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0 19:15Browned Off R32 · 2RR
John Drewry: The Welsh Set · Crib: MiniCribs

Round the Room 2 facing 2

1-8
All dance Men's Chain
9-16
Ladies pass opposite Man LSh, cast & turn other Lady RH 1.1/2 times back to place
17-24
Men pass opposite Lady RSh, cast & turn other Man LH 1.1/2 times back to place
25-32
All set, dance RH across & cross RH to meet next couple

0 19:15The Path Of Life J32 · 3/4L
Frans Ligtmans: Grand Chain and Allepouss · Crib: E-cribs · Diagram: SCDDB Contributed Cribs & Diagrams

1–
1c turn RH | cast off (2c up) ; turn LH to 1cnr
9–
Turn CPCP, finish facing 1cnrs
17–
“Corners Pass and Turn” (1c+1cnrs pass Rsh, and 1cnrs turn RH | pass back and 1c pass Rsh to face 2cnr ; repeat with 2cnrs) (2,1,3)
25–
2c+1c+3c circle6 and back

0 19:15The Rose of the North S32 · 3/4L
Roy Goldring: Silver Jubilee 25 - Leeds Branch · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1-4
1c lead down, cross below 3c and cast up into 2plx (2c up)
5-16
2c+1c+3c R&L for 3 couples
17–
1c set to and turn corners, to finish BtoB in the centre, 1M facing up, 1W facing down
25–
1M+2c & 1W+3c Circle3 L (at end 1c pull Rsh back to face P) ; 1c set, petronella to 2pl

0 19:15The 51st Travellers J32 · 3/4L
Sandra Turton: RSCDS XLIV 9 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c cross down RH behind 3c (2c up) and dance up to 2plx ; Mirror ½ Reels3 on the sides (1c out and up) (to 3,1x,2)
9–
G-Chain (3c cross to begin)
17–
S&Link3 ; 1c turn RH 1¾ to face 1cnr pos. while{4} 3c+2c chase ½ clw
25–
1c+1cnrs diag. ½Reel4 (1c pass Rsh) ; ½Reel4 with 2cnrs (pass Rsh to 2,1,3)

0 19:15Red House R40 · 2/4L
Playford: RSCDS VII 2 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c set and cast off one ; set and cast back
9–
1M cast off (1W follows) behind 2M, between 2c, behind 2W and cross to finish below 2M/2W
17–
1W cast up (1M follows) behind 2W, between 2c, behind 2M and cross to finish 1c in own places
25–
1c+2M Reel3 on M sideline (1M & 2M begin Lsh, 1W entering below them ; 1M+2M end in exchanged places, 1W in own place
33–
1c+2W Reel3 on W sideline (1W & 2W begin Rsh, 1M entering below them, finish (2,1)

0 19:15Gypsy Dreams S32 · 2/4L
Terry Glasspool: An Itch to Dance · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c cross RH and face down | 1c+2c ½ LH turn on the sides ; all chase cclw one place | all turn P ¾ LH into a line across (W BtoB)
9–
Gypsy Poussette, as follows.
9-12
(Box setting) All set R and swivel R ¼ »on the hop« to face away from P, all set L and swivel R ¼. to face in | all set R (M passing BtoB) and swivel R ¼, all set L and do not swivel. Partners finish facing away from each other but are not lined up BtoB.
13-16
(Gypsy turn) All starting to their own R, dance around P halfway and melt into turn ¾ BH to finish facing P in a line across, M in the middle.
17–
Reel4 across the dance. On [24] the M dance ¼around each other, Lsh to Lsh, while{} the W extend the loops to join P in promhold, all forming a line across, 1c facing up, 2c down.
25–
[25] 1c+2c Promenade ¼ around each other (M staying Lsh to Lsh), into the last 7 bars of the Tournée.

Notes: In [9-12] each C follows the edges of a square:
Music: A smooth strathspey for example: »Birks of Invermay« by Tersipchore

0 19:15Equilibrium J32 · 3/4L
Ian Barbour: Set and Cast Off Volume 2 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c cast off (2c up), cross LH ; dance Lsh round 2cnrs to face 1cnrs (2,1x,3)
9–
Rsh Reels3 in sideline (2,1x,3)
17-28
»Fig8 G-Chain«: 2M+1W (side) & 2W+3M (2nd diag) & 1M+3W (side) change places RH | 3M+3W (side) & 1W+1M (1st diag) & 2M+2W (side) change LH ; repeat figure twice ;; (all dance a Fig8, men dancing down the sidelines, women up).
29-32
1c set and cross over RH, on first turn finish facing out (2,1,3).

