Dance: Campbeltown Loch

48-bar Jig
4 couples
Set shape: Longwise - 4

Devised by:
Roy Clowes
Formations:
Hands across - 4 (HX;4P;)
Reel of four - diagonal (REEL;DIAG;R4;)
Ladies' Chain (LCHAIN)
Note: This list may be incomplete.
Note: Due to limitations in the underlying data, the relative order of formations in this list may be different from the order of formations in the actual dance.
Steps:
Skip-Change
Note: This list may be incomplete.
Published in:
Ormskirk Scottish Dances Book 1 [1] *
Ormskirk Scottish Dances - Memorial Edition [1]
Scottish Country Dances in Diagrams. Ed. 7 [27]
Scottish Country Dances in Diagrams. Ed. 6 [26]
Scottish Country Dances in Diagrams. Ed. 8 [31]
Recommended Music:
The Glendaruel Highlanders (A Fettes)
Recordings (3): Show tunes
Highlander Music Scottish Dances Vol 4 (Ian Holmes and his Scottish Dance Band with Ian Powrie), track 8 [pace 34.7]
Let's Dance Again. Volume 2 (Alastair Hunter & the Lorne Scottish Dance Band), track 9 [pace 35.8]
Come Scottish Country Dancing with Robert Whitehead (Robert Whitehead & the Danelaw Band), track 6

Crib

(On second chord, 1W+2M+2W & 3W+4M+4W move one place cclw, to starting position 1C+3C (on M side) facing 2C+4C (on W side)
1-8All A&R ; All cross RH and turn P LH (¾ or 1¼) to facing lines across, all M on the left of P
9-16All A&R up/down ; All cross RH with dancer opposite and turn P LH (¾ or 1¼ turn) to sidelines (4C+2C face 3C+1C, all M on the left of P)
17-243C+4C & 1C+2C RHA ; LHA
25-323C+2C LSh Reel4 starting LSh to P (along 2diag of set)
33-401C+4C La-Chain (along 1diag of set)
41-483C+4C & 1C+2C ½ R&L ; 2C+3C ½ R&L (along 1st diagonal of the set), (finish 2C+1C facing 4C+3C), RHA,
Crib needs checked · Source: Eric T. Ferguson ·

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The entry for this dance has not yet been verified against the original publication, Ormskirk Scottish Dances Book 1. If you have access to this publication, please consider cross-checking the information given here and submitting a correction if necessary, either using the link below or by direct e-mail to Alan Paterson.

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