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0 00:00The Findlays' Jig J32 · 3/4L
Roy Goldring: 14 Social Dances for 2000 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c lead down the middle and up, 2c+3c step in for
9–
1c+2c+3c Allemande (to 3,2,1)
17–
1c long cast to 1pl (3c+2c down) ; 2c repeat (1c+3c down) (2,1,3)
25–
Circle6 and back

0 00:00Blooms of Bon Accord R32 · 4/4L
John Drewry: Deeside Book Part 2 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

3c+4c cross on 2nd chord(1,2,3x,4x). This dance has top/bottom symmetry

1–
All C set | 1c+2c & 3c+4c RHA | 1c & 4c cast in to 2pl/3pl while{2} 2c+3c lead out to end places
9–
1c+4c cross RH, cast to ends, meet in promhold and dance in between end couples, curve round the other couple Rsh to finish 1c / 4c on M/W side facing out and right
17–
1c & 4c (in promhold) Rsh Reels3 with the »corners« on M/W sides, at end meet in the centre
25–
4c+1c RHA, at end M swivels right so couples face ends of set (1c down, 4c up, W on P's left, RHJ) ; 4c&1c cross between end couples and cast in to (2,4,1x,3x)

0 00:00Barbara's Strathspey S32 · 3/4L
Sue McKinnell: RSCDS XLVI 4 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c set | cast (2c up) ; ½ Fig8 L (2,1x,3)
9–
All set | 1c cross Rsh ; 1c+3cnr turn RH 1½ (to 1,2,3 on M side, 2,3,1 on W side)
17–
3C Bourrel: 2W+3M chase cclw half round to midline while{4} 1M+3W & 2M+1W set adv | turn BH ¾ and pivot R, all facing P on midline (3,1,2) ; All set | All C turn BH ¾ to sidelines
25–
All chase clw ½ round ; all turn P RH ½ and twirl R to (2,1,3)

0 00:00Fugal Fergus J48 · 3/4L
Hugh Foss: Magazine Dances 2005-2009 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

This dance is a fugue; the M copy the W 8 bars later.
1W+2W+3W dance:

1–
Across the top and behind the men to own places
9–
Set | cross ; set | cross
17–
Set | cross RH ; chase clw round top to places (3,2,1)
25-40
1½Reel3 on own side (2W starts out and down) {12 bars} ; 1W+2W turn LH 1½ (to 2,1,3)
41–
stand

while{48}

1–
1M+2M+3M stand
9-48
the M repeat the W's movements in mirror image 8 bars later, giving RH on [19-20].-On [28] the M pass just below their P who is 4 bars into the reel, and face up .

0 00:00Programme Item: Break

0 00:00A Reel for Alice R32 · 5/5L
Roy Goldring: A Reel for Alice and Other Social Dances · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c+2c+3c Mirror Reels3 on sides, 1c crossing down (1x,2,3,4,5)
9–
1c down the middle and up, and face out (1x,2,3,4,5)
17–
1c change places Easy Hand with 2c (1c passes outside) | with 3c (passing inside) ; with 4c (passing outside) | with 5c (passing inside) and face out (2,3,4,5,1x)
25–
1c Fig8 on sideline around 5c+4c, crossing to own side at the end while{} 2c Fig8 round 3c+4c, starting inwards (2,3,4,5,1)

0 00:00Holyrood Strathspey S32 · 3/4L
Mervyn C Short: RSCDS LI 7 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1--
1c set | turn RH and face out ; cast one (2c up) | turn RH and face out (2,1,3)
9--
Reels3 on sidelines, 1c Rsh to 3cnr to start, 1c face 1cnr at end
17--
1c+1cnrs pass and turn , pass Rsh ; 1c+2cnrs pass and turn (2,1,3)
25--
Circle6 and back

0 00:00The Wild Geese J32 · 3/4L
RSCDS XXIV 3 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c+3c set advancing to midline with P on R | BiL ; 1c turn ¾ RH and cast off to 3pl while{4} 3c turn ¾ RH and lead to 1pl (3,2,1)
9–
repeat [1-8] from new positions (1,2,3)
17–
1c lead down the middle (2c up on [19-20]) ; and up to (2,1,3)
25–
2c+1c R&L

0 00:00Foursome and Half Reel of Tulloch h128 · lines
Scottish Reels are Fun · Crib: MiniCribs · Diagram: Keith Rose's Diagrams

Strathspey

1-8
All dance reel of 4 across Ladies passing LSh in centre to start & end with Men BtoB in the middle facing opposite partners
9-16
All set
17-24
All dance reel of 4 giving RSh to opposite partner & end with Men in middle facing own partners
25-32
All set
33-48
Repeat bars 1-16

Reel

(Reel of Tulloch)

1-8
All dance round to left (many variations) & end with Men BtoB in centre facing own partners
9-16
All set
17-24
All Tulloch turn own partners & end with Ladies facing each other in centre (backs to own partner)
25-32
Ladies set
33-40
Ladies Tulloch turn & end in centre facing opposite partners
41-48
All set
49-56
All Tulloch turn opposite partners & end with Men in centre facing each other
57-64
Men set
65-72
Men Tulloch turn & end facing own partners
73-80
All set to own partners
81-88
All Tulloch turn own partners & end beside partners on opposite sides

0 00:00Programme Item: Break

0 00:00The Greenbelt Jig J32 · 3/4L
Elaine Brunken: Moments in Time · Crib: SCDDB Contributed Cribs & Diagrams · Diagram: Keith Rose's Diagrams

1–
1L+2L+3L dance round partner RSh and back to place | 1c+2c+3c cross RH
9–
1M+2M+3M dance round partner Rsh and back to place | 1c+2c+3c cross RH (1c fin facing out)
17–
1c cast off 2 places (2c up on 17–18), dance up, cast off
25–
2c+1c+3c Adv+Ret ; 2c+1c+3c turn RH

0 00:00Glastonbury Tor R32 · 3/4L
Duncan Brown: RSCDS XLVII 11 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c+2c set | ½ RHA ; 1c+3c set | ½ LHA (2x,3x,1)
9–
1c set | cross RH ; cast up one (3c down) | turn LH to face 1cnr (pos)
17–
½ diag Reel4 with 1cnrs, pass Lsh ; ½ diag Reel4 with 2cnrs, 1c curve R into facing lines of 3 across, 1M at top, 1W at bottom
25–
All S&Link3 ; 1c turn RH 1½ while{4} cnrs chase clw ½ round (2,1,3)

0 00:00Alltshellach S32 · 2/4L
Elizabeth D Gilroy: RSCDS XXIII 2 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c+2c set | turn BH, into ; 1c+2c ½Poussette, finishing in the middle, facing down
9–
2c+1c lead down the middle ; (2c divides) 1c+2c lead up to (1,2)
17–
Reel4 across the dance, 1W and 2M pass Lsh to begin, and finish with a loop on own side
25–
Tournée

0 00:00Mairi's Wedding R40 · 3/4L
James B Cosh: Twenty Two SCD · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c turn RH | cast (2c up) ; turn LH to face 1cnrs
9–
1c ½Reel4 with 1cnrs (pass P Lsh) ; Repeat with 2cnrs
17–
Repeat with 3cnrs (1cnr person) ; Repeat with 4cnrs (2cnr person)
25–
1W+2c & 1M+3c Reels3 across, Lsh to 1cnr
33–
2c+1c+3c circle6 and back

Note: Cosh explicitly tells 1c to pass Lsh in [9-24]; however the Rsh pass is quite common, and nicknamed »Mairi's Divorce«.