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0 19:00Swashbuckling Iain J32 · 2/4L
Carolyn Hunt: San Francisco Collection Volume 2 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1M Reel3 with 1W+2W (Rsh to 2W)
9–
1M with 1W tenaciously following Reel3 with 2c (Rsh to 2M)
17–
1c dance down middle, 1M leading ; 1c lead back up RHJ, 2c step in on [24] for
25–
1c+2c allemande

0 19:00The Australian Ladies R32 · 3/4L
Robert M Campbell: Glasgow Assembly And Other Scottish Dances · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c cross RH | cast off two (2c+3c up) ; 3c+1c RHA
9–
1c lead to top, cross and cast to 2pl (3c down) ; 2c+1c LHA (2,1,3)
17-32
2c+3c (»corners«) set and change place RH four times following the track of R&L (3M&2W make polite turns) while{16} 1c cross (across or up/dn) RH and cast R round the corner four times.

Note by the deviser in TacTalk of jan. 1986: on [17-32] the corners set »as written«; they do not split the setting as is customary in »J.B. Milne«.
Devised in May 1967 in New Zealand by Bob Campbell of Canada for Jean Conway, Elma See, Lorraine Dyall, and Margaret Gray of the Newcastle (Australia) Colleges Strathspey and Reel Club.

0 19:00The Iona Cross M192 · 6S
John W Mitchell: Whetherly Book 17 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

Square set with 5c facing 1c and 6c facing 3c.

1–
1c+5c+6c+3c parallel Reels4 up/down the set, to places
9–
Facing couples (1c+5c & 6c+3c) dance BtoB while{4} 2c+4c A&R across ; facing couples half R&L, 1c & 3c end facing side couples
17–
2W+1c+4M & 2M+3c+4W parallel Reels4 across
25–
Each centre dancer (1c+3c) + his two corners RHA ; 1c+3c LHA in centre while{4} corners Circle8 ¾ L (this circle is very quick and must get round in time ; can be replaced in social events by a ¾ clw chase; or by a circle8 ¼ L or R and set or by chase ¼ clw or cclw and set) (finish 2, 6, 4, 5, 1c facing top, 3c facing bottom)

Danced 3 x 32 as Strathspey, then again as Reel

0 19:00Mairi's Wedding R40 · 3/4L
James B Cosh: Twenty Two SCD · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c turn RH | cast (2c up) ; turn LH to face 1cnrs
9–
1c ½Reel4 with 1cnrs (pass P Lsh) ; Repeat with 2cnrs
17–
Repeat with 3cnrs (1cnr person) ; Repeat with 4cnrs (2cnr person)
25–
1W+2c & 1M+3c Reels3 across, Lsh to 1cnr
33–
2c+1c+3c circle6 and back

Note: Cosh explicitly tells 1c to pass Lsh in [9-24]; however the Rsh pass is quite common, and nicknamed »Mairi's Divorce«.

0 19:00Inchmickery J32 · 5/5L
Roy Goldring: 14 Social Dances for 2000 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c+2c circle4 L ; 1c long cast to 3pl (2c+3c up) (2,3,1,4,5)
9–
Teapots R ; and L (1c RHA with C on R ; LHA with C on L)
17–
1M+5W & 1W+2M Turn RH to places ; 1M+2W & 1W+5M repeat LH
25–
1c long cast to 5pl (4c+5c up) ; 5c+1c circle4 R (2,3,4,5,1)