the jig "Banks of Allan." Spin CD1001, Eoghan O'Sullivan, Gerry Harrington, Paul De Grae - "The Smoky Chimney" (1996).
TAILOR'S THIMBLE, THE [1] (Méaracán an Tailiur). Irish, Double Jig. D Major. Standard. AA'BB'. A version of the Scottish jig "Banks of the Allan." O'Neill (Krassen), 1976; pg. 30. O'Neill (1850), 1903/1979; No. 827, pg. 154. O'Neill (1001 Gems), 1907/1986; No. 91, pg. 31.
T:Tailor's Thimble, The [1]
L:1/8
M:6/8
S:O'Neill - 1001 Gems (91)
K:D
D|DFF FED|FAA A2 d/c/|Bdd Add|Bdd AFE|DFF FED|
FAA A2c|B/c/dB AGF|1 EFE E2:|2 EFE D2||
|:e|fgf fed|faa a2f|efe edB|def g2g|fgf efe|ded cBA|B/c/dB AGF|1 EFE E2:|2 EFE D2||
TARBOLTON REEL. AKA and see "Hatton Burn," "Calum Bridge," "Coleen/Cooleen Bridge," "Paddy in the Cornfield." AKA - "Tarbolton Lodge." Scottish (originally), Irish, Canadian; Reel. Canada; Quebec, Prince Edward Island, Cape Breton, Ontario. E Dorian (Em). Standard. AB (Athole, Mitchell, Skye): ABB (Moylan): AABB (Allan, Brody, Mallinson, Perlman, Taylor): AA'BB' (Carlin, Tubridy). Several writers have commented on the 'Scottishness' of the tune, suggesting its origins in that country, and, in fact, the town of Tarbolton lies in Ayrshire in western Scotland, not far from the banks of the River Ayr. The Scots national poet, Robert Burns, lived with his family of origin near the town for some years when he was a young man. It was at the Bachelors' Club in Tarbolton, in an upstairs room, that Burns was initiated into Freemasonry, where he attended dancing classes, and where he helped found the Bachelors' Club debating society. The great Sligo/New York City fiddler Michael Coleman recorded this as the first tune in a medley with "Longford Collector" and "The Sailors Bonnet." The tunes are still commonly played together as a set at sessions. It has been suggested that Coleman might have learned "Tarbolton" from Cape Breton musicians in Boston. Sources for notated versions: fiddler Jean Carignan (Montreal) [Brody]; accordion player Johnny O'Leary (Sliabh Luachra region of the Cork-Kerry border) [Moylan]; piper Willie Clancy (1918-1973, Miltown Malbay, West Clare) [Mitchell]; fiddler Dawson Girdwood (Perth, Ottawa Valley, Ontario) [Begin]; George MacPhee (b. 1941, Monticello, North-East Kings County, Prince Edward Island) [Perlman]. Allan's Irish Fiddler, No. 56, pg. 14. Begin (Fiddle Music from the Ottawa Valley), 1985; No. 76, pg. 85 (appears as "Michael Coleman's Reel"). Brody (Fiddler's Fakebook), 1983; pg. 273. Carlin (Master Collection), 1984; No. 228, pg. 133. Kerr (Merry Melodies), Vol. 1; Set 19, No. 2, pg. 12 (appears as "Tarbolton Lodge"). MacDonald (The Skye Collection), 1887: pg. 75 (appears as "Hatton Burn"). Mallinson (Essential), 1995; No. 59,pg. 26. Mitchell (Dance Music of Willie Clancy), 1993; No. 14, pgs. 36-37. Moylan (Johnny O'Leary's), 1994; No. 277, pg. 158. Perlman (The Fiddle Music of Prince Edward Island), 1996; pg. 110. Stewart-Robertson (The Athole Collection), 1884; pg. 246 (appears as "Tarbolton Lodge"). Sullivan (Session Tunes), Vol. 2; No. 3, pg. 2. Taylor (Through the Half-door), 1992; No. 43, pg. 30. Tubridy (Irish Traditional Music, Vol. 1), 1999; pg. 22. Columbia 35612, "The Chieftains" (1978). Gael-Linn CEF 045, "Paddy Keenan" (1975). Green Linnet SIF-1110, Johnny Cronin, Paddy Cronin, James Kelly & Johnny McGreevy - "My Love is in America: The Boston College Irish Fiddle Festival" (1991). Island ILPS 9501, "The Chieftains Live" (1977). Kicking Mule 216, Arm and Hammer String Band- "New England Contra Dance Music." Leader LEACD 2004, "Martin Byrnes" (1969). Mulligan 004, "Matt Molloy." Philo 2001, "Jean Carignan" (learned from a 1934 Michael Coleman recording for Decca). Rounder 7002, Graham Townsend- "Le Violin/ The Fiddle." Rounder CD7018, Frank Ferrel - "Boston Fiddle: The Dudley Street Tradition." Shanachie 33001, Michael Coleman- "The Wheels of the World." Shaskeen - "Shaskeen Live."
T:Tarbolton Lodge
L:1/8
M:C|
R:Reel
B:The Athole Collection
K:E Minor
F|Eee^d e2 BA|GBAF GEEF|Ddd^c d2 AF|GBAG FDDF|E(ee)^d efga|
Fedf eBBA|GABG FGAF|BGAF GE E||
f|gfef gebe|gebe geef|defg adfd|ABAG FDDF|G2BG F2AF|Eeef gefd|
B^cdB AGFA|BGAF GEE||