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0 00:00It's nae Bother J32 · 2/4L
Derek Haynes: A Second Book of Graded Scottish Country Dances · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c+2c set, 1W+2W cross, passing P Rsh ; 1W (leading) + 2W chase clw to exchanged places
9–
1c+2c RHA ; LHA
17–
1c+2c set, 1M+2M cross, passing W opposite Rsh ; 2M (leading) +1M chase clw to (2,1)
25–
2c+1c R&L

0 00:00A Marriage Made in Dancing S32 · 3/4L
Ann Campbell: Who's Who in Toronto · Crib: MiniCribs · Diagram: Keith Rose's Diagrams

1-8
1s dance in & cast off one place (2s step up 3-4). 1s dance 1/2 Fig of 8 round 2s
9-16
2s+1s+3s set and cross RH, set & cross RH
17-24
2s+1s+3s chase clockwise 1/2 round & dance DoSiDo with partner (3) 1 (2)
25-28
1s dance 1/2 diag R&L with 3L & 2M (1M down, 1L up)
29-32
1s dance 1/2 diag R&L with 3M & 2L (1M down, 1L up)

0 00:00The Irish Rover R32 · 3/4L
James B Cosh: Twenty Two SCD · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c lead through 3c (2c up) and cast up ; 1M+3c and 1W+2c RHA, finish facing 1cnrs.
9–
1c+1cnrs ½Reel4, pass Lsh ; ½Reel4 with 2cnrs, fast ¾ LH turn in the centre
17–
1W+3c (at top) & 1M+2c Reels3 across (Lsh to 1cnr pos), (to 3x,1,2x)
25–
diagonal R&L (1M down,1W up) (2,1,3)

0 00:00Hedwig's Reel R32 · 3/4L
Stella Phillips: A Second Book of Graded Scottish Country Dances · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c Rsh Fig8 on own side round 2c&3c (1,2,3)
9–
1c turn RH | cast (2c up) ; turn LH to (2,1,3)
17–
G-Chain, 2c cross to start
25–
All A&R ; all turn P RH (2,1,3)

0 00:00Bill Clement MBE J32 · 3/4L
John Wilkinson: RSCDS XLVII 1 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c set | dance between 3c (2c up) and cast up to finish side by side LHJ facing 1cnr
9–
Set to 1cnr and turn inwards and join RH | set to 3cnr ; turn 3cnr LH to face 2cnr RHJ
17–
Set to 2cnr and turn inwards and join LH | set to 4cnr ; turn 4cnr RH to (2,1,3)
25–
Circle6 and back

0 00:00The Lammermuir Hills S32 · 2/4L
Roy Goldring: Auld Friends Meet · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c+2c Poussette
9–
1W+2M change places RH, cast clw round P to own places ; 1c+2c RHA
17–
1M+2W change places LH, cast cclw round P to own places ; 1c+2c LHA
25–
1c+2c Knot

0 00:00A Trip to Bavaria R32 · 4/4L
James MacGregor-Brown: Collins Pocket Reference: Scottish Country Dancing · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1-16
1c+4c cross RH, while{} 2c+3c ½RHA | middle and end Cs change place LH on sides ; repeat 3 times, finish (1,2,3,4) 1c facing down, 2c up
17–
1c set to 2c | cross down to face 3c (2c dance up) ; 1c+3c repeat
25–
1c+4c repeat ; All A&R, 1c changing sides RH on [30] (2,3,4,1)

Note: on [30] the original says »RH«, but »BH« is widely used.

0 00:00Festival Fling R32 · 3/4L
Lily Davison: RSCDS XLIV 7 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c set | cross RH ; cast off two (2c up) and dance up to face 1cnr
9-20
1c+1cnr set | change places RH, the 1cnrs pass Lsh and face 2cnrs ; 2W+3W & 2M+3M repeat ;; 1W+2W & 3M+1M repeat, 1c finish facing opposite side
21-24
All set as in DTr | 2c+3c chase 1 place clw while{2} 1c (PdB) dance round each other to face down NHJ, W on the L
25–
1c dance between 3c | cast up ; dance between 2c | cast to (2,1,3)

0 00:00The Rutland Reel R40 · 3/4L
Robert Senior: RSCDS XLVIII 2 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1--
1c set | cast off (2c up) ; cross down RH and cast up to (2,1x,3)
9--
2c+1c La-Chain
17--
Reels3{6} on the sides, 1c Rsh to 3c | 1c turn 3c RH ½ on sides (2,3,1x)
25--
3c+1c M-Chain (2,3,1x)
33--
1W followed by 1M cast up and cross to own side (3c down) ; 1c+3c Circle4 L (2,1,3)

0 00:00Mairi's Wedding R40 · 3/4L
James B Cosh: Twenty Two SCD · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c turn RH | cast (2c up) ; turn LH to face 1cnrs
9–
1c ½Reel4 with 1cnrs (pass P Lsh) ; Repeat with 2cnrs
17–
Repeat with 3cnrs (1cnr person) ; Repeat with 4cnrs (2cnr person)
25–
1W+2c & 1M+3c Reels3 across, Lsh to 1cnr
33–
2c+1c+3c circle6 and back

Note: Cosh explicitly tells 1c to pass Lsh in [9-24]; however the Rsh pass is quite common, and nicknamed »Mairi's Divorce«.