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0 00:00Catch the Wind R32 · 3/4L
Romaine Butterfield: RSCDS XLV 5 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c set | cast off (2c up) ; ½Fig8 up (2,1x,3)
9–
1c set twice, on [11-12] 1W swivels R to face out ; 1W (1M following) casts R round 2M and down middle to finish 1W between 3c facing 3M, and 1M between 2c facing 2M.
17–
1M+2c & 1W+3c Rsh reels3 across
25–
1W (1M following) casts R round 3M and cross to 2pl ; 1c turn RH (2,1,3)

The original tune is a hornpipe

0 00:00Slytherin House S32 · 3/4L
Chris Ronald: RSCDS LII 3 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1--
1c+2c S&Link ; Circle4 L (2,1,3)
9--
1c cast clw round 3cnr, pass Lsh up/down, cast Lsh round 1cnr and turn P LH to midline, M below W
17--
2c+1W & 1M+3c RHA ; (Snake) 1W+2W+2M & 1M+3M+3W unwind, pass the other dancers Lsh and loop L to (3,1,2)
25--
3c+1M & 1W+2C LHA ; (Snake) 1W+2W+2M & 1M+3M+3W unwind, pass the other dancers Rsh and loop R to (2,1,3)

0 00:00Pelorus Jack J32 · 3/4L
Barry Skelton: RSCDS XLI 1 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c cross RH, cast (2c up) ; 1c+3c RHA, finish 1M facing 1cnr, 1W behind him
9–
1c in tandem +1cnrs ½ diagonal Reel3, Rsh to 3W (1M & 1W loop R singly for lead change, so 1W now leads P) ; ½ diagonal Reel3, Rsh to 2W (+ lead change)
17–
Continue pattern twice
25–
2c+1c LHA ; 1c turn LH ½ | all set (2,1,3)

0 00:00Staircase In Styria R40 · 5/5L
Margaret Gray: CD booklet of The Sunday Class Dance Book 2 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c+2M & 3c+4M RHA 1¼, 1c & 3c finishing in middle facing down, other cpls in own place ; 1c+2W & 3c+4W LHA, finish facing down
9–
1c+4M & 3c+5M RHA same way ; 1c+4W & 3c+5W LHA, 1W & 3W face out on own side with P behind
17–
1c & 3c (W leading) cast up 1 place, cross, cast up on M side to original places the W looping R
25–
1c cross | cast 1 (2c up) ; 1c followed by 3c dance up & cast to (2,3,1x,4,5)
33–
1c cross | cast 1 (4c up) ; 1c followed by 5c dance up & cast to (2,3,4,5,1)

0 00:00The Dream Catcher S96 · 4S
Eileen Orr: RSCDS XLV 9 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

Part 1

1–
All Circle8 and back
9–
The Swirl: 1c+3c turn RH into Allemande hold facing in | dance Lsh round other C half way ; 1c+3c LHA, on [16] let go and swivel L to face side couples, BtoB with P, 1c below 3c
17–
Parallel Rsh Reels4 across, finish as at start
25–
All set | 1M+3W & 3M+1W NHJ dance out between side couple, cross and cast to own places, change place with P RH

Part 2

1–
All set | advance to middle and form circle ; retire with cnr | set
9–
1W+4M & 3W+2M R&L, starting across the set
17–
1M+2W & 3M+4W R&L, starting across the set
25–
All set | advance to middle and form circle ; retire with P | set

Part 3

1-24
2c+4c starting, repeat part 1, 9-32 in the other orientation (The Swirl, Reels4 up/dn, return to places)
25–
All Circle8 and back

0 00:00Farewell to Balfour Road J32 · 5/5L
Andrew Buxton: RSCDS LII 7 · Crib: SCDDB Contributed Cribs & Diagrams · Diagram: Keith Rose's Diagrams

1–
1c+2c 4H round and back
9–
1c+2c set & link ; 1c+3c set & link
17–
[2c start from top as 1c] 1c+4c+5c mirror reels3 on sides
25–
1c set | cross down RH to 4pl [4c up] ; 1c set | cross down LH to 5pl [5c up]

Repeat pattern until 1c are back at top but allow 5c to finish their turn [96 bars total]

0 00:00The Reel of the 51st Division R32 · 3/4L
James Edward McCartney Atkinson: RSCDS XIII 10 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c set | cast off two places (2c up) and lead up to 1cnrs
9–
1c set to 1cnr | turn 1cnr RH and join LH in the middle ; BiL | turn 1¼ LH to 2cnrs
17–
Repeat with 2cnrs | cross to (2,1,3)
25–
2c+1c+3c circle6 and back.

