1–

1c long cast (2c up) ; all turn RH and face up for

9–

2c+1c+3c promenade (2,1,3)

17–

1c Fig8 on own side, starting to the R

25–

Teapots R and L (RHA with end couple on the R ; LHA with end couple on the L)

1–

1c turn RH ; cast (2c up) | cross LH and face out (2,1x,3)

9–

Reels3 on the sides, Lsh to 2cnr, 1c finish facing 1cnr

17–

½ Reel4 with 1cnrs, pass Rsh ; ½ Reel4 with 2cnrs, finish (3x,1x,2x)

25–

All turn P RH ; All chase ½ clw (2,1,3)

1–

1c+2c set | 2c cast to 1pl while{2} 1c dance down ; cast behind 3c and lead up to 2pl facing up in promhold

9–

1c with 2diag (2W+3M) ½Rsh Reel3 ; 1c swivel inwards to face out to W side in Promhold for ½Reel3 with 1diag (Rsh to 3W)

17–

Repeat starting down (Rsh to 3M position) ; repeat out M side (Rsh to 2M position)

25–

2c+3c set and cross twice while{8} 1c lead down, cross between 3c ; lead up crossing between 2c and cast to 2pl.

Lady Peak is in the Fraser Valley just east of Vancouver

1–

1M+2W cross RH | 1W+2M cross RH ; 2c+1c S&Link (to 1x,2x)

9–

1W+2M cross RH | 1M+2W cross RH ; 2c+1c S&Link (to 1,2)

17–

1c+2c half RH turn and take hands crossed (LH below) | slip down ; up | half turn in PdB and face up, passing hands into Allemande hold

25–

1c+2c Allemande (2,1)

1–

1c+2c circle4 L, finish NHJ 1c facing 2c ; set, 1c turning in to face up | 1c cast off, 2c dance up (2,1,3)

9–

Mirror Reels3 on the sides, 1c start down and in, join hands when possible, 2c+3c finish with loops

17–

2c+1c+3c set | 2c+1c ½ LH turn and face down ; lead (LHJ) down, cross below 3c and cast up (1,2,3)

25–

1c+2c the Knot. (2,1,3)

1–

1c+2c RHA ; LHA

9–

1c lead down the middle (2c up) ; and up to face 1cnrs

17–

1c set to and turn corners, finish between corners

25–

Lsh Reels3{6} on the sides, 1c cross RH.

1–

1c+2c DblFig8, 1c crossing down to start, at end 2c face out

9–

1c+2c turn EH 1¼ on side (2c to 1pl) and 1c face down NHJ ; 1c dance down and turn 3c EH, 3c finish in 3pl and 1c facing 1cnr

17–

1c+1cnrs ½ diag. Reel4 and pass Rsh ; repeat with 2cnrs, 1c finish on midline Lsh to Lsh facing own side

25–

3c+1M & 1W+2c RHA (3x,1x,2x) ; All chase clw ½ round (2,1,3)

1–

1c long cast to 2pl (2c up on [3-4] ; 1c+3c RHA (2,1,3)

9–

2c+1c LHA, 1W faces out ; 1W followed by 1M cast up round 2W and down the middle of set, 1W between 3c and 1M between 2c, all facing down

17–

In lines of 3 down the middle (all swivel R) and up

25–

1M followed by 1W dance up, cast round 2W and into 2pl ; 1c turn RH

33–

Circle6 and back

1–

1c Turn RH, cast off (2c up) ; turn LH, 1M/1W cast L (down/up) to between 3c/2c

9–

Set twice in lines of 3 across ; 1c cast back and Turn RH to (2,1,3)

17–

All set twice in sidelines ; turn partners BH

25–

2c+1c R&L

1–

1W followed by 2W+3W chase cclw behind 1M+2M+3M to places

9–

1M followed by 2M+3M repeat clw round the W

17–

1c facing 2c set | change place RH ; set | change place LH ready for

25–

1c+2c Poussette, 1c finish BtoB in the middle facing own side for

33–

DTr, 1c finish facing W side NHJ 1W above 1M

41–

1c dance out between 2W & 3W, 1W casts up and 1M casts down, meet in the middle ; cast as before, between 2M & 3M, finish in 2pl

1–

1c+2c set | cross Rsh (no hands) ; repeat

9–

1c down the middle and up, 2c step in

17–

1c+2c Allemande, finish facing 1cnr

25–

1c turn 1cnr BH, pass Rsh, turn 2cnr BH, cross Rsh to (2,1,3)

Note: older instructions tell 1c to turn once LH on 23-24; the current (revised) instructions leave that unspecified.

