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0 00:00The Machine without Horses J32 · 3/4L
David Rutherford: RSCDS XII 12 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c set | cast off (2c up) ; 1c+3c RHA
9–
1c set | cast up (2c down) ; 1c+2c LHA
17–
1c followed by 2c dance between 3c, cast up round them, dance up, 1c cast off to 2pl, while{} 2c dance into 1pl (no loops)
25–
2c+1c R&L

0 00:00On the Boardwalk R32 · 2/4L
Bruce Herbold: Excited States

0 00:00The Gentleman S32 · 3/4L
Roz Scott Huxley: RSCDS XXXV 5 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
2c step up as 1c turn BH to face P between them in line4 across | 1c+2c set, 1c advancing and passing on the second step ; ½Reel4, at end 1c pass LH to face down NHJ
9–
1c dance down to face P between 3c, repeat set and ½Reel4 with 3c, finish between 3c on own side LHJ
17–
1c lead to top, cross and cast to 2plx ; ½Reels3 across, Rsh to 4cnr (W up, M dn) (to 2,1,3)
25–
2c+1c Poussette.

0 00:00Bonnie Anne J96 · 4/4L
Scottish Dances collected by Mary Isdal MacNab · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1-16
All four C petronella right round
17-32
1W set advancing to 1M and turn him BH while{4} 2W+3W+4W dance up one ; repeat (2W set advancing to 1M & 1W to 2M, both pairs turn BH) ; repeat (three pairs turn) ; repeat (all turn: 4W+1M, 3W+2M, 2W+3M, 1W+4M)
33–
1W followed by other W dance behind 4M, in front of 3M, behind 2M, then 1W+2W & 3W+4W dance NHJ between partners to places (1,2,3,4)
41–
All C set twice ; turn RH (finish in Allemande-hold facing up)
49-64
(move into square set) 1c set advancing, turning R to face down in 1pl {4} ; 2c repeat, turning L and moving to 4pl (of Sq set) ;; 3c repeat turning R to 2pl ; 4c repeat with full L turn to 3pl
65–
All M set advancing to centre | set turning to face partner ; all set, the M 4 PdB or high cuts, 2M+3M (from 2pl/4pl) moving R to form line of M along original midline (2M, 1M, 4M, 3M), middles face ends)
73–
All W set while{8} the M Reel4 in highland steps, at end 1M & 4M pass Rsh, all finish facing P
81–
All C set twice and turn BH back to form of original set, holding BH
89–
1c+2c & 3c+4c Poussette right round

0 00:00Seagreen S32 · 3/3L
John Drewry: Summer Collection 1989 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c+2c+3c set | {1M+3W petronella-turn to finish BtoB between 2c with 1M facing up and 3W facing down ; dance through P's place | cast R to exchanged places} while{6} {1W+3M cast clw to other end ; petronella to finish BtoB with 3M facing up and 1W facing down | both dance out to exchanged places (3x,2,1x)
9–
All set, circle6 L. On [14], all drop hands, dance into the centre pulling Rsh back to face out, and dance clw to starting places (3x,2,1x)
17–
3c+2c+1c repeat figure [1-8] to (1,2,3)
25–
2c followed by 1c dance down NHJ between 3c and cast up to 1pl / 2pl ; 1c with 3c following dance up NHJ between 2c and cast off to 3pl / 2pl (to 2,3,1)

0 00:00The Irish Rover R32 · 3/4L
James B Cosh: Twenty Two SCD · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c lead through 3c (2c up) and cast up ; 2c+1W & 1M+3c RHA, 1c finish facing 1cnrs.
9–
1c+1cnrs ½Reel4, pass Lsh ; ½Reel4 with 2cnrs, fast ¾ LH turn in the centre
17–
1W+3c (at top) & 1M+2c Reels3 across (Lsh to 1cnr pos), (to 3x,1,2x)
25–
diagonal R&L (1M down,1W up) (2,1,3)

