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0 00:00The Dashing White Sergeant R32 · 3+3RR
RSCDS III 2 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

Trio face trio RR.

1–
Circle6 and back
9–
Each centre person sets to RH P and turns him/her BH ; repeat with LH P
17–
Reel3 across, Lsh to RH P
25–
In lines of 3 across A&R ; advance Rsh through the opposite line of 3 to meet the next line of 3.

Many variations in handing, polite turns and shoulder exist

0 00:00Hamilton House J32 · 3/4L
William (18C) Campbell: RSCDS VII 10 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1W set advancing to 2M | turn 3M BH, finishing between these M ; 1M sets advancing to 2W | turn 3W BH to between 3c (2c up, and 1W moves up between them)
9–
2c+1c+3c in lines across set twice ; 1c turn ¾ BH to 2pl on opposite sidelines
17–
2c+1c+3c set twice ; 1c turn BH ½ to own side 2pl
25–
Circle6 and back

note: In the BH turns in PdB, 1c dances backwards to the sidelines on the last step, but may also break earlier and dance out forwards

0 00:0012 Coates Crescent S32 · 4/4L
RSCDS: RSCDS XL 5 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
All 4 couples set, cross RH ; repeat
9–
1c & 4c dance NHJ to meet in centre, with person opposite dance NHJ out sides, and cast to own places ; 1c lead down to 4pl (2c+3c+4c up on 15-16))
17–
3c+4c (middle couples) R&L
25–
2c+3c & 4c+1c RHA ; LHA

0 00:00Duke of Perth R32 · 3/4L
RSCDS I 8 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c turn RH, cast off (2c up) ; turn LH to face 1cnrs
9–
Turn CPCP, to face 1cnrs
17–
1c set to and turn 1cnrs BH ; set to and turn 2cnrs BH
25–
Reels3{6} on the sides (Lsh to 1cnr) | 1c cross RH to 2pl.

0 00:00The Machine without Horses J32 · 3/4L
David Rutherford: RSCDS XII 12 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c set | cast off (2c up) ; 1c+3c RHA
9–
1c set | cast up (2c down) ; 1c+2c LHA
17–
1c followed by 2c dance between 3c, cast up round them, dance up, 1c cast off to 2pl, while{} 2c dance into 1pl (no loops)
25–
2c+1c R&L

0 00:00The Hurlingham Quadrangle M128 · 4S
Peter Knight · Crib: MiniCribs · Diagram: Keith Rose's Diagrams

1-8
All dance Grand Chain 1/2 way, set to & turn partners 2H
9-16
1s+3s dance RH across, 1s+3s, with Men, leading chase clockwise back to places
17-24
2s+4s repeat bars 9-16
25-32
All dance interlocking reels (Ladies leading) of 4 across giving LH in middle, Men end BtoB in centre facing opposite partner
33-40
All set & turn 3/4 RH into prom hold & all promenade anticlockwise 1/2 way (Men end in original places beside opp partner)
41-48
All dance interlocking reels (Ladies leading) of 4 across giving LH in middle, Men end BtoB in centre facing own partner
49-56
All set & turn 3/4 RH into prom hold, & all promenade anticlockwise 1/2 way to original places
57-64
All circle 8H round & back

Repeat 1-64 in reel time
Note: Interlocking reels start with Ladies dancing 1/2 LH across while Men set (2 bars). Then Men dance 1/2 LH across while Ladies continue reel

0 00:00Programme Item: Dinner

0 00:00The Wind on Loch Fyne S32 · 3T
John Bowie Dickson: Thirty Popular Dances, Volume Two · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c cross down, 1W / 1M Figs8 round 2c / 3c (pass between, meet & touch NH, out between same couple, cast up, turn RH ½ to place.
9–
All C face P for Rsh interlocking Reels4 (acknowledge P on [12], on [16] turn ¾ RH into:
17–
Men LHA 2/3 cclw while{2} women dance clw one place | all C turn RH ; repeat to new places (2,3,1).
25–
All C set NHJ | ½ circle6 left ; all C turn BH | ½ circle6 left (2,3,1)