1–

1c set | cast off two places (2c up) and lead up to 1cnrs

9–

1c set to 1cnr | turn 1cnr RH and join LH in the middle ; BiL | turn 1¼ LH to 2cnrs

17–

Repeat with 2cnrs | cross to (2,1,3)

25–

2c+1c+3c circle6 and back.

1–

1c set | cast off (2c up) ; 1c+3c RHA

9–

1c set | cast up (2c down) ; 1c+2c LHA

17–

1c followed by 2c dance between 3c, cast up round them, dance up, 1c cast off to 2pl, while{} 2c dance into 1pl (no loops)

25–

2c+1c R&L

1–

1c cast behind own lines and cast back

9–

1c cross down into Mirror Reels3 on opposite sides (1x,2,3)

17–

1c lead down, cross (M below W, who passes under M's arm) ; and up, 2c steps in for

25–

1c+2c Poussette

1–

1c+2c Poussette (1,2,3)

9–

1c lead down the middle and up | cast off (2c up)

17–

1c+3c Circle4 and back

25–

2c+1c R&L

1–

1c set | 1W casts, 1M following, round 3W, 1W dances up round 3M and 1M dances up the middle, 1c face 3c (2c up on 7-8) (2,1x,3)

9–

2c+1c+3c G-Chain (2c cross), 2M+1M finish facing out

17–

2c+1c L-Chain

25–

2c+1c+3c A&R ; 1c turn RH 1½ to (2,1,3)

1–

1c cross RH | cast off two (2c+3c up) ; 3c+1c RHA

9–

1c lead to top, cross and cast to 2pl (3c down) ; 2c+1c LHA (2,1,3)

17-32

2c+3c (»corners«) set and change place RH four times following the track of R&L (3M&2W make polite turns) while{16} 1c cross (across or up/dn) RH and cast R round the corner four times.

Note by the deviser in TacTalk of jan. 1986: on [17-32] the corners set »as written«; they do not split the setting as is customary in »J.B. Milne«.
Devised in May 1967 in New Zealand by Bob Campbell of Canada for Jean Conway, Elma See, Lorraine Dyall, and Margaret Gray of the Newcastle (Australia) Colleges Strathspey and Reel Club.

1–

All Circle8 and back

9–

Double L chain (women ½ RHA, turn opposite M LH ; ½ RHA, turn P LH, to own places)

17–

1c+3c Reel4, (W pass left shoulder, M set on [17-18], at the end W slow down and M speed up, face and acknowledge P and pull back inner shoulder to face corners.

25–

All set to corner H.Schottische ; turn cnr BH twice

33-48

2c+4c repeat [17-32]

49–

Women Circle4 L (at end pull back Rsh to face out) ; set to and turn P BH.

57–

Men circle4 R, pull back Lsh ; set to and turn P BH.

65–

G-Chain (one step per hand)

73–

Promenade cclw round the set in Allemande hold, M bring W into middle of set and hold RH for bow and curtsey

1–

All clap, 1c cross Rsh and cast off one (2c up) ; 1c+3c RHA

9–

All clap, 1c cross back Rsh, cast up to own place (2c down) ; 1c+2c LHA

17–

1M+3W change places RH | 1W+3M change RH, while{2} 1M+3W dance a Rsh loop ; 1M+3W cross back RH while{2} 1W+3M loop | 1W+3M cross back LH, 1W to 2pl while{2} 1M casts to 2pl (2c up)

