1–

1c set | cast off (2c up) ; 1c+3c RHA

9–

1c set | cast up (2c down) ; 1c+2c LHA

17–

1c followed by 2c dance between 3c, cast up round them, dance up, 1c cast off to 2pl, while{} 2c dance into 1pl (no loops)

25–

2c+1c R&L

1–

1c turn RH | cast (2c up) ; turn LH to face 1cnrs

9–

1c ½Reel4 with 1cnrs (pass P Lsh) ; Repeat with 2cnrs

17–

Repeat with 3cnrs (1cnr person) ; Repeat with 4cnrs (2cnr person)

25–

1W+2c & 1M+3c Reels3 across, Lsh to 1cnr

33–

2c+1c+3c circle6 and back

Note: Cosh explicitly tells 1c to pass Lsh in [9-24]; however the Rsh pass is quite common, and nicknamed »Mairi's Divorce«.

1–

1c+2c ½RHA while{2} 3c ½ turn LH | 2c ½ turn RH while{2}1c+3c ½LHA (2,3,1) ; 2c+3c ½RHA while{2} 1c ½ turn LH | 3c ½ turn RH while{2} 2c+1c ½LHA (312)

9–

1c set | ½Reels3{3} across (Lsh to 1cnr) ; into ½Reels3{3} on the sides (Rsh to 2cnr), end facing 1W pos. (1W to L of 1M)

17–

1c set to 1W pos (2M) | turn inwards and set to 3M pos (3L) ; set to 3W pos (3M) | turn inwards and set to 1M pos (2L) and face R about to face 3W pos (1W behind 1M)

25–

1c+1cnrs ½diagonal lead-change Rsh Reel3 ; 1c (1W leads)+2cnrs ½diagonal lead-change Rsh Reel3 (to 312)

1--

1c turn RH and cast (2c up) ; All set | 2c+3c set as 1c Petronella to midline

9--

All set in lines across | 2c+3c set as 1c petronella to face 1cnr ; ½ Reel4 with 1cnrs, pass Rsh, and face 2cnr

17--

1c+2cnrs ½ Reel4 , 1c pass through 2plx ; 1c dance Rsh round P 1½ (Gypsy turn) (3x,1,2x)

25--

All chase clw ½ ; All turn P RH (1c 1½ times) (2,1,3)

Strathspey

1–

All dance interlocking Rsh Reels4

9–

1c+3c turn P ¾ RH | Promenade clw ½ round set | ½ RHA to places while{8} 2c+4c (face P) Petronella Turn | set (others pass between) ; Petronella Turn | turn RH ½ to places

17–

Repeat with exchanged figures (1c+3c Petronella Turn etc ; 2c+4c turn ¾ RH, etc)

25–

Circle8 and back

33–

All C set to and turn P RH ; set to and turn cnr LH (and W face out)

41-56

Schiehallion reel

57–

All C turn P RH | turn cnr LH ; repeat

Reel

65-120

Repeat [1-56] in reel time ;

121-128

All C turn R elbow grip ; turn L elbow grip (or 8 bars R elbow grip)

1–

1c+2c+3c Inveran Reels3 (1c crossing top and bottom)

9–

1c turn RH 1½ into 2plx facing out (2c up) ; 1c cast up round 2c and cross down to (2,1,3)

17–

G-Chain (2c cross)

25–

circle6 and back

1--

1c turn RH | cast (2c up) ; 1W+2c & 1M+3c RHA, 1c facing 1cnrs at end

9--

Corners Pass and Turn, on [16] 1c pull Rsh back to finish BtoB in centre facing opposite side

17--

DTr, on [23-24] 1c Petronella turn to 2pl (2,1,3)

25--

Circle6 and back

2s & 4s start on opposite sides 1 (2) 3 (4)

1-8

1s+2s also 3s+4s Set+Link, 2s+1s also 4s+3s Set+Link with Men ending in centre in line up/down in order 1 2 3 4

9-16

All Men dance RSh reel of 4 in middle

17-24

1M+2M also 3M+4M turn RH while Ladies set, 1s+2s also 3s+4s dance 1/2 RH across (2 bars); pull back LSh curving left & dance 1/2 LH across back to original places

25-32

1s+4s chase anticlockwise 1/2 way while 2s+3s dance RH across, 4s+2s also 3s+1s turn LH on sides

33-40

4s+2s also 3s+1s dance the Bourrel :

4M+2M also 3M+1M set advancing, 3/4 turn 2H & twirl to end BtoB (2M/1M facing up & 4M/3M down) while partners chase anticl' 1/2 way,

set to partners & turn 2H to end (2) 4 (1) 3

41-48

All circle 8H round & back

Repeat from new positions with Ladies dancing reel of 4 & Ladies setting in the Bourrel

