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0 00:00The Happy Meeting J32 · 2/4L
RSCDS XXIX 9 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1M+2W cross and dance ¾ Lsh round P, pass down/up Rsh, cast R round standing M/W to places
9–
1W+2M repeat (other shoulders)
17–
1c slip down the middle | set (1M starts L foot) ; slip to top | cast off (2c up)
25–
2c+1c A&R (all clap) ; turn P RH

0 00:00Catch the Wind R32 · 3/4L
Romaine Butterfield: RSCDS XLV 5 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c set | cast off (2c up) ; ½Fig8 up (2,1x,3)
9–
1c set twice, on [11-12] 1W swivels R to face out ; 1W (1M following) casts R round 2M and down middle to finish 1W between 3c facing 3M, and 1M between 2c facing 2M.
17–
1M+2c & 1W+3c Rsh reels3 across
25–
1W (1M following) casts R round 3M and cross to 2pl ; 1c turn RH (2,1,3)

The original tune is a hornpipe

0 00:00The Bonnie Tree S32 · 3/4L
Romaine Butterfield: RSCDS XLVI 6 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c dance below 3c cast up, dance between 2c and cast off (2c up) (2,1,3)
9–
All turn P BH ½ and twirl to P's place (2x,1x,3x) ; All circle6 L ¾ into lines across, (M at top)
17–
1c change place RH | 1c cast R while{2} 3M+2W change place diagonally RH (2,1,3) ; 1c cross RH | 1c cast R while{2} 2M+3W change places RH, finish in lines across (W at top)
25–
All turn P BH ½ and twirl to P's place ; All circle6 L ¾ to (2,1,3)

0 00:00The Summer Assembly R88 · 4S
Roy Goldring: RSCDS XXXV 8 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
All C RH turn ; all M stand as all W pass P Rsh to one place clw | All set to 'new P'
9–
Repeat bars 1-8, with 'new partners' (Women end halfway round the set)
17–32
Repeat bars 1-16, but turn LH, the W stand, and the M dance cclw (all C end halfway round the set)
33–
1c+3c RHA ; both C, M leading, chase clw. round the set to original places
41–
2c+4c repeat [33-40] (1,2,3,4)
49–
All W Fig8 round P and cnr, starting Lsh
57–
Men repeat [49-56], starting Rsh
65–
1c+3c change places, 1c passing under 3c arch | set to P ; repeat back to places, 1c making arch
73–
2c+4c repeat bars 65-72 with 4c making the first arch
81–
All Circle8 and back

0 00:00The Hazel Tree J32 · 3/4L
John Drewry: Summer Collection, Set 5 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c+2c Espagnole, 1c finishing facing 1cnr
9–
1c turn 1cnr RH, pass Rsh ; turn 3cnr LH, pass Lsh (cnrs dance for {4})
17–
Turn 2cnr RH, pass Rsh ; turn 4cnr LH, pass Lsh to 2plx side by side facing down
25–
Lead LHJ between 3c, cross and cast to 2pl ; All C turn RH

Espagnole: both W lead RHJ to M side, cross and cast back to exchanged places while{} Men cross to W side, lead RHJ back to M side and cross to exchanged places ; all turn P EH (2,1)

0 00:00MacDonald of the Isles S32 · 3/3L
Derek Haynes: Thirty Popular Dances, Volume Two · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
2c diagonal Reel4 with 1cnrs, at end dance Lsh round P to face 2cnrs
9–
2c diagonal Reel4 with 2cnrs (2cnr loop by the R) (to 1,2,3)
17–
1c+2c+3c »snowball« G-Chain (1c begin, 2 bars per hand) (to 3,2x,1)
25–
3c+2c ½ R&L ; 3c ½ Fig8 R (3M up, 3W down) (2,3,1)

0 00:00The Back o' Bennachie R32 · 2/4L
John M Duthie: Eight Scottish Country Dances · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c+2M Reel3 across the dance, 2M starting by giving Rsh to 1W
9–
1c+2W Reel3 across the dance, 2W starting by giving Lsh to 1M
17–
1W+2M cross RH, 1M+2W cross RH ; 2c+1c dance half R&L
25–
1c cross RH, cast one place ; dance ½ Fig8 round 2c

0 00:00The Last of the Lairds J32 · 3/4L
Hugh A Thurston: RSCDS XXII 5 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1--
1c+2c+3c Reels3 on opposite side, all crossing from the top, 2c starts out and up (1x,2x,3x)
9--
1c+2c+3c Reels3 on own sides, all crossing back from the top (1,2,3)
17--
1c set, cross RH, cast off (2c up) ; cross down LH between 3c and cast up (2,1,3)
25--
1c dance to top and cast off ; all turn P RH (2,1,3)

0 00:00Programme Item: Interval

0 00:00The Castle of Mey R32 · 3/4L
John Walton: QE Diamond Jubilee Dances · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
Inveran Reels3 on the sides, 1c crossing down to start (1,2,3)
9–
1c+2c DblFig8, 1c cross down to start
17–
1c lead down the middle and up, finishing for
25–
1c+2c Poussette

