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0 00:00Good Hearted Glasgow J32 · 3/4L
Peter Knapman: A Guide to Scottish Country Dancing (ex-Collins) · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c turn RH | cast off (2c up) ; turn LH 1¼
9–
Teapots R ; and L (2c+1W & 1M+3c RHA ; 2c+1M & 1W+3c LHA)
17–
1c lead down the middle and up into 2pl
25–
All circle6 and back

0 00:00The Reverend John MacFarlane R32 · 4/4L
Gary W Morris: RSCDS XXXVII 1 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c cross down into Mirror Reels3 on opposite sides with 2c+3c (1x,2,3)
9–
1c ½ Fig8 round 2c ; 1c (BHJ) slip down to between 3c | set (top foot starting) (2c+3c up, 4c step in)
17–
1c+4c Poussette (2,3,4,1)
25–
2c+3c & 4c+1c RHA ; all C turn LH (3M polite L turn into next repetition).

0 00:00Cape Town Wedding S32 · 3/4L
Tom Kerr: RSCDS XXXIX 4 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c cross down (no hands) to 2plx (2c up) | change places with 3c EH ; 1c turn RH ½ | lead to top (2c+3c down) and face up in promhold
9–
1c with 2c Rsh Reel3 across, at the end 1c pivots inwards into 1pos on own side facing down NHJ, with 2c in 2pl, on [16] 3c step in and face up NHJ
17–
All set, all Petronella (1c+3c in tandem) ; all set advancing {1} to join hands in circle, while setting {1} pull Rsh back tightly | and cast clw (to 1,2,3)
25–
1c+2c the Knot

0 00:00The Scallywag J40 · 3/4L
Jennifer Kelly: RSCDS LII 5 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1--
1c long cast (2c up) ; turn LH to face 1cnr
9--
1c set to 1cnr | Turn 1cnr RH ¾ into lines across and face 4cnr ; ½ Lsh Reel3 across into facing lines across
17--
Lines A&R ; 1c dance Rsh round P to face 3cnr (pos)
25--
repeat [9-16] with these corners, finishing 1M between 2c facing 1W between 3c
33--
1c set adv and join RH | set RHJ, 1W turning under the arms and 1c face up RHJ still on opp. side ; 1c cross up and cast to 2pl (2,1,3)

0 00:00The Craven Twelvesome R32 · otherS
Derek Haynes: Carnforth Collection of SC Dances 5 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

Four trios WMW in a square set

1–
Each trio Reel3, M starts Rsh
9–
All M set | ½ RHA | dance out between opposite W and cast R to next M place
17–
1trio+3trio advance NHJ , the W make a quick BH turn | retire in new trios ; side trios repeat
25–
Circle 12 and back

Progression. Each turn the M move one place cclw, the W cross to opposite side.

0 00:00City of Belfast S32 · 3/3L
Lucy Mulholland: RSCDS XLVIII 6 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c ½ Fig8 round 2c ; 1c turn 2c EH 1¼ into line across, 1c in the middle
9–
1c+2c Reel4, finish 2c in 1pl and 1c (last pass is Lsh) facing 1cnr
17–
1c set to 1cnr | set to 2cnr, dancing R into sideline (2,1x,3) ; All set | 1c cross RH
25–
1c+3c Espagnole (2,3,1)

Espagnole: both W lead RHJ to M side, cross and cast back to exchanged places while Men cross to W side, lead RHJ back to M side crossing to exchanged places ; all turn P EH (2,1)

0 00:00The Luckenbooth Brooch J32 · 3/4L
John Bowie Dickson: Reels and Wheels (CD booklet) · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c in promhold (1M on the R) Reel3 with 2c (Rsh to 2M), 2c finish in 1pl
9–
Repeat with 3c, finish in centre, facing M side, 1M above 1W
17–
2c+3c dance R&L while{8} 1c dance out on M side, divide and cast to meet in centre, dance out on W side, divide and cast into
25–
In lines across 1M+2c facing 1W+3c set twice ; 1c turn RH 1¾ to promhold to continue (2,1,3) (on 2nd time through, turn RH ¾ and dance down to 4pl (4c up))

0 00:00Programme Item: Tea Break

0 00:00Bratach Bana R32 · 3/4L
John Drewry: Thirty Popular Dances, Volume Two · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c turn RH | cast off (2c up) ; ½ Fig8 to R around 1cnr (to 2,1x,3)
9–
½Reel3 on sides (Rsh to 2cnr) ; ½Reel3 across (Lsh to 3cnr position), finish on sides (3x,1,2x)
17–
1c turn ¾ LH, Turn 1cnr person (3cnr position) RH ; pass Rsh, turn 2cnr person (4cnr position) ¾ RH to promhold (cnr on the right)
25–
These pairs change places Rsh | drop left hand and turn RH ½ to sidelines ; half diagonal R&L (1st diagonal direction)