1–

1W dances Rsh round P into the centre ; 1c (W beckoning and leading)+2c ½ Lsh Reel3, 2c finish in 1pl, 1c face down, M on L

9–

1c dance down the middle NHJ ; change sides to face up, 1W crossing above 1M and under joined arms | 1c dance up to between 3c

17–

1c (W leading)+3c ½ Rsh Reel3, 3c finish in 3pl ; 1c (M on R) dance up and cast off (2x,1x,3x)

25–

S&Link3 twice (3,1,2)

1–

1M+2W change places RH | 1W+2M repeat ; 1M+3M repeat | 1W+3W repeat (1c no polite turn) (2x,3x,1)

9–

3c+1c ½ R&L (1W no polite turn) ; 2c+1c ½ R&L (to 1,2,3)

17–

1c cross RH | cast off (2c up) ; turn 1¾ LH to face 1cnrs

25–

1c set to and turn 1cnrs to face P on 1diag. ; 1c set to P | Turn BH to face 2cnrs

33–

1c repeat with 2cnrs and 2diag., finish facing 2cnrs

41–

Reels3{6} on the sides (Rsh to 2cnrs) | 1c cross LH (giving a better transition to 2nd turn)

1–

1c cross RH and face down | 1c+2c ½ LH turn on the sides ; all chase cclw one place | all turn P ¾ LH into a line across (W BtoB)

9–

Gypsy Poussette, as follows.

9-12

(Box setting) All set R and swivel R ¼ »on the hop« to face away from P, all set L and swivel R ¼. to face in | all set R (M passing BtoB) and swivel R ¼, all set L and do not swivel. Partners finish facing away from each other but are not lined up BtoB.

13-16

(Gypsy turn) All starting to their own R, dance around P halfway and melt into turn ¾ BH to finish facing P in a line across, M in the middle.

17–

Reel4 across the dance. On [24] the M dance ¼around each other, Lsh to Lsh, while{} the W extend the loops to join P in promhold, all forming a line across, 1c facing up, 2c down.

25–

[25] 1c+2c Promenade ¼ around each other (M staying Lsh to Lsh), into the last 7 bars of the Tournée.

Notes: In [9-12] each C follows the edges of a square:
Music: A smooth strathspey for example: »Birks of Invermay« by Tersipchore

1–

1c dance down 2 places and cast up to 2pl (2c up) ; 2c+1c+3c set and cross RH (2x,1x,3x)

9–

1c dance up and cast off one ; 2c+1c+3c set | 2c+3c cross LH while{2} 1c turn LH to face 1cnr:

17–

1c set R to 1cnr {1} and L to P {1} | turn ¾ RH ; set R to 2cnr and L up/down to P | turn ¾ RH to 2pl

25–

2c+1c+3c circle6 and back. (2,1,3)

1–

2c step up as 1c turn BH to face P between them in line4 across | 1c+2c set, 1c advancing and passing on the second step ; ½Reel4, at end 1c pass LH to face down NHJ

9–

1c dance down to face P between 3c, repeat set and ½Reel4 with 3c, finish between 3c on own side LHJ

17–

1c lead to top, cross and cast to 2plx ; ½Reels3 across, Rsh to 4cnr (W up, M dn) (to 2,1,3)

25–

2c+1c Poussette.

1–

1c+2c set, ½ RHA ; set, ½ LHA

9–

1c lead down the middle and up, 2c step in for

17–

1c+2c Allemande

25–

2c+1c+3c circle6 and back.

1–

1c+2c S&Link, finish 2c facing 1c NHJ ; S&Link to (2x,1x,3)

9–

1c, 2c following, dance down {3}, change sides with NHJ, W passing above M and under his arm, 2c+1c dance up to (2,1,3), 2c facing out

17–

2c turn 1c EH on sides ; 1c turn 3c EH, 1c finish BtoB facing 1cnr

25–

SetH&G , petronella to (2,1,3)

Dance three times, as Jig, Strathspey, Reel

1–

1c+3c petronella to midline and set to P ; ½ Reel4 on midline, at end 1M+3W pass LH to flow into

9–

3W+2c+1M LHA (3M+1W stand and face on midline) ; 3c+1c turn P RH ¾ and 3c face 1c NHJ | All set (3,2,1)

17–

All Circle6 and back (3,2,1)

25–

2c set | cast up (3c down) ; All turn P RH (in strathspey time: BH) (2,3,1)

1–

1c set | cast off two places (2c up) and lead up to 1cnrs

9–

1c set to 1cnr | turn 1cnr RH and join LH in the middle ; BiL | turn 1¼ LH to 2cnrs

17–

Repeat with 2cnrs | cross to (2,1,3)

25–

2c+1c+3c circle6 and back.