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0 20:00Programme Item: Gay Gordons

0 20:00The Happy Meeting J32 · 2/4L
RSCDS XXIX 9 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1M+2W cross and dance ¾ Lsh round P, pass down/up Rsh, cast R round standing M/W to places
9–
1W+2M repeat (other shoulders)
17–
1c slip down the middle | set (1M starts L foot) ; slip to top | cast off (2c up)
25–
2c+1c A&R (all clap) ; turn P RH

0 20:00Birls Allowed J32 · 3/4L
Alex Taylor: Bannockburn 700 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c cross RH | cast off 2 (2c+3c up) ; ½ mirror Reels3 on opposite side, 1c start inwards (1x,3,2)
9–
1c cross down into Mirror Reels3 on own side (1,3,2)
17–
3c+2c Set&Rotate (1,2,3)
25–
1c+2c ½ R&L ; 1c+2c Turn RH 1½ (2,1,3)

0 20:00MacDonald of Keppoch M128 · 4S
Chris Ronald: RSCDS XLIX 11 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1--
1c+3c 6 bars of R&L to BtoB facing sides | all set
9--
Parallel Reels4 across, 1c+3c finish half way the last left pass, in a line up and down the set
17--
1c+3c Lsh Reel4, 1W+3W pass Rsh in middle to start, to finish in original places
25--
All set to P | all turn P RH 1¼ | all in promhold chase cclw ¼ cclw (2,3,4,1)

The first two turns are in Strathspey time, the second two are in Reel time.

0 20:00Britannia Two Step X16 · 3pRR
Collins Pocket Reference: Scottish Country Dancing · Crib: MiniCribs

Round the Room in 3s facing anticlockwise

1-4
Nearer hands joined, touch the left heel then the left toe to the floor, bouncing on the right foot with each touch, All skip to the left for one step. Repeat with opposite feet.
5-8
Skip forward for two steps, then backwards for two steps.
9-12
All set & Ladies turn under Mans arms
13-16
Skip forward for two steps, then backwards for two steps

0 20:00Father Connelly's Jig J64 · 4/4L
John Drewry: The Donside Book · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c+2c Set&Rotate (All set | petronella clw one place ; change places RH with P | chase one place clw) (2,1,3,4)
9–
½ diagonal R&L with 1cnrs (W up, M down) while{4} the 2cnrs (2M+3W) set & cross RH, all cnrs face out ; ½ Reels3 on the sides, 1c Rsh to 2cnr pos. (no loops at the end) (2x,1x,3x,4)
17–
Repeat figure from these positions with 2cnr persons (in 3cnr positions ; M up, W down) (to 2,1,3,4), 2c+3c finishing with loops into
25–
Reels3 across (Lsh to 1cnr) (2,1,3,4)
33–
1c cross down RH between 3c | cast Rsh round new 1cnr (4W resp. 3M) ; change places up/dn LH | cast L (3c up) to (2,3,1,4)
41-56
3c+1c+4c repeat the figures [9-24] above (2,3,1,4)
57–
3c+1c+4c Circle6 and back (optional: 2c join in for Circle8 and back) (1c step down, to 2,3,4,1)

(note by Drewry: This is really two successive 3c dances of 32 bars, the figures of bars 9-24 being similar.

0 20:00The Lochalsh Reel R40 · 3/4L
Pat Burnett: The Skye Collection Vol 2 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c turn RH | cast off ; cross LH and cast off to face up between 3c in promhold, M on the R
9–
Lsh Reel3 across with 3c, 1c finish between 3c facing up and split
17–
Mirror Reels3 on opposite sides, 1c finish between 3c NHJ
25–
1c dance to top | split and turn 2c easy hand ; cross down between 3c and cast up into
33–
Teapots R and L (RHA with end couples ; pass Rsh into LHA) (to 2,1,3)

0 20:00Chasing the Eclipse S32 · 3/3L
Sandy Gallamore: The Highland Road Collection · Crib: SCDDB Contributed Cribs & Diagrams · Diagram: Keith Rose's Diagrams

1-8
1C set, dance NH down the center + cast up to 2pl & cross to face 1crnr.
9-16
Reel 3 on sides - 1C pass 1crnr Rsh to begin.
17-24
1C+1crnr set , 1C spiral Rsh rnd ptnr to face 2crnr ; 1C+2crnr set , 1C spiral Rsh to face out 2pl own side.
25-32
All dance Chaperoned Chain Progression. End 3 1 2.

0 20:00Programme Item: Canadian Barn Dance

0 20:00The Meeting of the Waters R48 · 3/4L
Iain Boyd: The Strathtay Album · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c+2c Reel4 across, 1M+2W pass Lsh as 1W/2M cast down/up, finish in places (1W+2M final pass is Rsh)
9–
1c parallel Rsh Fig8 on own side round 2c+3c
17–
1W, followed by 1M, cast off behind 2W, cross down between 3c (2c up) ; cast up round 3M and cross (to 2,1,3)
25–
1c+3c RHA ; 2c+1c LHA
33–
2c+1c+3c parallel Reels3 on the sides (1c Rsh to 3c)
41–
All Circle6 and back

0 20:00Spiffin' J32 · 5S
Quarries and Friends: Chicago 25th Anniversary Collection · Crib: E-cribs · Diagram: Keith Rose's Diagrams

5c (dancing couple) stands facing 1c in centre of square set, numbered clw as usual.

