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0 00:00The Dashing White Sergeant R32 · 3+3RR
RSCDS III 2 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

Trio face trio RR.

1–
Circle6 and back
9–
Each centre person sets to RH P and turns him/her BH ; repeat with LH P
17–
Reel3 across, Lsh to RH P
25–
In lines of 3 across A&R ; advance Rsh through the opposite line of 3 to meet the next line of 3.

Many variations in handing, polite turns and shoulder exist

0 00:00The Reel of the 51st Division R32 · 3/4L
James Edward McCartney Atkinson: RSCDS XIII 10 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c set | cast off two places (2c up) and lead up to 1cnrs
9–
1c set to 1cnr | turn 1cnr RH and join LH in the middle ; BiL | turn 1¼ LH to 2cnrs
17–
Repeat with 2cnrs | cross to (2,1,3)
25–
2c+1c+3c circle6 and back.

0 00:00Scott Meikle R32 · 4/4L
Alice McLean: RSCDS XLVI 3 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c cross RH | cast (2c up) ; ½ Fig8 up (2,1,3,4)
9–
1c+3c RHA, LHA (2,1,3,4)
17–
Lsh opposing Reels3 across: (1W+3W behind dancing as one) with 2c and (3M+1M behind) with 4c (to 2,3,1,4)
25–
1c+4c ½ R&L ; turn RH 1½ (2,3,4,1)

0 00:00The Belle of Bon Accord S32 · 4/4L
John Drewry: Deeside Book Part 2 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1M cross, cast off round 2W to finish in the middle facing up while{4} 1W crosses between 2M and 3M, casts up to the middle facing down while{4} 3c do the same round 4c (2c & 4c step up ½ place) ; 1c+2c & 3c+4c RHA
9–
1c+3c Reel4 in the centre of the dance
17–
1c+3c turn ¾ RH to finish facing up NHJ while{2} 2c & 4c dance up ½ place on the sides and in to face down NHJ. All set ; 2c+1c & 4c+3c circle4 L (to sidelines 2,1x,4,3x)
25–
1c/3c lead up & cross between 2c/4c and cast off one ; 1c+3c turn BH, opening to face down | 1c dance to 4pl while{2} 3c cast up to 2pl. (2,3,4,1)

0 00:00The Montgomeries' Rant R32 · 3/4L
Castle Menzies (18C): RSCDS X 1 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c cross RH | cast off (2c up) ; cross LH | cast L (W up, M down)
9–
2c+1W &1M+3c Rsh Reels3 across
17–
1c NHJ set to 2W (swivel ½ inwards), set to 3M (veer L together), set to 3W (swivel ½ inwards), set to 2M (and face own 2cnr)
25–
Reels3{6} on the sides, Rsh to 2cnr | 1c cross RH to 2pl

0 00:00The White Heather Jig J40 · 4/4L
James B Cosh: Twenty Two SCD · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c turn RH | cast (2c up) ; turn LH 1½ to finish BtoB between 2c
9–
1c+2c Reel4 across, at end 1c pass Rsh to face 1cnr
17–
Turn CPCP, finish between 3c, BtoB facing opp. side
25–
1c+3c Reel4 across, 3c finish in 2pl, 1c pass Lsh in centre and join LH
33–
1c turn LH and cast off on own sides (4c up) ; 1c turn RH. (2,3,4,1)

dinner

0 00:00Grand March

0 00:00The Eightsome Reel R464 · 4S
RSCDS II 12 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

Part A

1–
All C circle8 and back
9–
1W+2W+3W+4W RHA, holding P LH ; all C veer right NHJ to bring M to the middle for LHA back to places, M holding P RH.
17–
All C set to partners twice ; turn partners once BH, to finish facing partners in original places
25-40
All C G-Chain (2 skip change par hand) to own places, finishing facing the centre (no polite turn)

Part B

1–
1W moves to centre, and dances alone (any suitable reel steps) while{} 1M+2c+3c+4c circle7 and back
9–
1W sets to and turns P BH ; sets to and turns opposite M (3M) BH
17–
1W+1M+3M Reel3, 1W starts with Lsh to 1M, 1W stays in the centre at the end
25–
Repeat bars 1-8
33–
1W sets to and turns M on right (4M) BH ; sets to and turns opposite M (2M) BH
41–
1W+4M+2M Reel3, 1W starts with Lsh to 4M, at the end 1W resumes her original place, and 2W moves into the centre

Repeat part B 7 times, with 2W, 3W, 4W, 1M, ... 4M each in turn in the centre. On bars 9- the W/M in the centre first sets to the P, then to the opposite M/W. In bars 33- the W/M first sets to the M/W on the L (seen from inside) of her/his original position, then the M/W opposite.
repeat part A

0 00:00The Byron Strathspey S32 · 3/3L
John Drewry: Deeside Book Part 2 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c+2c+3c Petronella Turn into midline, set ; all turn P BH 1¼ to (1,2,3)
9–
“Teapots”: 1c+2W & 2M+3c RHA ; 1c+2M & 2W+3c LHA , to (1,2,3) with 1c facing out and 2c facing up in promhold
17–
2c (promhold) +1W+1M Reel3 across (Rsh to 1W), at end all dance in for
25–
2c+1c+3c Allemande (to 3,1,2).