0 00:00Break

0 00:00Roaring Jelly J32 · 3/4L
Hugh Foss: Glendarroch Scottish Dance Sheets · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c cross RH | cast off (2c up) ; cross RH, 1c casts R round 3cnr to finish in line across between 2cnr and 3cnr
9–
Circle6 and back
17–
1c change places up/dn RH | Fig8 round 4cnr and 1cnr, start Rsh), finish on sideline facing 2cnr
25–
1c Reels3{6} on opposite sides (Rsh to 2cnr) | cross RH

0 00:00Lady Peak's Strathspey S32 · 3/4L
John Drewry: The Greenburn Book 2 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c+2c set | 2c cast to 1pl while{2} 1c dance down ; cast behind 3c and lead up to 2pl facing up in promhold
9–
1c with 2diag (2W+3M) ½Rsh Reel3 ; 1c swivel inwards to face out to W side in Promhold for ½Reel3 with 1diag (Rsh to 3W)
17–
Repeat starting down (Rsh to 3M position) ; repeat out M side (Rsh to 2M position)
25–
2c+3c set and cross twice while{8} 1c lead down, cross between 3c ; lead up crossing between 2c and cast to 2pl.

Lady Peak is in the Fraser Valley just east of Vancouver

0 00:00The Eightsome Reel R464 · 4S
RSCDS II 12 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

Part A

1–
All C circle8 and back
9–
1W+2W+3W+4W RHA, holding P LH ; all C veer right NHJ to bring M to the middle for LHA back to places, M holding P RH.
17–
All C set to partners twice ; turn partners once BH, to finish facing partners in original places
25-40
All C G-Chain (2 skip change par hand) to own places, finishing facing the centre (no polite turn)

Part B

1–
1W moves to centre, and dances alone (any suitable reel steps) while{} 1M+2c+3c+4c circle7 and back
9–
1W sets to and turns P BH ; sets to and turns opposite M (3M) BH
17–
1W+1M+3M Reel3, 1W starts with Lsh to 1M, 1W stays in the centre at the end
25–
Repeat bars 1-8
33–
1W sets to and turns M on right (4M) BH ; sets to and turns opposite M (2M) BH
41–
1W+4M+2M Reel3, 1W starts with Lsh to 4M, at the end 1W resumes her original place, and 2W moves into the centre

Repeat part B 7 times, with 2W, 3W, 4W, 1M, ... 4M each in turn in the centre. On bars 9- the W/M in the centre first sets to the P, then to the opposite M/W. In bars 33- the W/M first sets to the M/W on the L (seen from inside) of her/his original position, then the M/W opposite.
repeat part A

0 00:00Slipstop Jig J32 · 3/4L
The Flying Ghillies Scottish Country Dancers: The Flying Ghillies Collection Vol 3 · Crib: E-cribs

1--
1c turn RH | cast (2c up) ; turn RH 1½ to face 1cnrs
9--
[Corners pass and cast away :] 1c+1cnrs pass, cnrs turn RH ½, and cast away as 1c meet and pass RSh ; repeat with 2cnrs. 1c on own sides face out (3x,1,2x)
17--
Cnrs Petronella Turn one place clw | set ; repeat while{8} 1c loop RSh round 3cnrs to 2plx ; repeat round 1cnrs to 2pl (2,1,3)
25--
Circle6 and back (2,1,3)

0 00:00Linnea's Strathspey S32 · 3/4L
Tim Wilson: RSCDS XLVII 2 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c set | cast off (2c up), cross Lsh and cast R round 1cnr to face 1cnr
9–
SetH&G , at end pass Rsh to face out in 2pl
17–
[Chaperoned Chain Progression] 1c cast ¼ clw round set while{2} 2c & 3c Turn RH ¾ | 2M+3W turn 1½ LH while{4} the others promenade ½ clw round set | 3c+2c turn RH ¾ and face up while{2} 1c cast ¼ clw to meet in 2pl, for
25–
3c+1c+2c Allemande (2,1,3)

0 00:00Duke of Perth R32 · 3/4L
RSCDS I 8 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c turn RH, cast off (2c up) ; turn LH to face 1cnrs
9–
Turn CPCP, to face 1cnrs
17–
1c set to and turn 1cnrs BH ; set to and turn 2cnrs BH
25–
Reels3{6} on the sides (Lsh to 1cnr) | 1c cross RH to 2pl.