1–
5c parallel Lsh Reels3 with 1c+3c
9–
5M+4c LHA while{4} 5W+2c RHA ; 5c dance (NHJ) between 1c, divide, 5M(5W) casting left(right) round 1W(1M) back into the centre for
17–
5M+4c RHA while{4} 5W+2c LHA ; 5c dance (NHJ) between 3c, divide, and cast back round 3M(3W), into the centre
25–
5c with RH elbow-grip (Kilt grip) make any (eg. tulloch) turn {4} ; 5c face 1c and set, ½ LHA to finish with 5c in 1pl and 1c in the middle facing 2c (i.e. next couple clw) to start again.

after 5 times through, 5c finish in the middle, all other C have moved one place clw

0 20:00City of Belfast S32 · 3/3L
Lucy Mulholland: RSCDS XLVIII 6 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c ½ Fig8 round 2c ; 1c turn 2c EH 1¼ into line across, 1c in the middle
9–
1c+2c Reel4, finish 2c in 1pl and 1c (last pass is Lsh) facing 1cnr
17–
1c set to 1cnr | set to 2cnr, dancing R into sideline (2,1x,3) ; All set | 1c cross RH
25–
1c+3c Espagnole (2,3,1)

Espagnole: both W lead RHJ to M side, cross and cast back to exchanged places while Men cross to W side, lead RHJ back to M side crossing to exchanged places ; all turn P EH (2,1)

0 20:00City of Stirling Reel R32 · 3/4L
Roy Goldring: Bannockburn 700 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c+2c Snowball G-Chain (4 hands of 2 bars), to start 1c+2c change place RH on the side (3x,1x,2x) (1W no polite turn at the end)
9–
1c cross Rsh | Turn 3cnr pos. RH ½ ; with cnr following pass Lsh on the diagonal and curve into 2plx, the cnrs returning to own 1cnr positions
17–
1c cross Lsh | Turn 4cnr pos. LH ½ ; with cnr following pass Rsh on the diagonal and curve into 2plx, the cnrs returning to own 2cnr positions (2,1x,3)
25–
All turn P RH ; 1c ½ Fig8 L (W up, M dn) (2,1,3)

INTERVAL AND SUPPER

0 20:00Cramond Bridge R32 · 3/4L
Valerie Farr: The London Jubilee Book (1979) · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c cross RH, cast (2c up) ; cross LH, cast 1W up, 1M down and dance in to meet facing 2M
9–
1c in promhold dance half diagonal Rsh Reel3 with 2M+3W ; repeat with 3M+2W, 1c finish in middle facing women' side
17–
1c lead out on W side and cross, casting round 2W and 3W positions (1M down, 1W up) to meet in middle ; 1c turn RH 1¼ times while{4} 3c+2c ½ R&L around them
25–
1c lead up between top couple and cast off ; 2c+1c+3c Turn RH

0 20:00Gothenburg's Welcome J32 · 3/4L
Bobby Munro: RSCDS XXXVII 3 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1-4
1c cast off one place (2c up) | 1c set advancing to face 1cnrs
5-16
Dance to each corner and set (»Free« cnrs set diagonally while{2} centre dancers change place Rsh with the facing cnr, who in the centre pass Rsh to face next cnr on R | repeat five times, on alternating diagonals), 1c finish facing 3cnr position)
17–
1c ½Reel4 on 1diag, pass Rsh ; ½Reel4 on 2diag (2,1,3)
25–
2c+1W & 1M+3c RHA ; 2c+1c+3c turn RH.

0 20:00Programme Item: St Bernard's Waltz

0 20:00The Dancing Master J96 · 4S
John Drewry: Scottish Country dances - London 75th · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c set to 3c | both cast ¼ clw into the middle and face across ; 1c+3c cross RH | chase clw to P's place facing clw
9–
1c+2W & 3c+4W RHA (1c+3c, W leading, pass through own place into) ; 1c+4M & 3c+2M LHA , finish again in P's place
17–
1c & 3c (W leading M) Rsh Reels3 with the same two corners (1c+2W+4M, 3c+4W+2M), 1c+3c face out in P's place, 2c+4c face in and all take promhold
25–
1c+3c chase clw half round, while{4} 2c+4c A&R ; 1c & 3c pass Rsh to own place
33-64
2c+4c repeat [1-32]
65–
All set to P | change places RH (M face out) ; all W ½RHA and dance out to W place ¾ clw from the start while{4} all M dance one place clw, to meet »opposite partner«
73–
Repeat [65-72] with new partner (to 3,4,1,2)
81–
Half Schiehallion Reel (to own places)
89–
All circle8 and back.

