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0 00:00Peggy Dewar R32 · 3/4L
Joan Wright: RSCDS XXXVIII 1 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c set, cross down RH (2c up) ; behind 3c and dance up the middle to face 1cnrs
9–
1c set to 1cnrs, turn 1cnr RH to face 4cnr ; ½ Lsh Reels3 across, at the end 1c pass Rsh to face 3cnr pos. (2c+3c make loop)
17–
1c set to 3cnr pos. and turn cnr RH to face 2cnr pos. ; 1M+2c & 1W+3c ½ Lsh Reels3 across, 1c finish facing P up/down (2c+3c make loops)
25–
1c 1½ LH turn ; 1W+2c & 1M+3c RHA (2,1,3)

0 00:00The Grumpy Gentleman J32 · 3/4L
Gillian Jennings: Birmingham Diamond Jubilee Dance Book - 1946-2006 · Crib: MiniCribs · Diagram: Keith Rose's Diagrams

1-8
1s+2s Set & Rotate :
Set, rotate singly & dance on 1 place clockwise, change places RH on sides & dance on 1 place to own sides (1s in 2nd pl)
9-16
1s dance LSh round 3s & dance 1/2 reel of 3 on sides (RSh to 2s to start) & end facing 1st corners (pstn)
17-24
1s dance 1/2 diagonal reel of 4 with 1st corners, pass RSh & dance 1/2 diagonal reel with 2nd corners to end 2nd place opposite sides
25-32
All set twice & 1/2 turn partner, twirl & dance out to places

0 00:00The Silver Tassie S32 · 3/4L
John Drewry: The Leaflet Dances with Music · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c+2c+3c cross RH | set ; repeat
9–
1c+3c DblFig8 round 2c (1c cross down, 3c cast up)
17–
1c followed by 2c+3c dance down the middle (2c & 3c divide) ; 1c (leading) +2c+3c dance up
25–
1c+2c Rondel (2,1,3).

0 00:00Polharrow Burn R32 · 5/5L
Hugh Foss: Magazine Dances 2005-2009 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c+3c cross | cast off (2c+4c up) ; ½ Fig8 up round 2c/4c (2,1,4,3,5)
9–
1c+3c turn P RH ; turn P LH to face 1cnrs while{8} 2c+5c cross RH and chase clw. to other end of set (2M & 5W leading P) (5,1,4,3,2)
17–
diag. ½Reels4 with 1cnrs (1diags.) (pass Lsh) ; repeat on 2diags.
25–
Repeat with 3cnrs (1diags) ; 1c+3c turn LH and cast off on own side (4c+5c up) (2,4,1,5,3)

0 00:00Best Set in the Hall J32 · 3/4L
Helen Greenwood: RSCDS XLVI 7 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c set | 1W (1M follows) casts off 2, crosses, W dances up behind M line, and M dances up the middle, 1c face 1cnr (2c up)
9–
1c set to 1cnr | 1c cast Rsh round each other to 3cnr position while{2} 1cnrs dance into centre, and swivel R to face own cnr ; repeat, 1cnrs finishing in exchanged places, and 1c facing 2cnr
17–
Repeat with 2cnrs (3x,1x,2x)
25–
All chase clw ½ round ; all turn RH. (2,1,3)

0 00:00Johnnie Walker M128 · 4S
Norman & Helen Robson: The Whisky Collection · Crib: E-cribs · Diagram: Keith Rose's Diagrams

Strathspey

1–
Circle8 and back
9–
Set to and turn corners RH ; set to and turn P LH
17–
1c+3c advance & meet opposite person {1}, lead out between side couple, cross and dance to opposite place ; turn P 1½ RH (3,2,1,4)
25–
2c+4c repeat (to 3,4,1,2)
33–
All W Petronella Turn into next W place to the R | All set ; repeat to W in original places
41–
All M repeat Petronella Turns and setting back to original places
49–
G-Chain (one step per hand)
57–
Promenade (Allemande hold) cclw round the set, to places

Jig

65-128
Repeat all, end with women in the centre facing P for bow/curtsey.

0 00:00The Meeting of the Waters R48 · 3/4L
Iain Boyd: The Strathtay Album · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c+2c Reel4 across, 1M+2W pass Lsh as 1W/2M cast down/up, finish in places, 1W facing out (1W+2M final pass is Rsh) (1,2,3)
9–
1c parallel Rsh Fig8 on own side round 2c+3c
17–
1W, followed by 1M, cast off behind 2W, cross down between 3c (2c up) ; cast up round 3M and cross (to 2,1,3)
25–
1c+3c RHA ; 2c+1c LHA
33–
2c+1c+3c parallel Reels3 on the sides (1c Rsh to 3c)
41–
All Circle6 and back

On [7-8] 1W+2M originally passed Lsh, but the deviser changed this to Rsh.

