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0 00:00Scotland J32 · 2/4L
Playford: RSCDS XXXI 6 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1W+2W & 1M+2M turn RH ; 1c+2c dance BtoB with P
9–
1c+2c turn P RH ; 1W+2W & 1M+2M dance BtoB
17–
1M+2M dance across above/below P and cast in between them, to (1,2) ; 1M+2M set to each other and change places LH
25–
1W+2W repeat bars 17-24 round 2M+1M

0 00:00Celebration Reel R32 · 3/4L
Fred Moyes: To Be A Wind (Bluebell Silver Jubilee 25 Dances Plus One) · Crib: SCDDB Contributed Cribs & Diagrams

1–8
1c XR | 1c CastOff ; 1c XL | 1M CastOff, 1W CastUp (1W between 2c, 1M between 3c)
9–16
2c+1c+3c Set | 2c+1c+3c Chase clw 1/4 ; 3M+2W XR | 2xc+3xc XR (213)
17–24
Reel3 on the sides [Start: 1c In+Up, 2c Out+Down, 3c Out+Up] (21x3)
25–32
6HR&B 2c+1c+3c (213)

0 00:00The Gentleman S32 · 3/4L
Roz Scott Huxley: RSCDS XXXV 5 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
2c step up as 1c turn BH to face P between them in line4 across | 1c+2c set, 1c advancing and passing on the second step ; ½Reel4, at end 1c pass LH to face down NHJ
9–
1c dance down to face P between 3c, repeat set and ½Reel4 with 3c, finish between 3c on own side LHJ
17–
1c lead to top, cross and cast to 2plx ; ½Reels3 across, Rsh to 4cnr (W up, M dn) (to 2,1,3)
25–
2c+1c Poussette.

0 00:00Ramadan-ce R32 · 3/4L
John Drewry: The Turkish Set · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c+2c+3c Inveran Reels (1,2,3)
9–
1c cross RH | cast (2c up) ; Turn RH to face 1cnr
17–
1c+1cnrs pass Rsh | cnrs turn RH ½ and cast away as 1c meet and pass Rsh to face 2cnrs ; repeat with 2cnrs (3x,1x,2x)
25–
½ Reels3 across, 1c Lsh to 3cnr ; ½ Reels3 on the sides, 1c Rsh to 4cnr (2,1,3)

0 00:00To Be a Wind J32 · 5/5L
Masako (Marchan) Okada Naitoh: To Be A Wind (Bluebell Silver Jubilee 25 Dances Plus One) · Crib: SCDDB Contributed Cribs & Diagrams

1-
1C + 2C, 3C, 4C + 5C half RSh tandem reels on sidelines, 3C passing 2C + 1C to begin
5-
Top 4 couples (4, 5, 3, 1) half LSh reels of 4
9-
Top 3 couples (1, 3, 5) half LSh reels of 3
13-
Top 2 couples (5, 3) turn LH halfway on sides WHILE bottom 3 couples (1, 4, 2) take hands and set
15-
All chase counter clockwise 2 places
17-
All set, change RH diagonally right (1C do nothing)
21-
All set, change LH diagonally left (5M + 4L do nothing)
25-
All set, change RH diagonally right (3M + 2L do nothing)
29-
All advance for 1, L turn under M's right arm, retire for 2

0 00:00The Glasgow Highlanders S32 · 2/4L
Walter F Gillies: RSCDS II 3 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

2 chords. On 2nd chord 1W crosses down to R of P, 2W moves 1 place up and 2M crosses to her place, so 1c faces 2c.

1–
1c+2c R&L, finish with 2M between 2W & 1W facing down and NHJ, 1M behind him
9–
1W+2M+2W dance down the middle, 1M following ; all turn (W inwards, M R about) 1M NHJ with the women, and 2M following, dance up to finish in line across, the W on the sidelines facing P in the middle (1c on M side)
17–
1c+2c set to P: Glasgow Highlanders step (M may do some other Highland step)
25–
Reels4 {6} across the dance | 1c lead down the M side and 2c up the W side to face next couple. On reaching the top, 2c waits inactive on own side ; on reaching the bottom 1c waits inactive on own side.

Notes: The RSCDS prescribes a 4c set, but the tradition is a longwise set 'for as many as will'.