0 00:00Pelorus Jack J32 · 3/4L
Barry Skelton: RSCDS XLI 1 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c cross RH, cast (2c up) ; 1c+3c RHA, finish 1M facing 1cnr, 1W behind him
9–
1c in tandem +1cnrs ½ diagonal Reel3, Rsh to 3W (1M & 1W loop R singly for lead change, so 1W now leads P) ; ½ diagonal Reel3, Rsh to 2W (+ lead change)
17–
Continue pattern twice
25–
2c+1c LHA ; 1c turn LH ½ | all set (2,1,3)

0 00:00The Duke and Duchess of Edinburgh R40 · 3/4L
Allie Anderson & Florence D. Lesslie: RSCDS XXXIX 7 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c+2c+3c A&R ; all turn P BH (in SkCh) to own places, (1c finish facing out)
9–
1c cast off, dance (NHJ where possible) between 3c, cast up, dance between 2c, cast off (2c up) to put 1M below 1W for
17–
1W+2c & 1M+3c RHA, 1c pass Rsh ; 1M+2c & 1W+3c LHA, 1c pass Lsh to face 1cnrs
25–
Turn cnr, P, cnr, cross LH (On 2nd time through 1c cross LH to 4pl (3c up), ready for next start)
33–
Circle6 and back

0 00:00Postie's Jig J32 · 4/4L
Roy Clowes: Thirty Popular Dances, Volume Two · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c+4c set, cast to middle positions (2c+3c step to end) ; 1c&4c ½ Fig8 round end C (2,1x,4x,3)
9–
1M+4M and 1W+4W cross NHJ, (W under men's arch), turn cnr ¾ with 'free' hand ; 1c facing 4c change places NHJ (arch going up), turn cnr as before
17–
Repeat (Men's arch ; arch going up)
25–
1c+4c ½ R&L ; turn P RH

Note that both times the couple moving UP makes the arch.

0 00:00The Eightsome Reel R464 · 4S
RSCDS II 12 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

Part A

1–
All C circle8 and back
9–
1W+2W+3W+4W RHA, holding P LH ; all C veer right NHJ to bring M to the middle for LHA back to places, M holding P RH.
17–
All C set to partners twice ; turn partners once BH, to finish facing partners in original places
25-40
All C G-Chain (2 skip change par hand) to own places, finishing facing the centre (no polite turn)

Part B

1–
1W moves to centre, and dances alone (any suitable reel steps) while{} 1M+2c+3c+4c circle7 and back
9–
1W sets to and turns P BH ; sets to and turns opposite M (3M) BH
17–
1W+1M+3M Reel3, 1W starts with Lsh to 1M, 1W stays in the centre at the end
25–
Repeat bars 1-8
33–
1W sets to and turns M on right (4M) BH ; sets to and turns opposite M (2M) BH
41–
1W+4M+2M Reel3, 1W starts with Lsh to 4M, at the end 1W resumes her original place, and 2W moves into the centre

Repeat part B 7 times, with 2W, 3W, 4W, 1M, ... 4M each in turn in the centre. On bars 9- the W/M in the centre first sets to the P, then to the opposite M/W. In bars 33- the W/M first sets to the M/W on the L (seen from inside) of her/his original position, then the M/W opposite.
repeat part A

0 00:00Foursome and Half Reel of Tulloch h128 · lines
Scottish Reels are Fun · Crib: MiniCribs · Diagram: Keith Rose's Diagrams

Strathspey

1-8
All dance reel of 4 across Ladies passing LSh in centre to start & end with Men BtoB in the middle facing opposite partners
9-16
All set
17-24
All dance reel of 4 giving RSh to opposite partner & end with Men in middle facing own partners
25-32
All set
33-48
Repeat bars 1-16

Reel

(Reel of Tulloch)

