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0 00:00The Duke of Atholl's Reel J32 · 2/4L
Skillern: RSCDS XVI 3 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c+2c set, ½ RHA ; set, ½ LHA
9–
1M+2W set advancing, turn RH ; 1W+2M repeat
17–
1c cross RH, cast off (2c up) ; ½ Fig8 up round 2c
25–
2c+1c R&L.

0 00:00The Barmkin R88 · 4S
Roy Goldring: A Second Book of Graded Scottish Country Dances · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c+3c turn RH and face clw ; chase ½ round set into
9–
3c+1c RHA ; LHA to exchanged places (3,2,1,4)
17-32
2c+4c repeat [1-16] (3,4,1,2)
33–
1c+3c turn LH and face cclw ; chase½ round set to own places
41–
1c+3c R&L (1,4,3,2)
49-64
2c+4c repeat [33-48] (1,2,3,4)
65–
All C NHJ advance | retire »diagonally« NHJ with cnr ; all W dance clw round their cnr
73–
All pairs advance | retire NHJ with P to places ; all M dance clw round P
81–
All circle8 and back

0 00:00The Wind on Loch Fyne S32 · 3T
John Bowie Dickson: Thirty Popular Dances, Volume Two · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c cross down, 1W / 1M Figs8 round 2c / 3c (pass between, meet & touch NH, out between same couple, cast up, turn RH ½ to place.
9–
All C face P for Rsh interlocking Reels4 (acknowledge P on [12], on [16] turn ¾ RH into:
17–
Men LHA 2/3 cclw while{2} women dance clw one place | all C turn RH ; repeat to new places (2,3,1).
25–
All C set NHJ | ½ circle6 left ; all C turn BH | ½ circle6 left (2,3,1)

0 00:00The Frisky J32 · 3/4L
Robert Bremner: RSCDS XXVI 10 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c turn RH, cast off (2c up) ; turn LH, cast off one (3c up) (2,3,1)
9–
All circle6 and back
17–
1c lead to the top [**] (2c+3c down) ; 1c+2c set twice
25–
1c+2c ½ R&L ; 2c+1c set | cross RH (2,1,3)

[**] TACnotes says dance in {1}, dance up NHJ {2}, out to 1pl {1}

0 00:00The Falls of Rogie R32 · 3/4L
Jean Attwood: Alexander Dances Book 1 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c cross RH | cast (2c up) ; cross RH | cast R (M up, W down)
9–
½ Reels3 across (Lsh to 2cnr) ; set in lines across | all cross up/down RH
17–
Corners chase once clw while{8} 1c chase half way clw and turn RH 1¼ to face 1cnr positions
25–
½ diag. Reel4 with 1cnrs, 1c pass Rsh ; ½ diag. Reel4 with 2cnrs, 1c passing Rsh to 2pl.

0 00:00Lady Hamilton's Strathspey S32 · 3/3L
John Drewry: The Turkish Set · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c+2c+3c Inveran reels (1c cross from top and from bottom) (1,2,3)
9–
1c+3c set | turn BH just less than once and open NHJ forming arch, 1c facing 2W and 3c facing 2M ; arches advance as 2c pass under, all now form an approximate circle | all swivel ¼ R and chase clw round circle (2c to just outside 2pl)
17–
3c+2c+1c circle6 and back (to 3,2,1)
25–
3M (3W follows whole way) cast off | cross up (2M up) ; cast off round 2W | cross to 2pl (2W up) (2,3,1)

Also called Emma's Delight

0 00:00Swiss Lassie R32 · 3/4L
Rosi Betsche: RSCDS XXXIX 1 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c cast off 2 (dance in to begin) (2c+3c up) ; 2c+1c 1¼ turn RH to midline, facing P
9–
2c+1c Reel4 on midline, 2M and 1W end facing opposite side, with P behind
17–
2c & 1c chase clw round 3c to (1,3,2) ; All A&R
25–
3c+2c turn RH ½, leading into ½ RHA, to sidelines ; 1c+2c repeat (2,1,3)

0 00:00Seton's Ceilidh Band J64 · 4/4L
A Bruce Fordyce: The Bruce Fordyce Memorial Collection · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c cross RH, cast (2c up) ; dance between 3c (3c up) , behind 4c (4c up) to (2,3,4,1x)
9–
3c+4c+1c Reel3 on side (1c in, 4c out and down to begin)
17–
1c repeat bars 1-8 from 4th position, dancing up the set (1,2,3,4)
25–
1c+2c+3c Reels3 on side (1c in, 2c up and out to begin)
33–
1c cross RH | cast (2c up) and give RH to P, LH to 1cnr ; BiL, 1c turn RH to 2cnr
41–
1c+2cnrs BiL, 1c cast off behind 3c, lead up RH crossing over to 1pl own side facing down (2c down)
49–
1c+2c ½ R&L, giving RH on the side to begin ; repeat with 3c
57–
Repeat with 4c ; all C turn RH 1½.

