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5 00:00The Australian Ladies R32 · 3/4L
Robert M Campbell: Glasgow Assembly And Other Scottish Dances · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c cross RH | cast off two (2c+3c up) ; 3c+1c RHA
9–
1c lead to top, cross and cast to 2pl (3c down) ; 2c+1c LHA (2,1,3)
17-32
2c+3c (»corners«) set and change place RH four times following the track of R&L (3M&2W make polite turns) while{16} 1c cross (across or up/dn) RH and cast R round the corner four times.

Note by the deviser in TacTalk of jan. 1986: on [17-32] the corners set »as written«; they do not split the setting as is customary in »J.B. Milne«.
Devised in May 1967 in New Zealand by Bob Campbell of Canada for Jean Conway, Elma See, Lorraine Dyall, and Margaret Gray of the Newcastle (Australia) Colleges Strathspey and Reel Club.

3 00:05Take Wing J32 · 4/4L
Debbie Hammond · Crib: SCDDB Contributed Cribs & Diagrams · Diagram: Keith Rose's Diagrams

1–
1W followed by 1M casts to 3plx, 4M followed by 4W casts to 2plx (2,4x,1x,3); 4c+1c RHA
9-
4W with 1W in tandem +2M+3M & 1M with 4M in tandem +3W+2W, Reels3 on the sides, (start Lsh to 2M & 3W) (at the ends of the reels 4W+1W & 1M+4M loop singly so the other takes the lead). (2,4x,1x,3)
17-
4c ½ Fig8 up round 2c, 1c ½ Fig8 down round 3c; 4c+1c turn RH (2,4,1,3)
25-
2c+4c & 1c+3c circle4 and back

8 00:08Miss Gibson's Strathspey S32 · 3/4L
Derek Haynes: The Leaflet Dances with Music · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c+2c set | turn BH ; circle4 L
9–
1c+2c Knot, 1c finish facing 1cnrs
17–
Turn CPCP, with final wide ¾ LH turn into
25–
Teapots R and L (1M+3c & 1W+2c RHA, 1c pass Rsh, cnrs not to sidelines ; 1M+2c & 1W+3c LHA) (2,1,3)

2 00:16The Piper and the Penguin R88 · 4S
Roy Goldring: The Scotia Suite of Scottish Country Dances · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1-16
All W dance Rsh round cnr ; RHA in middle ; Lsh round P ; LHA in middle, to places
17-32
All M dance Rsh round P ; RHA in middle ; Lsh round cnr ; LHA in middle, to places
33-48
1c+3c turn RH 1¼ ; 1M & 3M (W following) dance between couple on the R and cast clw to places ; 1c+3c R&L
49-64
2c+4c repeat
65–
All W dance into middle, swivel R and dance through own place clw half way round set
73–
All M dance into middle, swivel L and dance through own place cclw half way round set
81–
All turn P RH 1¼ ; promenade cclw half way round set, to own places

5 00:18The Starry Eyed Lassie J32 · 3/4L
Martin Sprague: RSCDS XXIII 11 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c+2c RHA ; 1c cast off while{2} 2c dance to top | 1c set advancing swiveling R to finish BtoB facing own sides for
9–
DTr, finish with a petronella to between end couples facing 4cnr
17–
Rsh Reels3 across (to 2,1x,3)
25–
2c+1c+3c circle6 L {6} | 1c cross RH

4 00:23Drumelzier S32 · 4/4L
Christopher Blair: Two Scottish Country Dances · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
All 4 couples cross over RH | 1c+2c & 3c+4c ½ RHA ; repeat LH (1,2,3,4)
9–
All set | ½ circle8 L | all set keeping hands in circle, finish in square set
17–
4c+1c ½ R&L (up and down), to sidelines ; 3c+2c ½ R&L across (to 1,2,3,4, longwise set)
25–
All C turn RH ; 1c lead to 4pl while{4} 2c+3c+4c set and dance up one place on the side (2,3,4,1).