0 00:00Jennifer's Jig J32 · 3/4L
John Drewry: Bon Accord Book of Scottish Country Dances · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c+2c+3c set | cross RH ; repeat & 2c face out
9–
1c+2c DblFig8 (1c cross down), at end 2c face out and up (1,2,3)
17–
1c+2c+3c Inveran reels (1c cross down, and cross up from the bottom, 2c+3c full reel3 on own side) (1,2,3)
25–
1c with 2c following lead down {3}, turn RH ½ {1} ; turn on ½ moving upwards | 2c+1c lead up (to 2,1,3)

0 00:00The Irish Rover R32 · 3/4L
James B Cosh: Twenty Two SCD · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c lead through 3c (2c up) and cast up ; 1M+3c and 1W+2c RHA, finish facing 1cnrs.
9–
1c+1cnrs ½Reel4, pass Lsh ; ½Reel4 with 2cnrs, fast ¾ LH turn in the centre
17–
1W+3c (at top) & 1M+2c Reels3 across (Lsh to 1cnr pos), (to 3x,1,2x)
25–
diagonal R&L (1M down,1W up) (2,1,3)

0 00:00City of Belfast S32 · 3/3L
Lucy Mulholland: RSCDS XLVIII 6 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c ½ Fig8 round 2c ; 1c turn 2c EH 1¼ into line across, 1c in the middle
9–
1c+2c Reel4, finish 2c in 1pl and 1c (last pass is Lsh) facing 1cnr
17–
1c set to 1cnr | set to 2cnr, dancing R into sideline (2,1x,3) ; All set | 1c cross RH
25–
1c+3c Espagnole (2,3,1)

Espagnole: both W lead RHJ to M side, cross and cast back to exchanged places while Men cross to W side, lead RHJ back to M side crossing to exchanged places ; all turn P EH (2,1)

0 00:00John Cass J32 · 5/5L
Peter Avery: RSCDS XLIX 10 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1--
1c lead down (2c+3c up) ; lead up to 3pl and turn RH to face out on M side, 1W behind 1M
9--
2M+3M & 1c & 4W+5W diag. Rsh Reel3, all pairs lead-change at both ends, finish 1W behind 1M giving Lsh to 4M
17--
2W+3W & 1c & 4M+5M diag. Reel3, all pairs lead-change at both ends, 1c finish in 3pl facing down NHJ
25--
1c dance between 4c, cast behind 5c (4c+5c up) ; 1c pivot turn with R elbow grip (2,3,4,5,1)

0 00:00The Montgomeries' Rant R32 · 3/4L
Castle Menzies (18C): RSCDS X 1 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c cross RH | cast off (2c up) ; cross LH | cast L (W up, M down)
9–
2c+1W &1M+3c Rsh Reels3 across
17–
1c NHJ set to 2W (swivel ½ inwards), set to 3M (veer L together), set to 3W (swivel ½ inwards), set to 2M (and face own 2cnr)
25–
Reels3{6} on the sides, Rsh to 2cnr | 1c cross RH to 2pl

0 00:00Ederline S32 · 3/3L
Alice McLean: The Auchinellan Collection · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c dance down between 3c, cast up round 3c, dance to top, cast off (2c up) (2,1,3)
9–
1c set adv. passing P (cnrs also set) | turn 1cnr BH, opening (1c leading) into Circle4 L. Cnrs finish in place, 1c between end Cs.
17–
1c set adv. | turn 2cnr BH, opening (1c leading) into Circle4 L. Finish (2,1x,3)
25–
1c+3c set | 1c+3c ¾ DblFig8, 1c cast to start (2,3,1)

0 00:00The Cranberry Tart J32 · 3/4L
Terry Glasspool: Thirty Popular Dances, Volume Two · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1-16
Fugue: 1M set | cast (2M up) ; set | petronella to between 3c ;; set with 3c | advance with 3c ; retire with 3c | advance alone while{16} 1W waits {2} and then repeats 1M’s [1-14], dancing with 2c, on [16] 1W pivots R to give Rsh to 2W
17–
1W with 1M following Reel3 across with 2c, finish (2,1,3)
25–
Parallel Reels3 on own sides, 1c Rsh to 3c (2,1,3)

0 00:00Mairi's Wedding R40 · 3/4L
James B Cosh: Twenty Two SCD · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c turn RH | cast (2c up) ; turn LH to face 1cnrs
9–
1c ½Reel4 with 1cnrs (pass P Lsh) ; Repeat with 2cnrs
17–
Repeat with 3cnrs (1cnr person) ; Repeat with 4cnrs (2cnr person)
25–
1W+2c & 1M+3c Reels3 across, Lsh to 1cnr
33–
2c+1c+3c circle6 and back

Note: Cosh explicitly tells 1c to pass Lsh in [9-24]; however the Rsh pass is quite common, and nicknamed »Mairi's Divorce«.