0 19:15Joie de Vivre J32 · 3/4L
Irene van Maarseveen: RSCDS XXXIX 2 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c set | cast (2c up) ; dance between 3c and cast up to (2,1,3)
9–
All turn P RH to sidelines ; all chase clw half round (to 3x,1x,2x)
17–
All dance BtoB ; all set | all ½ RH turn into
25–
3c+1c+2c Allemande (2,1,3)

0 19:15Bratach Bana R32 · 3/4L
John Drewry: Bon Accord Book of Scottish Country Dances · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c turn RH | cast off (2c up) ; ½ Fig8 to R around 1cnr (to 2,1x,3)
9–
½Reel3 on sides (Rsh to 2cnr) ; ½Reel3 across (Lsh to 3cnr position), finish on sides (3x,1,2x)
17–
1c turn ¾ LH, Turn 1cnr person (3cnr position) RH ; pass Rsh, turn 2cnr person (4cnr position) ¾ RH to promhold (cnr on the right)
25–
These pairs change places Rsh | drop left hand and turn RH ½ to sidelines ; half diagonal R&L (1st diagonal direction)

Note on [27-28]: originally 2 PdB. modified by Drewry to SkCh. O. Otto says best variant is corners in PdB, 1c in SkCh

0 19:15Gang the Same Gate S32 · 3/4L
Milton Levy: RSCDS XXXVI 4 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c cross RH | cast off 2 (2c+3c up) ; 1c cross RH and cast up (3c down) to (2,1,3)
9–
1c set passing Lsh | turn 1cnrs BH ; ½Reel4 with 2cnrs, at end 1c curve R to between end cpl (M above facing W below)
17–
1c set passing Lsh, turn 4cnr (2cnr persons) BH ; ½Reel4 with 1cnrs, at end curve R to end as (3x,1x,2x)
25–
All S&Link3 ; repeat (2,1,3)

0 19:15The Dancing Master J96 · 4S
John Drewry: Scottish Country dances - London 75th · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c set to 3c | both cast ¼ clw into the middle and face across ; 1c+3c cross RH | chase clw to P's place facing clw
9–
1c+2W & 3c+4W RHA (1c+3c, W leading, pass through own place into) ; 1c+4M & 3c+2M LHA , finish again in P's place
17–
1c & 3c (W leading M) Rsh Reels3 with the same two corners (1c+2W+4M, 3c+4W+2M), 1c+3c face out in P's place, 2c+4c face in and all take promhold
25–
1c+3c chase clw half round, while{4} 2c+4c A&R ; 1c & 3c pass Rsh to own place
33-64
2c+4c repeat [1-32]
65–
All set to P | change places RH (M face out) ; all W ½RHA and dance out to W place ¾ clw from the start while{4} all M dance one place clw, to meet »opposite partner«
73–
Repeat [65-72] with new partner (to 3,4,1,2)
81–
Half Schiehallion Reel (to own places)
89–
All circle8 and back.

Note by Drewry: On [65-68] and [69-72] the W use RH twice. This can be avoided by substituting: [65-68] »All set to P | change places passing Rsh, (M face out)«

0 19:15Sleepy Maggie R32 · 3/4L
Alexander Bowman: RSCDS XI 5 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c+2c circle4 to the left ; 1c set | cast off (2c up)
9–
1c+3c RHA ; LHA, 1c finish facing 1cnrs
17–
1c set to and turn corners, finish facing 1cnrs
25–
Reels3{6} with cnrs (Lsh to 1cnr), 1c cross RH (2,1,3).