Note by Drewry: On [65-68] and [69-72] the W use RH twice. This can be avoided by substituting: [65-68] »All set to P | change places passing Rsh, (M face out)«

0 20:00Ramadan-ce R32 · 3/4L
John Drewry: The Turkish Set · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c+2c+3c Inveran Reels (1,2,3)
9–
1c cross RH | cast (2c up) ; Turn RH to face 1cnr
17–
1c+1cnrs pass Rsh | cnrs turn RH ½ and cast away as 1c meet and pass Rsh to face 2cnrs ; repeat with 2cnrs (3x,1x,2x)
25–
½ Reels3 across, 1c Lsh to 3cnr ; ½ Reels3 on the sides, 1c Rsh to 4cnr (2,1,3)

0 20:00Best Set in the Hall J32 · 3/4L
Helen Greenwood: RSCDS XLVI 7 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c set | 1W (1M follows) casts off 2, crosses, W dances up behind M line, and M dances up the middle, 1c face 1cnr (2c up)
9–
1c set to 1cnr | 1c cast Rsh round each other to 3cnr position while{2} 1cnrs dance into centre, and swivel R to face own cnr ; repeat, 1cnrs finishing in exchanged places, and 1c facing 2cnr
17–
Repeat with 2cnrs (3x,1x,2x)
25–
All chase clw ½ round ; all turn RH. (2,1,3)

To: Auckland Region President, Campbell MacKay, nov. 2003

0 20:00Boston Two Step -16 · 1RR
Tom Walton: Collins Pocket Reference: Scottish Country Dancing · Crib: E-cribs

1–
Holding nearer hands and facing cclw: Balance away, balance together, walk 3 steps and turn alone on 4th ; Repeat the above.
9–
Hold both hands, facing, balance (woman's right, mans left) balance in other direction, 2 slow slide steps in first direction (This balance is similar to the English setting) ; in ballroom hold, 4 2-steps once around, end in 'open' position ready to dance again.

(The Boston Two Step probably has many regional variations).

0 20:00Staircase In Styria R40 · 5/5L
Margaret Gray: CD booklet of The Sunday Class Dance Book 2 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c+2M & 3c+4M RHA 1¼, 1c & 3c finishing in middle facing down, other cpls in own place ; 1c+2W & 3c+4W LHA, finish facing down
9–
1c+4M & 3c+5M RHA same way ; 1c+4W & 3c+5W LHA, 1W & 3W face out on own side with P behind
17–
1c & 3c (W leading) cast up 1 place, cross, cast up on M side to original places the W looping R
25–
1c cross | cast 1 (2c up) ; 1c followed by 3c dance up & cast to (2,3,1x,4,5)
33–
1c cross | cast 1 (4c up) ; 1c followed by 5c dance up & cast to (2,3,4,5,1)

0 20:00Uppies and Doonies J32 · 4/4L
Roy Clowes: 50th Anniversary 1957-2007 (Roxburgh et al.) · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c set adv | turn BH (2c+3c+4c up) ; lead down and cast behind 3pos to 4pl (2,3,4,1)
9–
2c+3c & 4c+1c ½ R&L ; All change sides, dancing ½ Fig8 to the L, passing Rsh on the diagonal, (3,2,1,4)
17–
repeat [9-16] from new positions (2,3,4,1)
25–
2c_3c & 4c+1c Circle4 L ; All turn P RH (2,3,4,1)

Note: on [13-14] also pass Rsh with dancer of the next set in the line

0 20:00The Countess of Dunmore's Reel R32 · 3/4L
Deirdre MacCuish Bark: RSCDS XLIX 12 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1--
1c set | dance down (2c up) ; cast up round 3c | set advancing to face 1cnr
9--
1c turn 1cnr RH, pass Rsh; turn 2cns RH, pass Rsh to face out in 2pl (cnrs dance for {4}) (2,1,3)
17--
[3C Chain Progression] 1c cast ¼ clw round set while 2c & 3c Turn RH ¾ | 2M+3W turn LH 1½ while{4} the others promenade clw ½ round set | 3c+2c turn RH ¾ while 1c dance clw to 2pl (3,1,2)
25--
all chase ½ way clw ; set | cross RH (2,1,3)

3C Chain Progression was earlier known as Chaperoned Chain Progression

0 20:00Mairi's Wedding R40 · 3/4L
James B Cosh: Twenty Two SCD · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c turn RH | cast (2c up) ; turn LH to face 1cnrs
9–
1c ½Reel4 with 1cnrs (pass P Lsh) ; Repeat with 2cnrs
17–
Repeat with 3cnrs (1cnr person) ; Repeat with 4cnrs (2cnr person)
25–
1W+2c & 1M+3c Reels3 across, Lsh to 1cnr
33–
2c+1c+3c circle6 and back

Note: Cosh explicitly tells 1c to pass Lsh in [9-24]; however the Rsh pass is quite common, and nicknamed »Mairi's Divorce«.