Dance: Dalkeith's Strathspey

32-bar Strathspey
3 couples
Set shape: Longwise - 4

Devised by:
(unknown)
Formations:
Reel of four - across (REEL;ACROSS;R4;)
Turn Corners and Partner (CPCP)
Hands round - 3 - with setting (HR;3P;SET;)
Lead down and up (DWNUP;LEAD;)
Note: Due to limitations in the underlying data, the relative order of formations in this list may be different from the order of formations in the actual dance.
Steps:
Strathspey travel
Strathspey setting
Published in:
Book 9 [6] *
Pocket: Books 7,8,9 [30]
Thirty Popular Scottish Country Dances [25]
101 Scottish Country Dances [18]
Scottish Reels are Fun [16]
Scottish Country Dances in Diagrams. Ed. 7 [37]
Scottish Country Dances in Diagrams. Ed. 6 [35]
Scottish Country Dances in Diagrams. Ed. 8 [45]
Recommended Music:
Dalkeith's Strathspey (Niel Gow)
Recordings (10): Show tunes
Highlander Music Scottish Dances Vol 2 (Neil Barron and his Scottish Dance Band), track 12 [pace 63.5]
Music for Fifteen Dances (Bobby Crowe and his Scottish Dance Band), track 3 [pace 61.9]
The Bobby Brown Collection (Bobby Brown and The Scottish Accent), track 2 [pace 61.2]
The Island Fling (Bobby Brown and The Scottish Accent), track 2 [pace 61.2]
Dances of Scotland Volume 1 (The Atholl Players), track 2 [pace 56.0]
Dances of Scotland Volume 1 (The Atholl Players), track 2 [pace 56.0]
Dancing Through Scotland (Jimmy Shand and his Band), track 8
Preliminary Test (Muriel A Johnstone), track 8
Book 9. Music for Twelve Scottish Country Dances (Bobby Crowe and his Scottish Dance Band), track 2 [pace 63.0]
Band Boy's Choice (John Renton and his Scottish Dance Band), track 5

Crib

1-81C (NHJ) set to 2W, 1C+2W circle3 ; 1C set to 2M, 1C+2M circle3 to finish 1C in the middle facing down
9-161C lead down (2C up) ; and up to between 2C, 1M facing 2W and 1W facing 2M
17-241C+2C Reel4 across to finish facing 1cnrs
25-32Turn CPCP (finish NHJ on 1st time through)
Crib needs checked · Source: Eric T. Ferguson ·

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The entry for this dance has not yet been verified against the original publication, Book 9. If you have access to this publication, please consider cross-checking the information given here and submitting a correction if necessary, either using the link below or by direct e-mail to Alan Paterson.

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