1-8
All dance round to left (many variations) & end with Men BtoB in centre facing own partners
9-16
All set
17-24
All Tulloch turn own partners & end with Ladies facing each other in centre (backs to own partner)
25-32
Ladies set
33-40
Ladies Tulloch turn & end in centre facing opposite partners
41-48
All set
49-56
All Tulloch turn opposite partners & end with Men in centre facing each other
57-64
Men set
65-72
Men Tulloch turn & end facing own partners
73-80
All set to own partners
81-88
All Tulloch turn own partners & end beside partners on opposite sides

0 00:00Programme Item: Interval

0 00:00St Columba's 60th Anniversary Reel R32 · 4S
Lizzy Conder · Crib: SCDDB Contributed Cribs & Diagrams · Diagram: Keith Rose's Diagrams

1–
1c dance down the set in prom hold, between 3c and to the left, back into the set between 2c, and curving right back to place.
9–
Circle8 and back.
17–
Big star (W in center RH across, M on outside) ; come back with M in center LH across, W on outside
25–28
All prom anticlockwise around the set progressing 3 pl [to 2341]
29–32
All turn ptr RH (or birl)

0 00:00Mairi's Wedding R40 · 3/4L
James B Cosh: Twenty Two SCD · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c turn RH | cast (2c up) ; turn LH to face 1cnrs
9–
1c ½Reel4 with 1cnrs (pass P Lsh) ; Repeat with 2cnrs
17–
Repeat with 3cnrs (1cnr person) ; Repeat with 4cnrs (2cnr person)
25–
1W+2c & 1M+3c Reels3 across, Lsh to 1cnr
33–
2c+1c+3c circle6 and back

Note: Cosh explicitly tells 1c to pass Lsh in [9-24]; however the Rsh pass is quite common, and nicknamed »Mairi's Divorce«.

0 00:00City of Belfast S32 · 3/3L
Lucy Mulholland: RSCDS XLVIII 6 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c ½ Fig8 round 2c ; 1c turn 2c EH 1¼ into line across, 1c in the middle
9–
1c+2c Reel4, finish 2c in 1pl and 1c (last pass is Lsh) facing 1cnr
17–
1c set to 1cnr | set to 2cnr, dancing R into sideline (2,1x,3) ; All set | 1c cross RH
25–
1c+3c Espagnole (2,3,1)

Espagnole: both W lead RHJ to M side, cross and cast back to exchanged places while Men cross to W side, lead RHJ back to M side crossing to exchanged places ; all turn P EH (2,1)

0 00:00Scott Meikle R32 · 4/4L
Alice McLean: RSCDS XLVI 3 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c cross RH | cast (2c up) ; ½ Fig8 up (2,1,3,4)
9–
1c+3c RHA, LHA (2,1,3,4)
17–
Lsh opposing Reels3 across: (1W+3W behind dancing as one) with 2c and (3M+1M behind) with 4c (to 2,3,1,4)
25–
1c+4c ½ R&L ; turn RH 1½ (2,3,4,1)

0 00:00Napier's Index J40 · 3/4L
Brian Charlton: RSCDS XLV 8 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c set | cast off ; turn LH 1¼ into
9–
1c+1cnrs BiL | 1c+1cnr turn RH {4} | repeat BiL
17–
1c+cnrs Reels3 on the sides, Lsh to 2cnr, 1c finish LHJ and RHJ with 2cnr
25–
1c+2cnr repeat [9-16]
33–
Reels3 across, 1c Lsh to 3cnr, at end 1c cross RH as 2c+3c curve into place (2,1,3)

0 00:00The Reel of the 51st Division R32 · 3/4L
James Edward McCartney Atkinson: RSCDS XIII 10 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c set | cast off two places (2c up) and lead up to 1cnrs
9–
1c set to 1cnr | turn 1cnr RH and join LH in the middle ; BiL | turn 1¼ LH to 2cnrs
17–
Repeat with 2cnrs | cross to (2,1,3)
25–
2c+1c+3c circle6 and back.