3 00:27The Bees of Maggieknockater J32 · 4/4L
John Drewry: The Canadian Book of Scottish Country Dances · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c cross RH | cast off (2c up) ; 1c+3c RHA, finish as pairs 1M+3W & 3M+1W facing out on W/M side in promhold
9–
Pairs+ 2c+4c Rsh ½Reels3 on sides ; pairs meet & take P in promhold for Lsh ½Reels3 on sides
17–
Meet and repeat (as pairs Rsh ½Reels3 ; with P Lsh ½Reels3)
25–
1c (passing inside) turn 3c 1½ Easy Hand ; 1c cross and passing inside turn 4c EH 1½ (to 2,3,4,1)

3 00:30City of Belfast S32 · 3/3L
Lucy Mulholland: RSCDS XLVIII 6 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c ½ Fig8 round 2c ; 1c turn 2c EH 1¼ into line across, 1c in the middle
9–
1c+2c Reel4, finish 2c in 1pl and 1c (last pass is Lsh) facing 1cnr
17–
1c set to 1cnr | set to 2cnr, dancing R into sideline (2,1x,3) ; All set | 1c cross RH
25–
1c+3c Espagnole (2,3,1)

Espagnole: both W lead RHJ to M side, cross and cast back to exchanged places while Men cross to W side, lead RHJ back to M side crossing to exchanged places ; all turn P EH (2,1)

5 00:33Da Rain Dancin' R32 · 3/4L
Ron Wallace: Whiteadder Collection · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c dance down 2 places and cast up to 2pl (2c up) ; 2c+1c+3c set and cross RH (2x,1x,3x)
9–
1c dance up and cast off one ; 2c+1c+3c set | 2c+3c cross LH while{2} 1c turn LH to face 1cnr:
17–
1c set R to 1cnr {1} and L to P {1} | turn ¾ RH ; set R to 2cnr and L up/down to P | turn ¾ RH to 2pl
25–
2c+1c+3c circle6 and back. (2,1,3)

5 00:38Hooper's Jig J32 · 3/4L
Miss Milligan's Miscellany of Scottish Country Dances · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
All clap, 1c cross Rsh and cast off one (2c up) ; 1c+3c RHA
9–
All clap, 1c cross back Rsh, cast up to own place (2c down) ; 1c+2c LHA
17–
1M+3W change places RH | 1W+3M change RH, while{2} 1M+3W dance a Rsh loop ; 1M+3W cross back RH while{2} 1W+3M loop | 1W+3M cross back LH, 1W to 2pl while{2} 1M casts to 2pl (2c up)
25–
2c+1c R&L

3 00:43Blooms of Bon Accord R32 · 4/4L
John Drewry: Deeside Book Part 2 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

3c+4c cross on 2nd chord(1,2,3x,4x). This dance has top/bottom symmetry

1–
All C set | 1c+2c & 3c+4c RHA | 1c & 4c cast in to 2pl/3pl while{2} 2c+3c lead out to end places
9–
1c+4c cross RH, cast to ends, meet in promhold and dance in between end couples, curve round the other couple Rsh to finish 1c / 4c on M/W side facing out and right
17–
1c & 4c (in promhold) Rsh Reels3 with the »corners« on M/W sides, at end meet in the centre
25–
4c+1c RHA, at end M swivels right so couples face ends of set (1c down, 4c up, W on P's left, RHJ) ; 4c&1c cross between end couples and cast in to (2,4,1x,3x)

8 00:46Gang the Same Gate S32 · 3/4L
Milton Levy: RSCDS XXXVI 4 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c cross RH | cast off 2 (2c+3c up) ; 1c cross RH and cast up (3c down) to (2,1,3)
9–
1c set passing Lsh | turn 1cnrs BH ; ½Reel4 with 2cnrs, at end 1c curve R to between end cpl (M above facing W below)
17–
1c set passing Lsh, turn 4cnr (2cnr persons) BH ; ½Reel4 with 1cnrs, at end curve R to end as (3x,1x,2x)
25–
All S&Link3 ; repeat (2,1,3)

2 00:54The Dundee City Police Jig J32 · 5/5L
John W Mitchell: Whetherly Book 2 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

Canon. A new top couple starts dancing every 16 bars, and each continues dancing until they reach their original positions, so that the dance starts from the top, and ends from the top. 1c face out after the chord.

1–
1c+2c with EH joined set | turn EH ½ ; 1c ½ Fig8 up round 2c (2,1x,3,4,5)
9–
1c mirror Reels3 on opposite sides with 2c+3c, 1c starts in and down, at end, 1c turn 3c EH ½ (2,3,1x,4,5, with 2c & 1c facing out
17–
2c+3c+1c+4c BiL | 2c continues as above while{6} 1c turn 4c EH ½ , cross RH and cast to 5pl (5c up)
25–
5c+1c R&L (3,4,2x,5,1).

