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0 00:00Good Hearted Glasgow J32 · 3/4L
Peter Knapman: A Guide to Scottish Country Dancing (ex-Collins) · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c turn RH | cast off (2c up) ; turn LH 1¼
9–
Teapots R ; and L (2c+1W & 1M+3c RHA ; 2c+1M & 1W+3c LHA)
17–
1c lead down the middle and up into 2pl
25–
All circle6 and back

0 00:00Catch the Wind R32 · 3/4L
Romaine Butterfield: RSCDS XLV 5 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c set | cast off (2c up) ; ½Fig8 up (2,1x,3)
9–
1c set twice, on [11-12] 1W swivels R to face out ; 1W (1M following) casts R round 2M and down middle to finish 1W between 3c facing 3M, and 1M between 2c facing 2M.
17–
1M+2c & 1W+3c Rsh reels3 across
25–
1W (1M following) casts R round 3M and cross to 2pl ; 1c turn RH (2,1,3)

The original tune is a hornpipe

0 00:00The Gentleman S32 · 3/4L
Roz Scott Huxley: RSCDS XXXV 5 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
2c step up as 1c turn BH to face P between them in line4 across | 1c+2c set, 1c advancing and passing on the second step ; ½Reel4, at end 1c pass LH to face down NHJ
9–
1c dance down to face P between 3c, repeat set and ½Reel4 with 3c, finish between 3c on own side LHJ
17–
1c lead to top, cross and cast to 2plx ; ½Reels3 across, Rsh to 4cnr (W up, M dn) (to 2,1,3)
25–
2c+1c Poussette.

0 00:00Neil M Grant J32 · 3/4L
Christine Grant: RSCDS XLIX 1 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1--
1c cross RH | cast off (2c up) ; ½ Fig8 R (round 3cnr) to join with P LH and 1cnrs RH
9--
The Spoke: BiL{1}, advance LHJ cclw to next cnr {1} | repeat 3 times, finish facing 1cnr
17--
1c+1cnrs ½ diag Reel4, pass Rsh ; 1c+2cnrs ½ Diag Reel4 (3x,1x,2x)
25--
all chase clw half round ; teapots R (2,1,3)

0 00:00Double Trouble Triangles R48 · 4/4L
Judith Kowalczik: RSCDS 50 8 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1--
1M+4W set | A&R | set while{8} 1W+4M stand | set ; advance | set (bar 5-8 RHJ with P)
9--
1c+2M & 4c+3W RHA (2M+3W finish in end places) | 1c+2W & 4c+3M LHA (2c+3c now in end places, 1c+4c finish outside set on opp. side, 1W & 4M facing out)
17--
1W & 4M, each followed by P, cclw cast 2 places and finish on midline BtoB with P, 4c above 1c, M facing up, W down ; 2c+4M & 1W+3c circle3 while{4} middles turn LH ½ | clap and turn RH ½
25--
1W+3c & 4M+2c set as in DTr while{2} middles ½ turn BH | 1W+4W & 1M+4M change places as in DTr while 2c+3c set ; repeat [25-28] from exchanged places, but finish 1c & 4c (with W on L) in middle facing up NHJ
33--
1c followed by 4c lead up and cast off, 1c to 3plx, 4c to 2plx ; 1c+4c ½ Fig8 round end cpl (2,4,1,3)
41--
All ½ turn P RH, finish in the middle, facing P RHJ | set ; pass RSh to own side | All set (2,4,1,3)

0 00:00There's Something about Thirty S32 · 3/3L
Lindsey Ibbotson: RSCDS 50 3 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1--
1c long cast to 3pl (2c+3c up) ; set | lead up to face 1cnrs (3c down)
9--
1cnrs Pass&Turn, pass Rsh ; 2cnrs Pass&Turn, to (2,1,3)
17--
All set pulling back Rsh | chase clw 2 steps | ¾ circle6L (2,1,3)
25--
1c+3c RHA and face up NHJ ; 1c cast off as 3c dance up | 3c+1c set (2,3,1)

0 00:00Links with St Petersburg J32 · 3/4L
Malcolm Brown: RSCDS XLVI 10 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c+2c S&Link, finish 2c facing 1c NHJ ; S&Link to (2x,1x,3)
9–
1c, 2c following, dance down {3}, change sides with NHJ, W passing above M and under his arm, 2c+1c dance up to (2,1,3), 2c facing out
17–
2c turn 1c EH on sides ; 1c turn 3c EH, 1c finish BtoB facing 1cnr
25–
SetH&G , petronella to (2,1,3)

0 00:00The Countess of Dunmore's Reel R32 · 3/4L
Deirdre MacCuish Bark: RSCDS XLIX 12 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1--
1c set | dance down (2c up) ; cast up round 3c | set advancing to face 1cnr
9--
1c turn 1cnr RH, pass Rsh; turn 2cns RH, pass Rsh to face out in 2pl (cnrs dance for {4}) (2,1,3)
17--
[3C Chain Progression] 1c cast ¼ clw round set while 2c & 3c Turn RH ¾ | 2M+3W turn LH 1½ while{4} the others promenade clw ½ round set | 3c+2c turn RH ¾ while 1c dance clw to 2pl (3,1,2)
25--
all chase ½ way clw ; set | cross RH (2,1,3)