25–

2c+1c R&L

1–

1c dance down 2 places and cast up to 2pl (2c up) ; 2c+1c+3c set and cross RH (2x,1x,3x)

9–

1c dance up and cast off one ; 2c+1c+3c set | 2c+3c cross LH while{2} 1c turn LH to face 1cnr:

17–

1c set R to 1cnr {1} and L to P {1} | turn ¾ RH ; set R to 2cnr and L up/down to P | turn ¾ RH to 2pl

25–

2c+1c+3c circle6 and back. (2,1,3)

1–

1c set | cast off (2c up) ; dance through 3c and cast up (2,1,3)

9–

All set | cross ; chase ½ round clw (3,1,2)

17–

»Teapots R and L«(1c RHA with end cpls ; 1c LHA with other end cpls) (3,1,2)

25–

All chase cclw ½ round, cross LH and set

1–

1c set | cast off (2c up), cross Lsh and cast R round 1cnr to face 1cnr

9–

SetH&G , at end pass Rsh to face out in 2pl

17–

[Chaperoned Chain Progression] 1c cast ¼ clw round set while{2} 2c & 3c Turn RH ¾ | 2M+3W turn 1½ LH while{4} the others promenade ½ clw round set | 3c+2c turn RH ¾ and face up while{2} 1c cast ¼ clw to meet in 2pl, for

25–

3c+1c+2c Allemande (2,1,3)

1–

1c set and cast off one (2c up), 1¼ turn LH so 1M (with 1W behind) faces 3W

9–

1c lead-change diagonal Reel3 with 1cnrs (Rsh to 3W) (1M & 1W switch lead at each end of the reel), end facing 3M

17–

Repeat with 2cnrs (start Rsh to 3M), finish facing 1cnrs

25–

Turn 1cnr RH, pass P Rsh, repeat with 2cnr, cross to (2,1,3) (cnrs turn for 4 bars)

1–

1c+2c+3c mirror Reels3 on opposite sides (1c cross down, 2c out and up)

9–

Repeat, 1c now to own sides

17–

1c lead down ; and up to top to face 2c from the middle diagonally

25–

1c set to 2c | dance to the bottom (2c+3c+4c up) and turn inwards into ; 4c+1c Circle4 L.

1–

1c turn RH ; 1W, 1M following, cast behind 2W and cross (2c up) (2,1x,3)

9–

Circle 6 and back

17–

1c+3c mirror allemande (turn P RH ½ to allemande hold, facing away from other C | each C as bars 3-8 of allemande, passing the other C) (to 2,3x,1)

25–

All petronella to midline | 3c set to P while{2} 1c+2c change places RH ; All petronella to own side and set (2,3,1)

1–

1c set | 1W (1M follows) casts off 2, crosses, W dances up behind M line, and M dances up the middle, 1c face 1cnr (2c up)

9–

1c set to 1cnr | 1c cast Rsh round each other to 3cnr position while{2} 1cnrs dance into centre, and swivel R to face own cnr ; repeat, 1cnrs finishing in exchanged places, and 1c facing 2cnr

17–

Repeat with 2cnrs (3x,1x,2x)

25–

All chase clw ½ round ; all turn RH. (2,1,3)

1–

1c+2c set | turn BH ; circle4 L

9–

1c+2c Knot, 1c finish facing 1cnrs

17–

Turn CPCP, with final wide ¾ LH turn into

25–

Teapots R and L (1M+3c & 1W+2c RHA, 1c pass Rsh, cnrs not to sidelines ; 1M+2c & 1W+3c LHA) (2,1,3)

1–

1c turn RH | cast (2c up) ; turn LH to face 1cnrs

9–

1c ½Reel4 with 1cnrs (pass P Lsh) ; Repeat with 2cnrs

17–

Repeat with 3cnrs (1cnr person) ; Repeat with 4cnrs (2cnr person)

25–

1W+2c & 1M+3c Reels3 across, Lsh to 1cnr

33–

2c+1c+3c circle6 and back

Note: Cosh explicitly tells 1c to pass Lsh in [9-24]; however the Rsh pass is quite common, and nicknamed »Mairi's Divorce«.