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0 00:00Pelorus Jack J32 · 3/4L
Barry Skelton: RSCDS XLI 1 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c cross RH, cast (2c up) ; 1c+3c RHA, finish 1M facing 1cnr, 1W behind him
9–
1c in tandem +1cnrs ½ diagonal Reel3, Rsh to 3W (1M & 1W loop R singly for lead change, so 1W now leads P) ; ½ diagonal Reel3, Rsh to 2W (+ lead change)
17–
Continue pattern twice
25–
2c+1c LHA ; 1c turn LH ½ | all set (2,1,3)

0 00:00The Fireworks Reel R32 · 3/4L
Anselm Lingnau: RSCDS XLVIII 11 · Crib: SCDDB Contributed Cribs & Diagrams · Diagram: Keith Rose's Diagrams

1-4
1C cross RH, cast off (2C step up)
5-8
½ figures of 8 (1M round 3C, 1W round 2C), 1C finish facing 1cnrs
9-12
1C set to 1cnrs, moving L on 2nd PdB to between corners [as in hello-goodbye setting], 1C turn LH to fin facing 1cnrs again
13-16
1C ½Reel4 with 1cnrs, fin facing 2cnrs
17-24
1C R 9-16 w/2cnrs (3x, 1x, 2x)
25-28
½Reel3 on opp sides, 1C LS to person on L to begin
29-32
1M+2C, 1W+3C ½Reel3 across, LS to 3cnr to begin

0 00:00The Dream Catcher S96 · 4S
Eileen Orr: RSCDS XLV 9 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

Part 1

1–
All Circle8 and back
9–
The Swirl: 1c+3c turn RH into Allemande hold facing in | dance Lsh round other C half way ; 1c+3c LHA, on [16] let go and swivel L to face side couples, BtoB with P, 1c below 3c
17–
Parallel Rsh Reels4 across, finish as at start
25–
All set | 1M+3W & 3M+1W NHJ dance out between side couple, cross and cast to own places, change place with P RH

Part 2

1–
All set | advance to middle and form circle ; retire with cnr | set
9–
1W+4M & 3W+2M R&L, starting across the set
17–
1M+2W & 3M+4W R&L, starting across the set
25–
All set | advance to middle and form circle ; retire with P | set

Part 3

1-24
2c+4c starting, repeat part 1, 9-32 in the other orientation (The Swirl, Reels4 up/dn, return to places)
25–
All Circle8 and back

0 00:00Torridon Lassies J40 · 3/4L
John Brenchley: The Kangaroo Paw · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1--
1c cross RH | cast off (2c up) ; Teapots L, finish BtoB facing 4cnr
9--
SetH&G to 4cnr and P, and face 1cnr ; Turn 1cnr RH and face 2cnr
17--
½ Reel4 on 2diag and face 3cnr ; SetH&G to 3cnr and P and face 4cnr
25--
Turn 4cnr RH and face 1cnr ; ½ Reel4 with 1cnrs to meet in centre Rsh to Rsh facing up/dn
33--
1c cast Rsh round 2cnr to 2plx ; ½ Fig8 round 4cnr to 2pl while{8} corners set to P | cross RH ; set facing up/dn and change places RH to (2,1,3)

0 00:00Catch the Wind R32 · 3/4L
Romaine Butterfield: RSCDS XLV 5 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c set | cast off (2c up) ; ½Fig8 up (2,1x,3)
9–
1c set twice, on [11-12] 1W swivels R to face out ; 1W (1M following) casts R round 2M and down middle to finish 1W between 3c facing 3M, and 1M between 2c facing 2M.
17–
1M+2c & 1W+3c Rsh reels3 across
25–
1W (1M following) casts R round 3M and cross to 2pl ; 1c turn RH (2,1,3)

The original tune is a hornpipe

0 00:00The Silver Tassie S32 · 3/4L
John Drewry: The Leaflet Dances with Music · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c+2c+3c cross RH | set ; repeat
9–
1c+3c DblFig8 round 2c (1c cross down, 3c cast up)
17–
1c followed by 2c+3c dance down the middle (2c & 3c divide) ; 1c (leading) +2c+3c dance up
25–
1c+2c Rondel (2,1,3).