0 00:00Miss Gibson's Strathspey S32 · 3/4L
Derek Haynes: The Leaflet Dances with Music · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c+2c set | turn BH ; circle4 L
9–
1c+2c Knot, 1c finish facing 1cnrs
17–
Turn CPCP, with final wide ¾ LH turn into
25–
Teapots R and L (1M+3c & 1W+2c RHA, 1c pass Rsh, cnrs not to sidelines ; 1M+2c & 1W+3c LHA) (2,1,3)

0 00:00The Piper and the Penguin R88 · 4S
Roy Goldring: The Scotia Suite of Scottish Country Dances · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1-16
All W dance Rsh round cnr ; RHA in middle ; Lsh round P ; LHA in middle, to places
17-32
All M dance Rsh round P ; RHA in middle ; Lsh round cnr ; LHA in middle, to places
33-48
1c+3c turn RH 1¼ ; 1M & 3M (W following) dance between couple on the R and cast clw to places ; 1c+3c R&L
49-64
2c+4c repeat
65–
All W dance into middle, swivel R and dance through own place clw half way round set
73–
All M dance into middle, swivel L and dance through own place cclw half way round set
81–
All turn P RH 1¼ ; promenade cclw half way round set, to own places

0 00:00Glayva J32 · 2/4L
John Drewry: The Canadian Book of Scottish Country Dances · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c+2c ½ DblFig8 (1c cross down to begin) ; 1c turn 2c easy hand on side (1c inwards) (1x,2x)
9–
Repeat from new positions (1,2)
17–
1c+2c RHA and dance to centre and pull Rsh back ; dance out to places | all set (facing in)
25–
1c+2c Espagnole.

Espagnole: both W lead RHJ to M side, cross and cast back to exchanged places while{4} Men cross to W side, lead RHJ back to M side and cross to exchanged places ; all turn P EH (2,1)

0 00:00The Belle of Bon Accord S32 · 4/4L
John Drewry: Deeside Book Part 2 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1M cross, cast off round 2W to finish in the middle facing up while{4} 1W crosses between 2M and 3M, casts up to the middle facing down while{4} 3c do the same round 4c (2c & 4c step up ½ place) ; 1c+2c & 3c+4c RHA
9–
1c+3c Reel4 in the centre of the dance
17–
1c+3c turn ¾ RH to finish facing up NHJ while{2} 2c & 4c dance up ½ place on the sides and in to face down NHJ. All set ; 2c+1c & 4c+3c circle4 L (to sidelines 2,1x,4,3x)
25–
1c/3c lead up & cross between 2c/4c and cast off one ; 1c+3c turn BH, opening to face down | 1c dance to 4pl while{2} 3c cast up to 2pl. (2,3,4,1)

0 00:00The Sailor R32 · 3/4L
RSCDS XXIV 4 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c cross down RH (2c up) to 2plx and BiL with cnrs ; 1c cast R into lines across | all set
9–
All Reels3 across,Rsh to 1cnr, finishing (2,1x,3)
17–
1c lead down | lead to the top ; cross and cast to (2,1,3)
25–
2c+1c R&L.

Note: [3-4] is NOT in DTr position.

0 00:00Mairi's Wedding R40 · 3/4L
James B Cosh: Twenty Two SCD · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c turn RH | cast (2c up) ; turn LH to face 1cnrs
9–
1c ½Reel4 with 1cnrs (pass P Lsh) ; Repeat with 2cnrs
17–
Repeat with 3cnrs (1cnr person) ; Repeat with 4cnrs (2cnr person)
25–
1W+2c & 1M+3c Reels3 across, Lsh to 1cnr
33–
2c+1c+3c circle6 and back

Note: Cosh explicitly tells 1c to pass Lsh in [9-24]; however the Rsh pass is quite common, and nicknamed »Mairi's Divorce«.

0 00:00Maxwell's Rant R32 · 3/4L
David Rutherford: RSCDS XVIII 10 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
Mirror Reels3 on the sidelines (1c cross down) (1x,2,3)
9–
1c cross back into mirror Reels3 on own sides
17–
1c cross RH | cast (2c up) ; ½ Fig8 round 2c
25–
1c dance down between 3c and cast up to 2pl ; 2c+1c+3c turn RH

0 00:00Linton Ploughman J32 · 2/4L
RSCDS V 6 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c+2c circle4 and back
9–
1c+2c RHA ; LHA
17–
1c lead down the middle and up
25–
1c+2c Poussette.