On bar 48 the order will be 4,5,3x,1,2.
On bar 64 the order will be 5,1,4x,2,3.
On bar 80 the order will be 1,2,5x,3,4 and 1c and 2c stop.
On bar 96 the order will be 1,2,3,4,5, all stopped.

5 00:56John of Bon Accord R32 · 3/4L
Roy Goldring: RSCDS XXXIII 5 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1-16
4 progressive ½Reels3 across, as follows: 1c+2W (1c start Rsh to P) ; 1c+2M (start Lsh) ; 1c+3W (Rsh) ; 1c+3M (Lsh), 1c finish in 3pl a bit in from the sidelines (2c & 3c finish their reels in 1plx and 2plx)
17–
1c turn RH, cast up one place on own sides (3c down) ; 1c ½ Fig8 round 2c (2x,1x,3x)
25–
All turn P ¾ RH to face P along the midline | All Set retaining RHJ ; all turn P ¾ RH | All Set (2,1,3)

5 01:01The Golden Wedding Strathspey S40 · 4/4L
Jimmy Ashton: RSCDS XXXIII 4 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c, followed by 2c, 3c & 4c cast off to 4pl and dance up NHJ, all making polite turn to places
9–
1c+2c & 3c+4c S&Link ; 2c+1c & 4c+3c circle4 L
17–
2c+1c & 3c+4c »the Knot«, 1c finish between 2c, facing the other P
25-40
»Spurtle« progression (1c+2c ½Reel4 across, 2c finish in 1plx while{4} 1c Turn RH to face 3c in same way ; 1c+3c repeat ; 1c+4c repeat (to 2x,3x,4x,1x) ; All set and cross RH

5 01:06The Fireworks Reel R32 · 3/4L
Anselm Lingnau: RSCDS XLVIII 11 · Crib: SCDDB Contributed Cribs & Diagrams · Diagram: Keith Rose's Diagrams

1-4
1C cross RH, cast off (2C step up)
5-8
½ figures of 8 (1M round 3C, 1W round 2C), 1C finish facing 1cnrs
9-12
1C set to 1cnrs, moving L on 2nd PdB to between corners [as in hello-goodbye setting], 1C turn LH to fin facing 1cnrs again
13-16
1C ½Reel4 with 1cnrs, fin facing 2cnrs
17-24
1C R 9-16 w/2cnrs (3x, 1x, 2x)
25-28
½Reel3 on opp sides, 1C LS to person on L to begin
29-32
1M+2C, 1W+3C ½Reel3 across, LS to 3cnr to begin

3 01:11James Gray J32 · 4/4L
Ronella Burrows: RSCDS XLII 10 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

On 2nd chord, 3c+4c change sides (to 1,2,3x,4x)

1–
1c+4c cross RH | cast to middle (2c+3c step to ends) ; 1c+4c ½ Fig8 round nearest end couple (2,1,4x,3x)
9–
1c+4c R&L, finish facing end couple (no polite turns) (2,1,4x,3x)
17–
Parallel Rsh reels4 on the sides, but 1c+4c finish in line across, 1M+4M in the middle RHJ, the W outside
25–
1M+4M turn RH ¾ while{4} 1W+4W chase ¼ cclw inside the set | 1M+4W & 4M+1W turn LH ½ ; 1W+4W turn RH ¾ while{4} 1M+4M chase ¼ cclw | 1M+4W & 4M+1W turn LH ¾ (to 2,4,1x,3x)

6 01:14Mairi's Wedding R40 · 3/4L
James B Cosh: Twenty Two SCD · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c turn RH | cast (2c up) ; turn LH to face 1cnrs
9–
1c ½Reel4 with 1cnrs (pass P Lsh) ; Repeat with 2cnrs
17–
Repeat with 3cnrs (1cnr person) ; Repeat with 4cnrs (2cnr person)
25–
1W+2c & 1M+3c Reels3 across, Lsh to 1cnr
33–
2c+1c+3c circle6 and back

Note: Cosh explicitly tells 1c to pass Lsh in [9-24]; however the Rsh pass is quite common, and nicknamed »Mairi's Divorce«.