Dance Schiehallion 5915
Medley · 128 bars (S64+R64) · 4 couples · Square (Progression: OnceOnly)
- Devised by
- Hugh A Thurston (1971)
- Intensity
- no bar count made = 92% (1 turn), 93% (whole dance)
- Formations
-
- Grand Chain for 8 - half (GCHAIN;8P;HALF;)
- Hands across - 4 couples in star (full or half) (HX;4C;)
- Hands round - 4 (HR;4P;)
- Reel of eight / Schiehallion (REEL;R8;)
- Note: This list may be incomplete and/or incorrect.
- Steps
-
- Highland, Highland Schottische, Pas-de-Basque, Skip-Change, Strathspey setting, Strathspey travel
- Published in
-
- Book 53 [17]
- Schiehallion [1]
- Ah'm askin' (CD booklet) [19]
- Scottish Country Dances in Diagrams. Ed. 9 [160] (diagram only)
- Scottish Country Dances in Diagrams. Ed. 8 [171] (diagram only)
- Scottish Country Dances in Diagrams. Ed. 7 [144] (diagram only)
- Scottish Country Dances in Diagrams. Ed. 6 [135] (diagram only)
- Extra Info
- Schiehallion (pronounced shee-HALL-i-en, from the Gaelic sidh chailleann) is a mountain in Perth and Kinross, Scotland. It overlooks Loch …
Schiehallion (pronounced shee-HALL-i-en, from the Gaelic sidh chailleann) is a mountain in Perth and Kinross, Scotland. It overlooks Loch Tummel and is 1,083 m high, which makes it a Munro. Seen from the west its shape is an almost perfect cone, and it is reasonably easy to climb with great views.
Being an isolated mountain with a very regular shape, Schiehallion was used in 1774 for an interesting experiment which was supposed to estimate the mass of the Earth by means of the deflection of a pendulum by the mass of the mountain. This experiment was proposed by Charles Mason (1728–1786, an English astronomer who was also instrumental in the definition of the Mason-Dixon line) and carried out by a commission under the direction of the Astronomer Royal, Nevil Maskelyne (1732–1811).
The intersection of the line of latitude midway between the most northerly and southerly points on the Scottish mainland and the line of longitude midway between the most westerly and easterly points is very close to the summit of Schiehallion. This means that in a sense the mountain could be seen as the “centre of Scotland”. This, however, presupposes that the most westerly point is Corrachadh Mòr in Ardnamurchan; the completion of the Skye Bridge in 1995 makes Skye technically part of the Scottish mainland and that would throw the calculation off.
The dance was originally devised in order to “create a new reel” (with “reel” as in “Scottish reel”, not “quick dance in 2/4 or 4/4 time” or “weaving formation”) during the early 1950s. It started out as a “self-assembly kit” which specified the “choruses” in strathspey time and reel time and left a choice of “verses” to the dancers. This did not go down well since most dancers preferred being told in definite terms what to do, so eventually Hugh Thurston picked the four most popular “verses” to arrive at the version of the dance done today. Its most popular figure was the “reel of eight” formation at the end, commonly called “Schiehallion reel” today, which Hugh Thurston originally thought was original but which is basically a version of the reel in the Orkney “Axum reel” as described by J. F. and T. M. Flett in Traditional Dancing in Scotland (the RSCDS version of the dance distorts this reel so that the correspondence is less easily perceived). The original “self-assembly kit” publication of the dance is difficult to find today but the current version was published as a leaflet by Hugh Foss (Formby) in the early 1970s. (Update: The current, ready-made, version now also appears in RSCDS Book 53.)
Hugh Thurston describes the origin of the dance in The Thistle #48.