0 00:00Programme Item: Lunch & Entertainment

0 00:00Lions Gate R40 · 4/4L
Mary Shoolbraid Brandon: The Emigrant Scot · Crib: SCDDB Contributed Cribs & Diagrams

3c & 4c start from opposite sides, 1,2,3x,4x

1–8
1c & 4c Turn R{2} | 1c Cast off & 4c Cast up (2c StepUp, 3c StepDwn) ; 1c & 4c Turn L{4}, M lead and face 1st corners
9–16
1c+2M & 4c+3M RA, M lead and face 2nd corners ; 1c+3W & 4c+2W LA, M lead and face 1st corners
17
1c Set RF to 2M, 4c Set RF to 3M
18
1c & 4c Set LF to partner
19
1M Set RF to 4W, 4M Set RF to 1W
20
1M+4W Set LF to 3W, 4M+1W Set LF to 2W
21
1M+4W Set RF to 3W, 4M+1W Set RF to 2W
22
1M Set LF to 4W, 4M Set LF to 1W
23
1c & 4c Set RF to partner
24
1c Set LF to 2M, 4c Set LF to 3M
25-32
Reel3 on the sides{8} 1c(prom)+2M+3W & 4c(prom)+3M+2W (1M at 2M’s place, 1W at 3M’s , 4M at 3W’s, 4W at 2W’s)
33-40
1M+4W & 1W+4M XR | 1W Cast off 1-Across the set- Cast up 1, 1M Cast off 2-Dance up 1, 4M Cast up 2-Dance down 1, 4W Cast up 1-Across the set- Cast off 1 (2,4,1x,3x)

0 00:00Programme Item: June Shore of Hamilton

0 00:00Mist on the Mountain S32 · 3/4L
Jim Rae: To Be A Wind (Bluebell Silver Jubilee 25 Dances Plus One)

0 00:00Mairi's Wedding R40 · 3/4L
James B Cosh: Twenty Two SCD · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c turn RH | cast (2c up) ; turn LH to face 1cnrs
9–
1c ½Reel4 with 1cnrs (pass P Lsh) ; Repeat with 2cnrs
17–
Repeat with 3cnrs (1cnr person) ; Repeat with 4cnrs (2cnr person)
25–
1W+2c & 1M+3c Reels3 across, Lsh to 1cnr
33–
2c+1c+3c circle6 and back

Note: Cosh explicitly tells 1c to pass Lsh in [9-24]; however the Rsh pass is quite common, and nicknamed »Mairi's Divorce«.

0 00:00Marigold J40 · 3/4L
James B Cosh: Twenty Two SCD · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c cross down (2c up) | cast R round 1cnr : turn LH to face 1cnr
9-32
»Marigold reels«: 1c change place Rsh with 1cnrs, who pass Rsh to face cnr on the R | repeat along 2diag while{} other dancers stand | repeat along 1diag (1c is back in the middle facing 2cnr position ; all corners have moved one place cclw). Repeat this 6-bar figure 3 more times, to starting positions, with 1c now facing 2cnr.
33–
1c turn 2cnr RH | turn 1cnr LH ; ½ Fig8 to L (round 4cnr) to (2,1,3)

the Marigold Reels are »dance to each corner and set«, with the setting omitted

0 00:00Sugar Candie S32 · 3/4L
RSCDS XXVI 9 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c set | cast off (2c up), pass Lsh and cast R round 1cnr, to finish BtoB in the centre, M facing down, W up
9–
1W+2c & 1M+3c circle3, at end 1c swivels R to face P ; 1c set, turn ¾ BH to face 1cnrs (open out with 1M using RH to assist P)
17–
Turn CPCP
25–
Reels3{6} with corners, Lsh to 1cnr, 1c cross RH to (2,1,3)

0 00:00Miss Allie Anderson J32 · 3/4L
Mina Corson: The Leaflet Dances with Music · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
All clap, 1W+2W+3W dance Rsh once round P to face down with him RHJ ; All lead down the middle
9–
All M turn P under R arm and lead up to (1x,2x,3x) ; All set, ½ RH turn into
17–
1c+2c+3c Promenade (1,2,3)
25–
1c+2W RHA, 1M finishing 2pl own side (2M up on [3-4]) ; 1c+2M LHA (2W up on [7-8]) to (2,1,3)

0 00:00J. B. Milne R32 · 3/4L
Hugh Foss: Angus Fitchet Scottish Dance Album · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1M+2W set advancing and turn RH ; 1W+2M repeat
9–
1c set advancing | turn BH and open upwards ; cast off one (2c up), Petronella Turn to: 1M between 3c and 1W between 2c
17–
1c set, turn ¾ RH, set, turn ¾ RH, while{8} 2c+3c pass RH on the sides, set, cross RH, set
25–
1c set, pass RH, cast R into 2pl, while{6} 2c+3c pass RH on the sides, set ; cross RH | all set. (2,1,3)

In 17-32, the corners traditionally set one bar to the person you just passed, then one bar to the next person to pass. In a variant for [19-24] 1c turns BH in PdB.