0 00:00Napier's Index J40 · 3/4L
Brian Charlton: RSCDS XLV 8 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c set | cast off ; turn LH 1¼ into
9–
1c+1cnrs BiL | 1c+1cnr turn RH {4} | repeat BiL
17–
1c+cnrs Reels3 on the sides, Lsh to 2cnr, 1c finish LHJ and RHJ with 2cnr
25–
1c+2cnr repeat [9-16]
33–
Reels3 across, 1c Lsh to 3cnr, at end 1c cross RH as 2c+3c curve into place (2,1,3)

0 00:00Blooms of Bon Accord R32 · 4/4L
John Drewry: Deeside Book Part 2 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

3c+4c cross on 2nd chord(1,2,3x,4x). This dance has top/bottom symmetry

1–
All C set | 1c+2c & 3c+4c RHA | 1c & 4c cast in to 2pl/3pl while{2} 2c+3c lead out to end places
9–
1c+4c cross RH, cast to ends, meet in promhold and dance in between end couples, curve round the other couple Rsh to finish 1c / 4c on M/W side facing out and right
17–
1c & 4c (in promhold) Rsh Reels3 with the »corners« on M/W sides, at end meet in the centre
25–
4c+1c RHA, at end M swivels right so couples face ends of set (1c down, 4c up, W on P's left, RHJ) ; 4c&1c cross between end couples and cast in to (2,4,1x,3x)

0 00:00Miss Eleanor S32 · 3/3L
Ann Dix: RSCDS XLIX 5 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1--
Mirror Reels3 on the sides, 2c start out and up
9--
1c set | cast off (2c up) ; turn RH and cast R (2M steps down, 3W up), (to 1,2,3 on M side, 2,3,1 on W side)
17--
3 couple Bourrel (3,1,2)
25--
Circle6 and back (3,1,2)

0 00:00The Roselath Cross J32 · 3/4L
Henrietta Vosper: RSCDS XLI 10 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c+2c+3c Mirror Reels3{6}, 2c start out and up | 1c dance on to DTr position own side while{} 2c dance on to 1pl
9–
All set as in DTr | on [10] 1c face ¼ R | 2c+1M & 1W+3c set as DTr ; 1c cast R round 2cnr and meet, swiveling R to DTr position facing opp. side
17–
Repeat [9-12] with new corners ; 1c casts R round 4cnr (2,1,3)
25–
Reels3 across, Lsh to 1cnr.

0 00:00Programme Item: Interval

0 00:00The Lochalsh Reel R40 · 3/4L
Pat Burnett: The Skye Collection Vol 2 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c turn RH | cast off ; cross LH and cast off to face up between 3c in promhold, M on the R
9–
Lsh Reel3 across with 3c, 1c finish between 3c facing up and split
17–
Mirror Reels3 on opposite sides, 1c finish between 3c NHJ
25–
1c dance to top | split and turn 2c easy hand ; cross down between 3c and cast up into
33–
Teapots R and L (RHA with end couples ; pass Rsh into LHA) (to 2,1,3)

0 00:00Sugar Candie S32 · 3/4L
RSCDS XXVI 9 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c set | cast off (2c up), pass Lsh and cast R round 1cnr, to finish BtoB in the centre, M facing down, W up
9–
1W+2c & 1M+3c circle3, at end 1c swivels R to face P ; 1c set, turn ¾ BH to face 1cnrs (open out with 1M using RH to assist P)
17–
Turn CPCP
25–
Reels3{6} with corners, Lsh to 1cnr, 1c cross RH to (2,1,3)

0 00:00The Dancing Master J96 · 4S
John Drewry: Scottish Country dances - London 75th · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c set to 3c | both cast ¼ clw into the middle and face across ; 1c+3c cross RH | chase clw to P's place facing clw
9–
1c+2W & 3c+4W RHA (1c+3c, W leading, pass through own place into) ; 1c+4M & 3c+2M LHA , finish again in P's place
17–
1c & 3c (W leading M) Rsh Reels3 with the same two corners (1c+2W+4M, 3c+4W+2M), 1c+3c face out in P's place, 2c+4c face in and all take promhold
25–
1c+3c chase clw half round, while{4} 2c+4c A&R ; 1c & 3c pass Rsh to own place
33-64
2c+4c repeat [1-32]
65–
All set to P | change places RH (M face out) ; all W ½RHA and dance out to W place ¾ clw from the start while{4} all M dance one place clw, to meet »opposite partner«
73–
Repeat [65-72] with new partner (to 3,4,1,2)
81–
Half Schiehallion Reel (to own places)
89–
All circle8 and back.