0 00:00Father Connelly's Jig J64 · 4/4L
John Drewry: The Donside Book · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c+2c Set&Rotate (All set | petronella clw one place ; change places RH with P | chase one place clw) (2,1,3,4)
9–
½ diagonal R&L with 1cnrs (W up, M down) while{4} the 2cnrs (2M+3W) set & cross RH, all cnrs face out ; ½ Reels3 on the sides, 1c Rsh to 2cnr pos. (no loops at the end) (2x,1x,3x,4)
17–
Repeat figure from these positions with 2cnr persons (in 3cnr positions ; M up, W down) (to 2,1,3,4), 2c+3c finishing with loops into
25–
Reels3 across (Lsh to 1cnr) (2,1,3,4)
33–
1c cross down RH between 3c | cast Rsh round new 1cnr (4W resp. 3M) ; change places up/dn LH | cast L (3c up) to (2,3,1,4)
41-56
3c+1c+4c repeat the figures [9-24] above (2,3,1,4)
57–
3c+1c+4c Circle6 and back (optional: 2c join in for Circle8 and back) (1c step down, to 2,3,4,1)

(note by Drewry: This is really two successive 3c dances of 32 bars, the figures of bars 9-24 being similar.

0 00:00Bratach Bana R32 · 3/4L
John Drewry: Thirty Popular Dances, Volume Two · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c turn RH | cast off (2c up) ; ½ Fig8 to R around 1cnr (to 2,1x,3)
9–
½Reel3 on sides (Rsh to 2cnr) ; ½Reel3 across (Lsh to 3cnr position), finish on sides (3x,1,2x)
17–
1c turn ¾ LH, Turn 1cnr person (3cnr position) RH ; pass Rsh, turn 2cnr person (4cnr position) ¾ RH to promhold (cnr on the right)
25–
These pairs change places Rsh | drop left hand and turn RH ½ to sidelines ; half diagonal R&L (1st diagonal direction)

Note on [27-28]: originally 2 PdB. modified by Drewry to SkCh. O. Otto says best variant is corners in PdB, 1c in SkCh

0 00:00Nottingham Lace R96 · 4S
Jenny Bradley: Nottingham Lace · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
Half G-Chain ; all set to P | turn ¾ RH
9–
All W ½LHA while{2} M dance clw one place | all turn new P RH ½ ; repeat (M ½LHA, W ¼ clw)
17–
Repeat [9-16] to original places
25–
1c+3c dance in, change places RH, split and cast behind side C, pass RH to own place, forming a longwise set | All set
33–
All A&R ; 1c+2W+4M & +3c+2M+4W, circle4 L and open into lines of 4 across with 1c & 3c in the middle
41–
All A&R ; circle8 half way, finishing in square set opposite original places
49-72
Repeat [25-48] with 2c+4c as dancing couples
73-96
Repeat [1-24]

0 00:00Welcome to Dufftown J32 · 3/4L
Jessie Stuart · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c turn ¾ RH moving down (2c up) | 6 bars of Crown Triangles ending with 1M between 2c and 1W between 3c all facing down.
9–
1M+2c & 1W+3c down the middle & up, top line swiveling R again to face down
17–
1c change places RH | cast R into 2pl ; turn RH while{8} 2c+3c set up/down | change places RH ; set to P | cross RH. (3x,1,2x)
25–
diagonal R&L (1M crossing down & 1W crossing up).

0 00:00Anna Holden's Strathspey S32 · 2/4L
John Drewry: RSCDS XLII 2 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c+2c RHA (2c face out) ; 1c cross down, while{2} 2c cast up | 1M+2W & 2M+1W Turn ¾ easy hand to line4 across facing down (1c between 2c)
9–
All dance down, on [12] 1c turns in and 2c meets, all NHJ ; 1c+2c dance up | 1c cast off to 2plx, while{2} 2c dance to 1pl (loop is usual)
17–
All set | »petronella in tandem« ; repeat (to 1,2x)
25–
All set | ½ Circle4 Left ; 1c turn BH 1½ to 2pl.

0 00:00Angus MacLeod R64 · 4/4L
Alex T Queen: Angus MacLeod · Crib: E-cribs · Diagram: Keith Rose's Diagrams

When setting in the centre, the turn is on the second PdB

1–
2c+3c (called »centres«) dance in and face diagonally in | set NHJ with turn R to face 1c+4c (= »cnrs«) ; all pass Rsh and face in diagonally | all set, cnrs swiveling R to face out
9–
All pass Rsh and face in diagonally | all set, centres turning R about ; cnrs turn centres RH
17-32
Centres LHA to face own cnrs again ; intersecting diagonal Reels4{12} (use ½ LHA in {2} to pass in the middle)
33–
Centres change places with P LH (2W & 3M polite turn) to face new cnrs, set to cnrs ; turn that cnr by outside hand (centres pass through top/bottom of the set) back to centre facing each other diagonally
41–
centres set and 4 spring points ; repeat
49–
Centres dance (NHJ) out at own ends and cast round to centre again facing diagonally in ; set and 4 points
57–
Centres dance (NHJ) out at opposite ends (3c make arch for 2c) | cast L (NHJ) (2c round 4W and 3c round 1M), and on to own end of set (cnrs step in to centre places, to order 2,1,4,3)

Repeat once with new centres and cnrs
In some areas the inner dancers who pass to corners stay facing out, and swivel to face inwards during the setting.