Schiehallion 4S · M128
Strathspey
- 1–16
- ‘Chorus’ ½G-Chain (1 step/hand, start with P) ; all set H.Schottische to P. Repeat [1–8], M finish in centre & face out
- 17–
- ‘Diamond’ All M dance a fling step (e.g. rocking step) while{8} W Petronella, ending ½ way round
- 25–
- All pairs Turn RH ½, all W ½ LHA ; all turn P RH 1¼ (to places)
- 33–48
- ‘Chorus’ Repeat [1–16], finishing for
- 49–
- ‘Criss-cross’ All ½RHA, W in middle, M outside ; All W dance to place of the M in front while{2} he dances to place of the W in front | Change back the same way (W pass behind M!) to original wheel
- 57–
- Repeat [49–54] | dance out to original positions and clap twice
Reel
- 65–80
- ‘Chorus’ All ½ G-Chain (1 step per hand, start with P) ; all turn P twice with R arm in elbow grip. Repeat [1–8], to places
- 81–
- ‘Turn and round’ 1c+3c set advancing and turn opposite BH ; Circle4 L, to places
- 89–
- 2c+4c repeat
- 97–112
- ‘Chorus’ Repeat [1–16], W finish facing out
- 113–128
- ‘Schiehallion Reel’ All M dance through the centre to next W’s place on R while{2} all W dance loop R to P’s place | repeat interchanging M and W ; repeat these 4 bars 3 times to finish in own place
Schiehallion 4S · M128
Strathspey
- 1-16
- All dance Chorus: Grand Chain 1/2 way, set HS, Grand Chain 1/2 way & set HS & Men end BtoB in the middle facing partners
- 17-24
- Men set (rocking step) as Ladies petronella turn & set, petronella turn & set to move 1/2 way round set
- 25-32
- Ladies change pl RH with opp Man, Ladies dance LH across 1/2 way & turn partners RH
- 33-48
- Repeat bars 1-16 (Chorus)
- 49-56
- All dance RH across 1/2 way (Men on outside), all change places with prtnrs advancing 1place & change places again advancing 1 more pl
- 57-64
- All repeat bars 49-56 back to places
Reel
- 1-16
-
All dance Chorus: Grand Chain 1/2 way, turn partner with R arms twice, Grand Chain 1/2 way & turn partner R arms twice
- 17-32
-
1s+3s set advancing, turn opposite dancer & circle 4H round to left, 2s+4s repeat
- 33-48
-
Repeat bars 1-16 (Chorus)
- 49-64
-
All dance full Schiehallion Reel: (Men start by crossing to the right, Ladies cast & cross (following partner))
-
49-50 Men dance diagonally across set to next Ladies’ position to their right while Ladies cast into partner’s place
-
51-52 Men cast into Man’s place while Ladies cross diagonally to Ladies’ position to their right (following partner)
-
53-64 Repeat 3 more times back to original places
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(YouTube must be enabled in cookie preferences to embed videos.)Name | Date | Owner | Last changed |
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Budapest Local Club 19.02.2015 | 2015-02-19 | Zoltán Gräff | Feb. 26, 2015, 9:26 a.m. |
Budapest Local Club 24.04.2014 | 2014-04-24 | Zoltán Gräff | April 25, 2014, 2:12 p.m. |
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CGB Summer Course Kuckucksnest 2022 - Evening Programmes | 2022-06-29 | Angelika Schmidkonz | June 12, 2023, 4:59 p.m. |
Launceston Tasmania - FFT The Reel Scottish Country Dancers - Favourites | Michael Horton | May 3, 2014, 2:33 p.m. | |
2019-2020 proposed for Watford | 2019-12-19 | Stuart Kreloff | Aug. 1, 2019, 11:46 p.m. |
Harwell-30 | Malcolm Austen | Nov. 4, 2014, 1:16 p.m. | |
Harwell 16 (or whatever) | Malcolm Austen | May 22, 2023, 11:37 a.m. | |
SEHSCDS Core Dance List Strathspeys and Medleys | 2022-09-01 | Dance ForFun | Aug. 23, 2022, 4:10 p.m. |
SEHSCDS Core Dance List Strathspeys and Medleys | 2022-09-01 | Dance ForFun | Aug. 23, 2022, 4:10 p.m. |
List Submissions 2019-20 | vanapol | Feb. 16, 2019, 3:31 a.m. | |
Gay Gordons Residential 2019 (Cober Hill) | 2019-05-06 | Murrough Landon | May 10, 2019, 9:05 p.m. |
Eastbourne and Grange-over-Sands 2013 | Truus de Ceuster | Nov. 3, 2013, 9:44 p.m. | |
Scottish Flowers Hildesheim 2015 | 2015-01-05 | Cord Walter | May 21, 2023, 9:26 p.m. |
SF Hildesheim 4 Paare | Cord Walter | Sept. 25, 2023, 9:48 p.m. | |
Chemnitz_Friday | SCD Chemnitz | Feb. 6, 2018, 6:27 p.m. | |
Chemnitz_Friday | SCD Chemnitz | Feb. 6, 2018, 6:27 p.m. |
Id | Subject | Date | Submitter | Assigned to | Priority | Disposition |
---|---|---|---|---|---|---|
2407 | Recording | March 18, 2021, 10:24 p.m. | Ian Russell | Murrough Landon | Normal | Being handled |
1193 | publication | June 7, 2017, 8:52 p.m. | Peter Price | Meinhard Reiser | Normal | Fixed |
3094 | Schiehallion | March 28, 2023, 11:53 a.m. | Stephen Webb | Anselm Lingnau | Normal | Fixed |