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0 00:00Granville Market J32 · 3/4L
Elinor M Vandegrift: A Second Book of Graded Scottish Country Dances · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c+2c RHA, LHA
9–
1c cross RH | cast (2c up) ; ½ Fig8 up to face 1cnr
17–
1c turn 1cnr RH | pass Rsh ; turn 2cnr RH | pass Rsh to (2,1,3)
25–
Circle6 and back

0 00:00Catch the Wind R32 · 3/4L
Romaine Butterfield: RSCDS XLV 5 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c set | cast off (2c up) ; ½Fig8 up (2,1x,3)
9–
1c set twice, on [11-12] 1W swivels R to face out ; 1W (1M following) casts R round 2M and down middle to finish 1W between 3c facing 3M, and 1M between 2c facing 2M.
17–
1M+2c & 1W+3c Rsh reels3 across
25–
1W (1M following) casts R round 3M and cross to 2pl ; 1c turn RH (2,1,3)

The original tune is a hornpipe

0 00:00Miss Gibson's Strathspey S32 · 3/4L
Derek Haynes: The Leaflet Dances with Music · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c+2c set | turn BH ; circle4 L
9–
1c+2c Knot, 1c finish facing 1cnrs
17–
Turn CPCP, with final wide ¾ LH turn into
25–
Teapots R and L (1M+3c & 1W+2c RHA, 1c pass Rsh, cnrs not to sidelines ; 1M+2c & 1W+3c LHA) (2,1,3)

0 00:00The Starry Eyed Lassie J32 · 3/4L
Martin Sprague: RSCDS XXIII 11 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c+2c RHA ; 1c cast off while{2} 2c dance to top | 1c set advancing swiveling R to finish BtoB facing own sides for
9–
DTr, finish with a petronella to between end couples facing 4cnr
17–
Rsh Reels3 across (to 2,1x,3)
25–
2c+1c+3c circle6 L {6} | 1c cross RH

0 00:00Alltshellach S32 · 2/4L
Elizabeth D Gilroy: RSCDS XXIII 2 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c+2c set | turn BH, into ; 1c+2c ½Poussette, finishing in the middle, facing down
9–
2c+1c lead down the middle ; (2c divides) 1c+2c lead up to (1,2)
17–
Reel4 across the dance, 1W and 2M pass Lsh to begin, and finish with a loop on own side
25–
Tournée

0 00:00Summer Wooing R32 · 3/4L
Alan Macpherson: RSCDS XXXVIII 6 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c+2c circle4 to the left ; 1c+2c chase clw ½-round to finish on opposite sides, 2c facing 1c (2x,1x,3)
9–
Rsh Reels3 on sides
17–
1c, followed by 2c lead down the middle {3}, (2c split for) 1c+2c lead up {3} | and cross to own side RHJ, the W passing below the M and under the joined arms, into
25–
1c+2c Poussette (2,1,3)

0 00:00Programme Item: Buffet

0 00:00Good Hearted Glasgow J32 · 3/4L
Peter Knapman: Collins Pocket Reference: Scottish Country Dancing · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c turn RH | cast off (2c up) ; turn LH 1¼
9–
Teapots R ; and L (2c+1W & 1M+3c RHA ; 2c+1M & 1W+3c LHA)
17–
1c lead down the middle and up into 2pl
25–
All circle6 and back

0 00:00Never Let Go S40 · 3/3L
Aileen & Manuel Melsbach / Alex Brick: High Time · Diagram: Keith Rose's Diagrams

0 00:00The Westminster Reel R32 · 2/4L
Jeremy Hill: RSCDS XLV 1 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1M+2W turn RH to places ; 1W+2M turn RH 1½ to face P for
9–
1c+2c Rsh diagonal Reel4, all ending in own places
17–
1c+2c Set&Rotate (set diagonally | cast 1 place clw ; change RH with P | chase 1 place clw)
25–
2c+1c R&L

note the difference: the standard Set&Rotate starts with set to P

0 00:00Les Remparts de Séville J32 · 3/4L
Aliénor Latour: RSCDS 50 2 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1--
1c set | cast off (2c up) ; 1c ½Fig8, Lsh to 1cnr
9--
1c turn LH to face 1cnrs | 6 bars of set H&G, into lines across
17--
S&Link3 ; all set | all cross RH
25--
Circle6 and back (2,1,3)

0 00:00Culla Bay S32 · 4S
Ann Dix: RSCDS XLI 2 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c+3c turn RH ½ with person opposite, face that person | twirl R and into opposite place ; 2c+4c repeat this and face in while{4} 1c+3c (W leading) chase ¼ clw | curve into centre and swivel R to face out (1c facing 4pl and 3c facing 2pl)
9–
Parallel Reels4 across
17–
2c+1c & 3c+4c circle4 L ; face other couple and set | ½ RHA, flowing into
25–
2c+4c LHA in the middle ; dance out passing same sex standing dancer on the side Rsh, and chase R (M leading) to 1pl/3pl (to 2,3,4,1).

0 00:00The Sailor R32 · 3/4L
RSCDS XXIV 4 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c cross down RH (2c up) to 2plx and BiL with cnrs ; 1c cast R into lines across | all set
9–
All Reels3 across,Rsh to 1cnr, finishing (2,1x,3)
17–
1c lead down | lead to the top ; cross and cast to (2,1,3)
25–
2c+1c R&L.

Note: [3-4] is NOT in DTr position.

0 00:00Mrs Stewart's Jig J32 · 3/4L
Frans Ligtmans: RSCDS XXXV 1 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c set | 1W casts, 1M following, round 3W, 1W dances up round 3M and 1M dances up the middle, 1c face 3c (2c up on 7-8) (2,1x,3)
9–
2c+1c+3c G-Chain (2c cross), 2M+1M finish facing out
17–
2c+1c L-Chain
25–
2c+1c+3c A&R ; 1c turn RH 1½ to (2,1,3)

0 00:00Bonnie Stronshiray S32 · 3/4L
Robert M Campbell: Glasgow Assembly And Other Scottish Dances · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c+2c Half Reel Progression (both turn BH ¾ onto midline, ½ Reel4, turn BH ¾) to (2,1,3)
9–
1c set advancing and passing, turn 1cnrs BH to finish between end couples ; repeat with 2cnrs to finish (2,1x,3)
17–
2c+1c+3c cross RH (1c face out and corners face in diagonally) | [19-20] corners advance {1} and retire {1} while{2} 1c casts R to finish between end couples ; in lines across all change places RH (up / down) | Repeat [19-20] from new places, 1c finish BtoB facing 4cnr (2cnr persons)
25–
1c ½Reel4 with these cnrs, pass Lsh round P to face 3cnr (1cnr persons) ; ½Reel4 with these cnrs, at end turn RH to 2pl own sides

A quote: »the key that has always made this dance so wonderful is the flirting that dancing couple can do on bars 9-10 and 13-14 ; <...> if you actually set to your partner, advancing and at the last moment just slipping in BtoB to face and turn the appropriate corner, it's tremendous fun. The moment is all too rare, as apparently few teachers teach it this way, but it's a moment I savour.

0 00:00The Deil amang the Tailors R32 · 3/4L
RSCDS XIV 7 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c+2c set, ½ RHA ; set, ½ LHA
9–
1c lead down the middle and up, 2c step in for
17–
1c+2c Allemande
25–
2c+1c+3c circle6 and back.