0 00:00The Dancing Shepherds J32 · 3/4L
Frank Coutts: Saint Marks Collection · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c+2c Espagnole, 1c finish facing 1cnrs
9–
1c+1cnrs ½diagReel4 ; repeat with 2cnrs (3x,1x,2x)
17–
1c turn RH to 2plx ; Opposing Rsh ½Reels3 across, 1W up, 1M down (to 3,1,2)
25–
3c+1W & 1M+2c RHA ; Lsh Snake Pass (unwind the RHA, 1c leading, pass other snake Lsh through 2plx and chase cclw) (2,1,3)

note: the original does not say where 1c ends on [16], I have assumed 2plx
Espagnole: both W lead RHJ to M side, cross and cast back to exchanged places while Men cross to W side, lead RHJ back to M side and cross to exchanged places ; all turn P EH (2,1)

0 00:00The Belle of Bon Accord S32 · 4/4L
John Drewry: Deeside Book Part 2 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1M cross, cast off round 2W to finish in the middle facing up while{4} 1W crosses between 2M and 3M, casts up to the middle facing down while{4} 3c do the same round 4c (2c & 4c step up ½ place) ; 1c+2c & 3c+4c RHA
9–
1c+3c Reel4 in the centre of the dance
17–
1c+3c turn ¾ RH to finish facing up NHJ while{2} 2c & 4c dance up ½ place on the sides and in to face down NHJ. All set ; 2c+1c & 4c+3c circle4 L (to sidelines 2,1x,4,3x)
25–
1c/3c lead up & cross between 2c/4c and cast off one ; 1c+3c turn BH, opening to face down | 1c dance to 4pl while{2} 3c cast up to 2pl. (2,3,4,1)

0 00:00Ramadan-ce R32 · 3/4L
John Drewry: The Turkish Set · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c+2c+3c Inveran Reels (1,2,3)
9–
1c cross RH | cast (2c up) ; Turn RH to face 1cnr
17–
1c+1cnrs pass Rsh | cnrs turn RH ½ and cast away as 1c meet and pass Rsh to face 2cnrs ; repeat with 2cnrs (3x,1x,2x)
25–
½ Reels3 across, 1c Lsh to 3cnr ; ½ Reels3 on the sides, 1c Rsh to 4cnr (2,1,3)

0 00:00Midnight Oil J48 · 5/5L
John Drewry: Bankhead Book Part 3 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1--
1c+3c lead far down (2c+4c up) | turn ¾ RH and face P, RHJ ; set , W turning under M’s arm | 1c+3c dance up (W leading)
9--
1c+2W & 3c+4W RHA ; 1c+4M & 3c+5M LHA, 1c+3c finish facing 1cnrs
17--
1c+3c with 1cnrs pass and turn, pass P Rsh ; repeat with 2cnrs, at end pass P Rsh onto midline, W above and facing M
25--
Reel4 on midline, at end pass Rsh in the middle to finish 1c facing out in 2pl on W side / likewise 3c in 4pl on M side
33--
1c dance out between 2W & 4W, split, cast round them, meet in middle, repeat through M side while{8} 3c do the same, starting between 4M & 5M. (1M & 3W pass Lsh between 4c). All finish where they started the reel, but 1M faces 3W
41--
1W+3M set twice facing up and down while{4} 1M+3W turn RH to face P ; 1c+3c turn P LH ¾ | cast off on own side (4c+5c up) (2,4,1,5,3)

0 00:00Mairi's Wedding R40 · 3/4L
James B Cosh: Twenty Two SCD · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c turn RH | cast (2c up) ; turn LH to face 1cnrs
9–
1c ½Reel4 with 1cnrs (pass P Lsh) ; Repeat with 2cnrs
17–
Repeat with 3cnrs (1cnr person) ; Repeat with 4cnrs (2cnr person)
25–
1W+2c & 1M+3c Reels3 across, Lsh to 1cnr
33–
2c+1c+3c circle6 and back

Note: Cosh explicitly tells 1c to pass Lsh in [9-24]; however the Rsh pass is quite common, and nicknamed »Mairi's Divorce«.