0 19:15The Double Diamond Strathspey S32 · 4/4L
Roy Goldring: Social Dances 2002 (Leeds RSCDS 40th Anniversary Book) 6 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c+2c & 3c+4c Poussette
9–
1W+2M & 3W+4M change places Rsh, curving in ; 1M+2W & 3M+4W repeat (Rsh) (2x,1x,4x,3x)
17–
1c+3c ½Fig8 up ; 2c+4c ½Fig8 down (2,1,4,3)
25–
1c+4c+3c the Knot (2,3,4,1)

0 19:15The Aviator J32 · 3/4L
Carola Fischer: RSCDS LII 9 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1--
1c lead down (2c up), on [4] 1W crosses in front and, 1M following, casts up (round any standing M), to finish 1c in 2pl facing 3W
9--
3W+1c+2M Rsh lead-change diag. Reel3 ; 1M dancing the full reel, while for [13-16] 1W turns 3M LH to finish behind 1M, both on midline facing up
17--
2W+1c+3M Rsh lead-change diag. Reel3 ; 1W dancing the full reel, while for [21-24] 1M turns 3W LH to finish 1c in 2plx, 1W facing out
25--
1c dance up (1W Rsh to 2M, 1M Rsh to 2W) | 1c dance Rsh round 2W to 2pl | All set.

0 19:15The Missing Turn R32 · 3/4L
Craig Williams: RSCDS XLVI 5 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c turn RH | cast off (2c up) ; Turn LH 1¼ to between end C, facing 1cnr
9–
Lsh Reels3 across, finish 2c facing 3c up/down, and 1c in middle, Lsh to Lsh, 1W facing up, 1M down
17–
2c+3c ½ R&L, starting up/down while{} 1c dance out the end and cast L ; 1c turn LH (3x,1x,2x)
25–
S&Link3 twice (2,1,3)

0 19:15Foxhill Court S32 · 3/4L
John Drewry: The Canadian Book of Scottish Country Dances · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c & 2c Espagnole, 1c end facing 1cnr (2,1,3)
9-20
Dance to Each Corner and Set (»Free« cnrs set while{2} Centre couple change place Rsh with the cnrs, who then pass each other Rsh to face next cnr on R | repeat this five times (on alternating diagonals) to finish 1c facing 3cnr position)
21-24
1c+1cnr {3cnr pos} turn ¾ BH, opening up to face diagonally across the set with 1cnr on the R, and set while{4} 2cnrs set diagonally and cross RH
25–
1c+1cnr A&R diagonally ; 1c+1cnrs ¾ RHA (to 2,1,3)

Espagnole: both W lead RHJ to M side, cross and cast back to exchanged places while{} Men cross to W side, lead RHJ back to M side and cross to exchanged places ; all turn P EH (2,1)

0 19:15Best Set in the Hall J32 · 3/4L
Helen Greenwood: RSCDS XLVI 7 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c set | 1W (1M follows) casts off 2, crosses, W dances up behind M line, and M dances up the middle, 1c face 1cnr (2c up)
9–
1c set to 1cnr | 1c cast Rsh round each other to 3cnr position while{2} 1cnrs dance into centre, and swivel R to face own cnr ; repeat, 1cnrs finishing in exchanged places, and 1c facing 2cnr
17–
Repeat with 2cnrs (3x,1x,2x)
25–
All chase clw ½ round ; all turn RH. (2,1,3)

To: Auckland Region President, Campbell MacKay, nov. 2003

0 19:15Pelorus Jack J32 · 3/4L
Barry Skelton: RSCDS XLI 1 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c cross RH, cast (2c up) ; 1c+3c RHA, finish 1M facing 1cnr, 1W behind him
9–
1c in tandem +1cnrs ½ diagonal Reel3, Rsh to 3W (1M & 1W loop R singly for lead change, so 1W now leads P) ; ½ diagonal Reel3, Rsh to 2W (+ lead change)
17–
Continue pattern twice
25–
2c+1c LHA ; 1c turn LH ½ | all set (2,1,3)

0 19:15Mairi's Wedding R40 · 3/4L
James B Cosh: Twenty Two SCD · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c turn RH | cast (2c up) ; turn LH to face 1cnrs
9–
1c ½Reel4 with 1cnrs (pass P Lsh) ; Repeat with 2cnrs
17–
Repeat with 3cnrs (1cnr person) ; Repeat with 4cnrs (2cnr person)
25–
1W+2c & 1M+3c Reels3 across, Lsh to 1cnr
33–
2c+1c+3c circle6 and back

Note: Cosh explicitly tells 1c to pass Lsh in [9-24]; however the Rsh pass is quite common, and nicknamed »Mairi's Divorce«.