Note by Drewry: On [65-68] and [69-72] the W use RH twice. This can be avoided by substituting: [65-68] »All set to P | change places passing Rsh, (M face out)«

0 00:00The Countess of Dunmore's Reel R32 · 3/4L
Deirdre MacCuish Bark: RSCDS XLIX 12 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1--
1c set | dance down (2c up) ; cast up round 3c | set advancing to face 1cnr
9--
1c turn 1cnr RH, pass Rsh; turn 2cns RH, pass Rsh to face out in 2pl (cnrs dance for {4}) (2,1,3)
17--
[3C Chain Progression] 1c cast ¼ clw round set while 2c & 3c Turn RH ¾ | 2M+3W turn LH 1½ while{4} the others promenade clw ½ round set | 3c+2c turn RH ¾ while 1c dance clw to 2pl (3,1,2)
25--
all chase ½ way clw ; set | cross RH (2,1,3)

3C Chain Progression was earlier known as Chaperoned Chain Progression

0 00:00Bonnie Stronshiray S32 · 3/4L
Robert M Campbell: Glasgow Assembly And Other Scottish Dances · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c+2c Half Reel Progression (both turn BH ¾ onto midline, ½ Reel4, turn BH ¾) to (2,1,3)
9–
1c set advancing and passing, turn 1cnrs BH to finish between end couples ; repeat with 2cnrs to finish (2,1x,3)
17–
2c+1c+3c cross RH (1c face out and corners face in diagonally) | [19-20] corners advance {1} and retire {1} while{2} 1c casts R to finish between end couples ; in lines across all change places RH (up / down) | Repeat [19-20] from new places, 1c finish BtoB facing 4cnr (2cnr persons)
25–
1c ½Reel4 with these cnrs, pass Lsh round P to face 3cnr (1cnr persons) ; ½Reel4 with these cnrs, at end turn RH to 2pl own sides

A quote: »the key that has always made this dance so wonderful is the flirting that dancing couple can do on bars 9-10 and 13-14 ; <...> if you actually set to your partner, advancing and at the last moment just slipping in BtoB to face and turn the appropriate corner, it's tremendous fun. The moment is all too rare, as apparently few teachers teach it this way, but it's a moment I savour.

0 00:00Gothenburg's Welcome J32 · 3/4L
Bobby Munro: RSCDS XXXVII 3 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1-4
1c cast off one place (2c up) | 1c set advancing to face 1cnrs
5-16
Dance to each corner and set (»Free« cnrs set diagonally while{2} centre dancers change place Rsh with the facing cnr, who in the centre pass Rsh to face next cnr on R | repeat five times, on alternating diagonals), 1c finish facing 3cnr position)
17–
1c ½Reel4 on 1diag, pass Rsh ; ½Reel4 on 2diag (2,1,3)
25–
2c+1W & 1M+3c RHA ; 2c+1c+3c turn RH.

0 00:00Round Reel of Eight R88 · 4S
RSCDS XXVII 7 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
All W cast by the R and round the set to places
9–
All M cast by the L and round the set to places
17–
G-Chain halfway round {6} | all set to P
25–
Continue G-Chain to places {6} | all set to P
33–
1c & 3c change places, 1c passing inside {3}, repeat back to places, 3c passing inside {3} | 1c+3c turn RH 1¼ into Allemande hold
41–
1c+3c (passing Lsh) Promenade cclw round inside of set to places
49–64
2c+4c repeat [33-48] (2c pass inside first)
65–
1c+3c half R&L ; 2c+4c half R&L
73–
Repeat [65-72] (to 1,2,3,4)
81–
All Circle8 and back

0 00:00The Rose of the North S32 · 3/4L
Roy Goldring: Silver Jubilee 25 - Leeds Branch · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1-4
1c lead down, cross below 3c and cast up into 2plx (2c up)
5-16
2c+1c+3c R&L for 3 couples
17–
1c set to and turn corners, to finish BtoB in the centre, 1M facing up, 1W facing down
25–
1M+2c & 1W+3c Circle3 L (at end 1c pull Rsh back to face P) ; 1c set, petronella to 2pl

0 00:00The Chequered Court J32 · 3/4L
Duncan Brown: RSCDS XLII 3 · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c cross RH | cast off (2c up) ; ½ Fig8 across to the R (1M up, 1W down) to face 1cnr
9–
1c+1cnrs pass and turn, at end 1c swivels R to be BtoB facing 4cnr ; 1c+4cnrs pass and turn, 1c swivels R to finish BtoB facing own side for
17–
DTr, 1c finish between end couple facing own side
25–
Reels3{6} across (Rsh to 4cnr) | 1c cross RH (2,1,3)

0 00:00Mairi's Wedding R40 · 3/4L
James B Cosh: Twenty Two SCD · Crib: E-cribs · Diagram: Keith Rose's Diagrams

1–
1c turn RH | cast (2c up) ; turn LH to face 1cnrs
9–
1c ½Reel4 with 1cnrs (pass P Lsh) ; Repeat with 2cnrs
17–
Repeat with 3cnrs (1cnr person) ; Repeat with 4cnrs (2cnr person)
25–
1W+2c & 1M+3c Reels3 across, Lsh to 1cnr
33–
2c+1c+3c circle6 and back

Note: Cosh explicitly tells 1c to pass Lsh in [9-24]; however the Rsh pass is quite common, and nicknamed »Mairi's Divorce«.