0 00:00The Bees of Maggieknockater J32 · 4/4L
John Drewry: Thirty Popular Dances, Volume Two · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c cross RH | cast off (2c up) ; 1c+3c RHA, finish as pairs 1M+3W & 3M+1W facing out on W/M side in promhold
9–
Pairs+ 2c+4c Rsh ½Reels3 on sides ; pairs meet & take P in promhold for Lsh ½Reels3 on sides
17–
Meet and repeat (as pairs Rsh ½Reels3 ; with P Lsh ½Reels3)
25–
1c (passing inside) turn 3c 1½ Easy Hand ; 1c cross and passing inside turn 4c EH 1½ (to 2,3,4,1)

0 00:00The Duchess Tree S32 · 3/4L
John Drewry: Summer Collection, Set 4 (Scottish Country Dances, Volume 4) · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
Mirror Reels3 on the sides (1c cast off, 2c cross up LH, 3c join NH facing down and cast up), all c touch hands when possible, at end 1c&3c dance to own place NHJ and turn inwards so 1c faces 3c NHJ (12x,3)
9–
All set | all circle6 L ; all M turn W on their right BH | continue circle6 (to 1,2x,3)
17–
1c+2c RHA ; 1c cast off one and lead up to 1pl while{4} 2c lead up, cross, cast off and meet P, ready for
25–
1c+2c Allemande (2,1,3).

0 00:00Inverneill House R32 · 3/4L
John Drewry: RSCDS XXXV 2 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c+2c ½ DblFig8 (to start, 1c cross down and 2c dance up, 2c finish facing out) ; 1c dance down NHJ between 3c and cast up to 2plx while{} 2c cast up and stand (2x,1x,3)
9–
1c+3c ½ DblFig8 (1c cross down and 3c dance up) ; 1c dance up NHJ between 2c and cast off to 2pl own side (2x,1,3x)
17–
1c Petronella {8} (to 2x,1x,3x)
25–
2c+3c Petronella {8} while{} 1c casts Rsh back | cross (M / W between 3c /2c) ; cast to 2pl | set with 2c+3c (2,1,3)

0 00:00The Shetland Shepherdess J32 · 3/4L
Ron Wallace: A Third Book of Graded Scottish Country Dances · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1--
1c dance between 2c and cast up to place ; dance ½ Fig8 round 2c (1x,2,3)
9--
1c cross down into mirror Reels3 on own side, 2c starting out and up (1,2,3)
17--
1c (start inwards) change place with 2c EH and face out | 1c turn 3c EH to face up in the middle ; 1c dance to top and cast off (2,1,3)
25--
All A&R and clap on last beat of [28] ; All turn P RH (2,1,3)

0 00:00Alison Rose S32 · 4/4L
Derek Ivory: Imperial Book of Scottish Country Dances - Volumes 1-3 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c lead down the middle and loop up into 4pl (2c+3c+4c up) ; all set | Circle8 L for two places
9–
all M (at top) LHA while{4} all W (below) RHA ; Continue both HA, but as each couple meets (order 1,4,3,2) they cross to the other wheel (W pass in front)
17–
As couples meet again the W join RH with P, the M dancing as if still in RHA, and (1c leading) unwind and lead up the middle and out to opposite sidelines {6} | all turn P RH ½ into
25–
1c+4c+3c+2c Allemande (to 2,3,4,1)

»Easier version« for [17-20]: As couples meet the W join NH with P who maintain RHA (continue as described)

0 00:00The Luckenbooth Brooch J32 · 3/4L
John Bowie Dickson: Reels and Wheels (CD booklet) · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c in promhold (1M on the R) Reel3 with 2c (Rsh to 2M), 2c finish in 1pl
9–
Repeat with 3c, finish in centre, facing M side, 1M above 1W
17–
2c+3c dance R&L while{8} 1c dance out on M side, divide and cast to meet in centre, dance out on W side, divide and cast into
25–
In lines across 1M+2c facing 1W+3c set twice ; 1c turn RH 1¾ to promhold to continue (2,1,3) (on 2nd time through, turn RH ¾ and dance down to 4pl (4c up))

0 00:00Mairi's Wedding R40 · 3/4L
James B Cosh: Twenty Two SCD · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c turn RH | cast (2c up) ; turn LH to face 1cnrs
9–
1c ½Reel4 with 1cnrs (pass P Lsh) ; Repeat with 2cnrs
17–
Repeat with 3cnrs (1cnr person) ; Repeat with 4cnrs (2cnr person)
25–
1W+2c & 1M+3c Reels3 across, Lsh to 1cnr
33–
2c+1c+3c circle6 and back

Note: Cosh explicitly tells 1c to pass Lsh in [9-24]; however the Rsh pass is quite common, and nicknamed »Mairi's Divorce«.