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0 00:00The Irish Rover R32 · 3/4L
James B Cosh: Twenty Two SCD · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c lead through 3c (2c up) and cast up ; 1M+3c and 1W+2c RHA, finish facing 1cnrs.
9–
1c+1cnrs ½Reel4, pass Lsh ; ½Reel4 with 2cnrs, fast ¾ LH turn in the centre
17–
1W+3c (at top) & 1M+2c Reels3 across (Lsh to 1cnr pos), (to 3x,1,2x)
25–
diagonal R&L (1M down,1W up) (2,1,3)

0 00:00Gothenburg's Welcome J32 · 3/4L
Bobby Munro: RSCDS XXXVII 3 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1-4
1c cast off one place (2c up) | 1c set advancing to face 1cnrs
5-16
Dance to each corner and set (»Free« cnrs set diagonally while{2} centre dancers change place Rsh with the facing cnr, who in the centre pass Rsh to face next cnr on R | repeat five times, on alternating diagonals), 1c finish facing 3cnr position)
17–
1c ½Reel4 on 1diag, pass Rsh ; ½Reel4 on 2diag (2,1,3)
25–
2c+1W & 1M+3c RHA ; 2c+1c+3c turn RH.

0 00:00Culla Bay S32 · 4S
Ann Dix: RSCDS XLI 2 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c+3c turn RH ½ with person opposite, face that person | twirl R and into opposite place ; 2c+4c repeat this and face in while{4} 1c+3c (W leading) chase ¼ clw | curve into centre and swivel R to face out (1c facing 4pl and 3c facing 2pl)
9–
Parallel Reels4 across
17–
2c+1c & 3c+4c circle4 L ; face other couple and set | ½ RHA, flowing into
25–
2c+4c LHA in the middle ; dance out passing same sex standing dancer on the side Rsh, and chase R (M leading) to 1pl/3pl (to 2,3,4,1).

0 00:00The Falls of Rogie R32 · 3/4L
Jean Attwood: Alexander Dances Book 1 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c cross RH | cast (2c up) ; cross RH | cast R (M up, W down)
9–
½ Reels3 across (Lsh to 2cnr) ; set in lines across | all cross up/down RH
17–
Corners chase once clw while{8} 1c chase half way clw and turn RH 1¼ to face 1cnr positions
25–
½ diag. Reel4 with 1cnrs, 1c pass Rsh ; ½ diag. Reel4 with 2cnrs, 1c passing Rsh to 2pl.

0 00:00Father Connelly's Jig J64 · 4/4L
John Drewry: The Donside Book · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c+2c Set&Rotate (All set | petronella clw one place ; change places RH with P | chase one place clw) (2,1,3,4)
9–
½ diagonal R&L with 1cnrs (W up, M down) while{4} the 2cnrs (2M+3W) set & cross RH, all cnrs face out ; ½ Reels3 on the sides, 1c Rsh to 2cnr pos. (no loops at the end) (2x,1x,3x,4)
17–
Repeat figure from these positions with 2cnr persons (in 3cnr positions ; M up, W down) (to 2,1,3,4), 2c+3c finishing with loops into
25–
Reels3 across (Lsh to 1cnr) (2,1,3,4)
33–
1c cross down RH between 3c | cast Rsh round new 1cnr (4W resp. 3M) ; change places up/dn LH | cast L (3c up) to (2,3,1,4)
41-56
3c+1c+4c repeat the figures [9-24] above (2,3,1,4)
57–
3c+1c+4c Circle6 and back (optional: 2c join in for Circle8 and back) (1c step down, to 2,3,4,1)

(note by Drewry: This is really two successive 3c dances of 32 bars, the figures of bars 9-24 being similar.

0 00:00Cape Town Wedding S32 · 3/4L
Tom Kerr: RSCDS XXXIX 4 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c cross down (no hands) to 2plx (2c up) | change places with 3c EH ; 1c turn RH ½ | lead to top (2c+3c down) and face up in promhold
9–
1c with 2c Rsh Reel3 across, at the end 1c pivots inwards into 1pos on own side facing down NHJ, with 2c in 2pl, on [16] 3c step in and face up NHJ
17–
All set, all Petronella (1c+3c in tandem) ; all set advancing {1} to join hands in circle, while setting {1} pull Rsh back tightly | and cast clw (to 1,2,3)
25–
1c+2c the Knot

0 00:00Cadgers in the Canongate R48 · 3/4L
Walsh (18C): RSCDS IX 10 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c Rsh Reels3 on opposite sides, 1M starts across top (Rsh to 2W), 1W crosses down (Lsh to 3M) (to 1x,2,3)
9–
1c Rsh Reels3 on own sides, 1W starts across top, 1M crosses down, end in 1pos NHJ (1,2,3)
17–
1c NHJ set to 2W | move round in PdB to face 2M ; set to 2M | retire in PdB to 1pl
25–
1c+2c set | ½ RHA ; set | ½ LHA to places
33–
1c cross RH | cast off one (2c up) ; 1c turn LH 1½ (to 2,1,3)
41–
2c+1c R&L.

Alternative for [1-8]: 1c ends on own side. See 101 SCD and Manual

0 00:00Macleod's Fancy J32 · 4/4L
John Drewry: RSCDS XXXIII 3 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c+4c set facing diagonally | 1W+4M cast R round own sideline and meet with ¾ RH turn in the middle, to places while{6} 1M+4W make that turn and cast R round own sideline to places
9–
All dance Reels4 on the sides to finish (1,2,3,4) facing up/dn
17–
Middles (2c+3c) turn ends RH ½ way to form a St Andrew's Cross (1c+4c retain RH and give LHA in the middle) | all set ; continue turns once round RH, at the end 1c+4c pass Rsh on own side to end (2,4,1,3) (1M+4W with polite turn)
25–
(Middle couples solo:) 4c+1c set, Women cross NHJ and face ends while{2} Men cross over outside them and turn inwards to join P ; 4c(1c) lead up RH (lead down LH) between 2c(3c), cross and cast to 2pl(3pl) (2,4,1,3)

0 00:00Mairi's Wedding R40 · 3/4L
James B Cosh: Twenty Two SCD · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c turn RH | cast (2c up) ; turn LH to face 1cnrs
9–
1c ½Reel4 with 1cnrs (pass P Lsh) ; Repeat with 2cnrs
17–
Repeat with 3cnrs (1cnr person) ; Repeat with 4cnrs (2cnr person)
25–
1W+2c & 1M+3c Reels3 across, Lsh to 1cnr
33–
2c+1c+3c circle6 and back

Note: Cosh explicitly tells 1c to pass Lsh in [9-24]; however the Rsh pass is quite common, and nicknamed »Mairi's Divorce«.