Note on [27-28]: originally 2 PdB. modified by Drewry to SkCh. O. Otto says best variant is corners in PdB, 1c in SkCh

0 00:00The Water of Leith S32 · 4/4L
John Wilkinson: 90 - Twelve anniversary dances celebrating ninety years of RSCDS Edinburgh Branch 11 · Crib: MiniCribs · Diagram: Keith Rose's Diagrams

1-8
1s+3s set. 1L dances down, casts up round 2M into middle facing down as 1M dances across, casts round 2L into middle facing up while 3s dance same round 4s. 1s+3s change places RH with partner into line of 4 in middle (M face down, L face up)
9-16
1s+3s dance reel of 4 in middle
17-20
1s+2s also 3s+4s dance RH across
21-24
1M followed by 1L casts round 2L to 2nd place own sides as 3M followed by 3L casts round 4L to 4th place (2s+4s step up 23-24)
25-32
1s+4s (middle couples) dance Espagnole
25-26 1s+4s cross (Ladies lead across RH passing between Men) with Ladies changing places RH
27-28 1s+4s cross back (Men lead across RH between Ladies) with Men changing places RH
29-32 4s turn RH as 1s turn LH

0 00:00Torridon Lassies J40 · 3/4L
John Brenchley: Thirty Popular Dances, Volume Two · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1--
1c cross RH | cast off (2c up) ; Teapots L, finish BtoB facing 4cnr
9--
SetH&G to 4cnr and P, and face 1cnr ; Turn 1cnr RH and face 2cnr
17--
½ Reel4 on 2diag and face 3cnr ; SetH&G to 3cnr and P and face 4cnr
25--
Turn 4cnr RH and face 1cnr ; ½ Reel4 with 1cnrs to meet in centre Rsh to Rsh facing up/dn
33--
1c cast Rsh round 2cnr to 2plx ; ½ Fig8 round 4cnr to 2pl while{8} corners set to P | cross RH ; set facing up/dn and change places RH to (2,1,3)

0 00:00Peggy Dewar R32 · 3/4L
Joan Wright: RSCDS XXXVIII 1 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c set, cross down RH (2c up) ; behind 3c and dance up the middle to face 1cnrs
9–
1c set to 1cnrs, turn 1cnr RH to face 4cnr ; ½ Lsh Reels3 across, at the end 1c pass Rsh to face 3cnr pos. (2c+3c make loop)
17–
1c set to 3cnr pos. and turn cnr RH to face 2cnr pos. ; 1M+2c & 1W+3c ½ Lsh Reels3 across, 1c finish facing P up/down (2c+3c make loops)
25–
1c 1½ LH turn ; 1W+2c & 1M+3c RHA (2,1,3)

0 00:00The Minister on the Loch S32 · 3/3L
Roy Goldring: Magazine Dances 2005-2009 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c+2c Poussette
9–
1c dance down 2 places, turn BH ; dance up 2 places, turn BH, open upwards and face out
17–
1c+3c DblFig8 round 2c, 1c casting, 3c crossing up to begin, 1c finish facing out for
25–
1W+2W & 1M+2M turn EH 1½ ; 1c+3c repeat (2,3,1)

0 00:00Links with St Petersburg J32 · 3/4L
Malcolm Brown: RSCDS XLVI 10 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c+2c S&Link, finish 2c facing 1c NHJ ; S&Link to (2x,1x,3)
9–
1c, 2c following, dance down {3}, change sides with NHJ, W passing above M and under his arm, 2c+1c dance up to (2,1,3), 2c facing out
17–
2c turn 1c EH on sides ; 1c turn 3c EH, 1c finish BtoB facing 1cnr
25–
SetH&G , petronella to (2,1,3)

0 00:00Mairi's Wedding R40 · 3/4L
James B Cosh: Twenty Two SCD · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c turn RH | cast (2c up) ; turn LH to face 1cnrs
9–
1c ½Reel4 with 1cnrs (pass P Lsh) ; Repeat with 2cnrs
17–
Repeat with 3cnrs (1cnr person) ; Repeat with 4cnrs (2cnr person)
25–
1W+2c & 1M+3c Reels3 across, Lsh to 1cnr
33–
2c+1c+3c circle6 and back

Note: Cosh explicitly tells 1c to pass Lsh in [9-24]; however the Rsh pass is quite common, and nicknamed »Mairi's Divorce«.