3C Chain Progression was earlier known as Chaperoned Chain Progression

0 00:00Programme Item: Interval

0 00:00Joie de Vivre J32 · 3/4L
Irene van Maarseveen: RSCDS XXXIX 2 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c set | cast (2c up) ; dance between 3c and cast up to (2,1,3)
9–
All turn P RH to sidelines ; all chase clw half round (to 3x,1x,2x)
17–
All dance BtoB ; all set | all ½ RH turn into
25–
3c+1c+2c Allemande (2,1,3)

0 00:00Red House R40 · 2/4L
Playford: RSCDS VII 2 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c set and cast off one ; set and cast back
9–
1M cast off (1W follows) behind 2M, between 2c, behind 2W and cross to finish below 2M/2W
17–
1W cast up (1M follows) behind 2W, between 2c, behind 2M and cross to finish 1c in own places
25–
1c+2M Reel3 on M sideline (1M & 2M begin Lsh, 1W entering below them ; 1M+2M end in exchanged places, 1W in own place
33–
1c+2W Reel3 on W sideline (1W & 2W begin Rsh, 1M entering below them, finish (2,1)

0 00:00The Iona Cross M192 · 6S
John W Mitchell: Whetherly Book 17 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

Square set with 5c facing 1c and 6c facing 3c.

1–
1c+5c+6c+3c parallel Reels4 up/down the set, to places
9–
Facing couples (1c+5c & 6c+3c) dance BtoB while{4} 2c+4c A&R across ; facing couples half R&L, 1c & 3c end facing side couples
17–
2W+1c+4M & 2M+3c+4W parallel Reels4 across
25–
Each centre dancer (1c+3c) + his two corners RHA ; 1c+3c LHA in centre while{4} corners Circle8 ¾ L (this circle is very quick and must get round in time ; can be replaced in social events by a ¾ clw chase; or by a circle8 ¼ L or R and set or by chase ¼ clw or cclw and set) (finish 2, 6, 4, 5, 1c facing top, 3c facing bottom)

Danced 3 x 32 as Strathspey, then again as Reel

0 00:00The Maid of the Mill J40 · 3/4L
RSCDS XXI 11 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c turn RH | cast off 2 (2c+3c up) ; turn LH | cast back (2c+3c down)
9–
Mirror Reels3 on opposite sides, 1c crossing down to start, 1c finish facing 1cnr and 2c in 1pl
17–
1c set to 1cnr | to 2cnr, finish on sides (2,1x,3) ; 1½ RH turn to 2pl (2,1,3)
25–
1M+3c & 1W+2c ½ Lsh Reel3 across ; 1c turn LH to 2plx
33–
1M+3c & 1W+2c ½ Rsh Reel3 across ; 1c turn RH to (2,1,3)

0 00:00Sands of Morar S32 · 3/4L
Barry Priddey: RSCDS XLV 6 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c Fig8 round 2c, giving hands
9–
All Mirror Reels3 on own side, 1c starts in, join hands on meeting P
17–
1c turn BH | 1c dance to 3pl NHJ while{4} 2c+3c continue reel to top and follow behind 1c ; 3c+2c+1c set facing down | 1c cast to top, 2c+3c following to finish (1,2,3)
25–
1c+2c Tourbillon (1c+2c turn P BH ½, opening out to one place clw in the square (1c to W side, 2c to M side) | 1c set to 2c ; repeat figure (to 2x,1x) | 2c+1c cross RH) (2,1,3)

0 00:00The Chequered Court J32 · 3/4L
Duncan Brown: RSCDS XLII 3 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c cross RH | cast off (2c up) ; ½ Fig8 across to the R (1M up, 1W down) to face 1cnr
9–
1c+1cnrs pass and turn, at end 1c swivels R to be BtoB facing 4cnr ; 1c+4cnrs pass and turn, 1c swivels R to finish BtoB facing own side for
17–
DTr, 1c finish between end couple facing own side
25–
Reels3{6} across (Rsh to 4cnr) | 1c cross RH (2,1,3)

0 00:00Mairi's Wedding R40 · 3/4L
James B Cosh: Twenty Two SCD · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c turn RH | cast (2c up) ; turn LH to face 1cnrs
9–
1c ½Reel4 with 1cnrs (pass P Lsh) ; Repeat with 2cnrs
17–
Repeat with 3cnrs (1cnr person) ; Repeat with 4cnrs (2cnr person)
25–
1W+2c & 1M+3c Reels3 across, Lsh to 1cnr
33–
2c+1c+3c circle6 and back

Note: Cosh explicitly tells 1c to pass Lsh in [9-24]; however the Rsh pass is quite common, and nicknamed »Mairi's Divorce«.