0 00:00Break

0 00:00Ellie's Jig J32 · 3/4L
Melbourne Briscoe: The Slip Knot Collection · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1W cross above P, dance down behind men, 2W follows on bar 3, 3W on bar 5, all cross below 3M and up own side to places
9–
Men repeat (Rsh to P)
17–
1c+2c 6 bars of Knot, ½ LHA (to 1,2,3)
25–
1c+2c Poussette

0 00:00Gypsy Dreams S32 · 2/4L
Terry Glasspool: An Itch to Dance · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c cross RH and face down | 1c+2c ½ LH turn on the sides ; all chase cclw one place | all turn P ¾ LH into a line across (W BtoB)
9–
Gypsy Poussette, as follows.
9-12
(Box setting) All set R and swivel R ¼ »on the hop« to face away from P, all set L and swivel R ¼. to face in | all set R (M passing BtoB) and swivel R ¼, all set L and do not swivel. Partners finish facing away from each other but are not lined up BtoB.
13-16
(Gypsy turn) All starting to their own R, dance around P halfway and melt into turn ¾ BH to finish facing P in a line across, M in the middle.
17–
Reel4 across the dance. On [24] the M dance ¼around each other, Lsh to Lsh, while{} the W extend the loops to join P in promhold, all forming a line across, 1c facing up, 2c down.
25–
[25] 1c+2c Promenade ¼ around each other (M staying Lsh to Lsh), into the last 7 bars of the Tournée.

Notes: In [9-12] each C follows the edges of a square:
Music: A smooth strathspey for example: »Birks of Invermay« by Tersipchore

0 00:00The Australian Ladies R32 · 3/4L
Robert M Campbell: Glasgow Assembly And Other Scottish Dances · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c cross RH | cast off two (2c+3c up) ; 3c+1c RHA
9–
1c lead to top, cross and cast to 2pl (3c down) ; 2c+1c LHA (2,1,3)
17-32
2c+3c (»corners«) set and change place RH four times following the track of R&L (3M&2W make polite turns) while{16} 1c cross (across or up/dn) RH and cast R round the corner four times.

Note by the deviser in TacTalk of jan. 1986: on [17-32] the corners set »as written«; they do not split the setting as is customary in »J.B. Milne«.
Devised in May 1967 in New Zealand by Bob Campbell of Canada for Jean Conway, Elma See, Lorraine Dyall, and Margaret Gray of the Newcastle (Australia) Colleges Strathspey and Reel Club.

0 00:00Invercauld's Reel S32 · 3/4L
Alexander Bowman: RSCDS XI 10 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c set | cast off (2c up) ; cross down between 3c and cast up to 2plx
9–
2c+1c R&L, 1c finish facing 1cnr
17–
1c set to and turn corners, finish between cnrs
25–
Reels3{6} on the sides (Lsh to 1cnrs) | 1c cross (to 2,1,3)

0 00:00Da Rain Dancin' R32 · 3/4L
Ron Wallace: Thirty Popular Dances, Volume Two · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c dance down 2 places and cast up to 2pl (2c up) ; 2c+1c+3c set and cross RH (2x,1x,3x)
9–
1c dance up and cast off one ; 2c+1c+3c set | 2c+3c cross LH while{2} 1c turn LH to face 1cnr:
17–
1c set R to 1cnr {1} and L to P {1} | turn ¾ RH ; set R to 2cnr and L up/down to P | turn ¾ RH to 2pl
25–
2c+1c+3c circle6 and back. (2,1,3)