0 00:00Jean Martin of Aberdeen S32 · 3/3L
Muriel A Johnstone: Magazine Dances 2005-2009 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c Turn RH, cast (2c up) ; All circle6 L ¾ into lines across (W facing down, M up)
9–
All set | change places RH with P ; All circle6 L left ¾ and end in middle facing up (3,1,2) for
17–
Allemande (2,1,3)
25–
1c+3c Bourrel : 1M+3W set adv. | Turn BH ¾ & twirl to end BtoB in middle, 3W facing up & 1M down while{4} 1W+3M chase cclw to face P ; set to P | Turn BH ¾ to (2,3,1)

0 00:00Best Set in the Hall J32 · 3/4L
Helen Greenwood: RSCDS XLVI 7 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c set | 1W (1M follows) casts off 2, crosses, W dances up behind M line, and M dances up the middle, 1c face 1cnr (2c up)
9–
1c set to 1cnr | 1c cast Rsh round each other to 3cnr position while{2} 1cnrs dance into centre, and swivel R to face own cnr ; repeat, 1cnrs finishing in exchanged places, and 1c facing 2cnr
17–
Repeat with 2cnrs (3x,1x,2x)
25–
All chase clw ½ round ; all turn RH. (2,1,3)

To: Auckland Region President, Campbell MacKay, nov. 2003

0 00:00The Irish Rover R32 · 3/4L
James B Cosh: Twenty Two SCD · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c lead through 3c (2c up) and cast up ; 1M+3c and 1W+2c RHA, finish facing 1cnrs.
9–
1c+1cnrs ½Reel4, pass Lsh ; ½Reel4 with 2cnrs, fast ¾ LH turn in the centre
17–
1W+3c (at top) & 1M+2c Reels3 across (Lsh to 1cnr pos), (to 3x,1,2x)
25–
diagonal R&L (1M down,1W up) (2,1,3)

0 00:00Culla Bay S32 · 4S
Ann Dix: RSCDS XLI 2 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c+3c turn RH ½ with person opposite, face that person | twirl R and into opposite place ; 2c+4c repeat this and face in while{4} 1c+3c (W leading) chase ¼ clw | curve into centre and swivel R to face out (1c facing 4pl and 3c facing 2pl)
9–
Parallel Reels4 across
17–
2c+1c & 3c+4c circle4 L ; face other couple and set | ½ RHA, flowing into
25–
2c+4c LHA in the middle ; dance out passing same sex standing dancer on the side Rsh, and chase R (M leading) to 1pl/3pl (to 2,3,4,1).

0 00:00Pelorus Jack J32 · 3/4L
Barry Skelton: RSCDS XLI 1 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c cross RH, cast (2c up) ; 1c+3c RHA, finish 1M facing 1cnr, 1W behind him
9–
1c in tandem +1cnrs ½ diagonal Reel3, Rsh to 3W (1M & 1W loop R singly for lead change, so 1W now leads P) ; ½ diagonal Reel3, Rsh to 2W (+ lead change)
17–
Continue pattern twice
25–
2c+1c LHA ; 1c turn LH ½ | all set (2,1,3)

0 00:00Miss Gibson's Strathspey S32 · 3/4L
Derek Haynes: The Leaflet Dances with Music · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c+2c set | turn BH ; circle4 L
9–
1c+2c Knot, 1c finish facing 1cnrs
17–
Turn CPCP, with final wide ¾ LH turn into
25–
Teapots R and L (1M+3c & 1W+2c RHA, 1c pass Rsh, cnrs not to sidelines ; 1M+2c & 1W+3c LHA) (2,1,3)

0 00:00The Eightsome Reel R464 · 4S
RSCDS II 12 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

Part A

1–
All C circle8 and back
9–
1W+2W+3W+4W RHA, holding P LH ; all C veer right NHJ to bring M to the middle for LHA back to places, M holding P RH.
17–
All C set to partners twice ; turn partners once BH, to finish facing partners in original places
25-40
All C G-Chain (2 skip change par hand) to own places, finishing facing the centre (no polite turn)

Part B

1–
1W moves to centre, and dances alone (any suitable reel steps) while{} 1M+2c+3c+4c circle7 and back
9–
1W sets to and turns P BH ; sets to and turns opposite M (3M) BH
17–
1W+1M+3M Reel3, 1W starts with Lsh to 1M, 1W stays in the centre at the end
25–
Repeat bars 1-8
33–
1W sets to and turns M on right (4M) BH ; sets to and turns opposite M (2M) BH
41–
1W+4M+2M Reel3, 1W starts with Lsh to 4M, at the end 1W resumes her original place, and 2W moves into the centre

Repeat part B 7 times, with 2W, 3W, 4W, 1M, ... 4M each in turn in the centre. On bars 9- the W/M in the centre first sets to the P, then to the opposite M/W. In bars 33- the W/M first sets to the M/W on the L (seen from inside) of her/his original position, then the M/W opposite.
repeat part A