0 00:00The Duke and Duchess of Edinburgh R40 · 3/4L
Allie Anderson & Florence D. Lesslie: RSCDS XXXIX 7 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c+2c+3c A&R ; all turn P BH (in SkCh) to own places, (1c finish facing out)
9–
1c cast off, dance (NHJ where possible) between 3c, cast up, dance between 2c, cast off (2c up) to put 1M below 1W for
17–
1W+2c & 1M+3c RHA, 1c pass Rsh ; 1M+2c & 1W+3c LHA, 1c pass Lsh to face 1cnrs
25–
Turn cnr, P, cnr, cross LH (On 2nd time through 1c cross LH to 4pl (3c up), ready for next start)
33–
Circle6 and back

0 00:00Pelorus Jack J32 · 3/4L
Barry Skelton: RSCDS XLI 1 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c cross RH, cast (2c up) ; 1c+3c RHA, finish 1M facing 1cnr, 1W behind him
9–
1c in tandem +1cnrs ½ diagonal Reel3, Rsh to 3W (1M & 1W loop R singly for lead change, so 1W now leads P) ; ½ diagonal Reel3, Rsh to 2W (+ lead change)
17–
Continue pattern twice
25–
2c+1c LHA ; 1c turn LH ½ | all set (2,1,3)

coffee

0 00:00MacDonald of the Isles S32 · 3/3L
Derek Haynes: Thirty Popular Dances, Volume Two · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
2c diagonal Reel4 with 1cnrs, at end dance Lsh round P to face 2cnrs
9–
2c diagonal Reel4 with 2cnrs (2cnr loop by the R) (to 1,2,3)
17–
1c+2c+3c »snowball« G-Chain (1c begin, 2 bars per hand) (to 3,2x,1)
25–
3c+2c ½ R&L ; 3c ½ Fig8 R (3M up, 3W down) (2,3,1)

0 00:00Mairi's Wedding R40 · 3/4L
James B Cosh: Twenty Two SCD · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c turn RH | cast (2c up) ; turn LH to face 1cnrs
9–
1c ½Reel4 with 1cnrs (pass P Lsh) ; Repeat with 2cnrs
17–
Repeat with 3cnrs (1cnr person) ; Repeat with 4cnrs (2cnr person)
25–
1W+2c & 1M+3c Reels3 across, Lsh to 1cnr
33–
2c+1c+3c circle6 and back

Note: Cosh explicitly tells 1c to pass Lsh in [9-24]; however the Rsh pass is quite common, and nicknamed »Mairi's Divorce«.

0 00:00Hamilton House J32 · 3/4L
William (18C) Campbell: RSCDS VII 10 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1W set advancing to 2M | turn 3M BH, finishing between these M ; 1M sets advancing to 2W | turn 3W BH to between 3c (2c up, and 1W moves up between them)
9–
2c+1c+3c in lines across set twice ; 1c turn ¾ BH to 2pl on opposite sidelines
17–
2c+1c+3c set twice ; 1c turn BH ½ to own side 2pl
25–
Circle6 and back

note: In the BH turns in PdB, 1c dances backwards to the sidelines on the last step, but may also break earlier and dance out forwards

0 00:00John McAlpin S32 · 3/4L
Hugh Foss: Magazine Dances 2005-2009 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c advance and touch RH {1}, retire {1} | cross LH ; lead down RH (2c up) | turn LH to face 1cnrs
9–
Turn CPCP (to 2,1,3)
17–
2W+1W+3W set, advance ; retire, and set, while{} 2M+1M+3M stand | set ; A&R
25–
All cross RH | ½ circle6 L ; All cross LH | ½ circle6 R (to 2,1,3)

0 00:00Duke of Perth R32 · 3/4L
RSCDS I 8 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c turn RH, cast off (2c up) ; turn LH to face 1cnrs
9–
Turn CPCP, to face 1cnrs
17–
1c set to and turn 1cnrs BH ; set to and turn 2cnrs BH
25–
Reels3{6} on the sides (Lsh to 1cnr) | 1c cross RH to 2pl.